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    Live Music is Back

    These Houston music venues are rocking out a big return with new shows

    Johnston Farrow
    Johnston Farrow
    May 29, 2020 | 10:20 am
    Armadillo Palace live performance
    Goode Company's Armadillo Palace will start hosting shows Thursday through Saturday.
    Photo courtesy of Goode Co. Armadillo Palace

    After hundreds of cancelled shows and a slew of virtual performances, the slumbering Houston live music scene is showing signs of waking after a long hibernation.

    Several live music venues across the Bayou City are opening their doors this weekend to actual, real-life, in-person performances, but they will look much different from what audiences are accustomed to seeing. They kick-off amidst confusion among club owners over which guidelines to follow.

    Last weekend, Axelrad Beer Garden put on the first live show since March, a sold-out, drive-in concert with music fans watching local indie bands play on the roof of the Midtown venue from parking lots across the street. This week, other music hot spots will dip their toes in the musical waters by inviting patrons into their spaces.

    Venue leaders are emboldened by Gov. Greg Abbott's softening of business restrictions, allowing bars to reopen at 25 percent last Friday, even with restrictions including table-only seating with bar tops blocked off, bar stools removed, and parties limited to six people.

    There has been mixed messages from local government officials with orders requiring live performance spaces to remain shuttered. After dealing with months of lost revenue and mass layoffs, it's the state guidelines that many live music spots are following, instituting new seating layouts, and drink service measures to maintain patron safety.

    Live at the Warehouse
    For rock fans willing to venture out, Eado venue Warehouse Live will return on Friday, May 29, with the aptly named "The Show Must Go On" in its ballroom space featuring Queen tribute act, Queen Legacy, Foreigner tribute, Double Vision, and Police tribute, Syncronicity. Doors will open at 7 p.m. and tickets are free with some VIP tables carrying a fee.

    Marketing manager Ashly Montgomery tells CultureMap the staff is taking "every precaution" to follow the state's orders and Center for Disease Control guidelines, especially after last weekend when other Houston venues and clubs seemingly showed little restraint, forcing Mayor Sylvester Turner to call the fire marshal to enforce the 25 percent capacity rule.

    "Our GM sent out emails to the Governor's office just to clarify that we were able to open under the guidelines of the bar scenario," Montgomery says. "The setup will look different — it looks like the most intense game of chutes and ladders, it looks crazy, but it makes sense. If you look at the orders, it says you have to have tables and chairs with people sitting, so we have everything marked out, we have hand sanitizers and disinfectant everywhere. No concern is too small for our staff and customers."

    Shows at Warehouse Live will be cut the capacity of 1,750 people to only 200 seats with tables situated throughout the venue and no general admission standing room. Patrons are encouraged to wear masks, staff will be required to wear personal protective equipment and anyone who enters the space will have their temperature checked. Those with temperatures over 100.1 not allowed to enter. Once patrons enter, they will be designated a particular spot on the floor from which they and their group — limited to six people — may not move into another attendee's space, a measure that will be strictly enforced by security.

    "We're excited to be open and back into the swing of things, even if we have to do it a little bit different," Montgomery said. "It's reassuring because it's one more step towards normalcy."

    The Rustic is back
    Country singer Pat Green's downtown honky-tonk, The Rustic, hosted it's first show last weekend and will continue offering live music from a variety of artists and genres throughout the weekends. The venue is well situated for social distancing guidelines with a cavernous space that can easily be modified for smaller crowds. All shows are free admission.

    Goode to see you
    Goode Company's Armadillo Palace
    is geared up for weekend live performances suited for country fans with Houston based retro country act Broken Spokes this Friday evening and four-time Texas Female Vocalist of the Year Bri Bagwell with Bo Brumble doing an acoustic song swap. Shows are scheduled Thursday through Saturday evenings throughout the summer.

    Scouting a return
    For harder rock fans, Scout Bar in Clear Lake is booking local and regional acts, most of them at a reduced ticket rate.

    A secret no more
    The Secret Group in EaDo has been hosting comedy acts, but will start offering seated DJ shows, including this Saturday's Dial-Up: 90s and Y2K Party.

    Duck in for a good show
    Those into lower key, acoustic fare will have their chance for a live music experience at McGonigel's Mucky Duck next week when the Kirby spot starts up its concert schedule with Adam Hood on June 4.

    Other venues are taking a wait and see approach, whether its due to financial reasons or the fact their space doesn't work with social distancing guidelines.

    White Oak Music Hall doesn't have a performances scheduled until June 20 but a source at the popular Heights venue promised noteworthy events on the horizon.

    Storied Main Street space, The Continental Club, is also being cautious with live shows, with Damien Jurado on June 24 listed as the first show back. Instead, it has been been hosting virtual shows every week from its stage with popular standbys, including country singer Luba Dvorak with his Wednesday night "Luba's Quarantine Ramble Live Stream" series, and '60s Liverpool Fab Four inspired act Beetle on Thursdays.

    Goode Company's Armadillo Palace will start hosting shows Thursday through Saturday.

    Armadillo Palace live performance
    Photo courtesy of Goode Co. Armadillo Palace
    Goode Company's Armadillo Palace will start hosting shows Thursday through Saturday.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
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