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    Live Music Now

    These are the 5 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    May 29, 2018 | 1:30 pm

    It's a week filled with two farewell shows, a reggae themed night to heat up our first heatwave, a post-punk icon making an H-Town stop, and a free show for the family to enjoy downtown. These are CultureMap's top concerts of the week:

    Reggae revelation: Matisyahu and Marley
    It’ll be a night of deep dive reggae as Matisyahu and Stephen Marley co-headline at White Oak. Most music fans remember Matisyahu as the Orthodox Jewish rapper from New York City when he first hit the scene in the mid-aughts, which now feels like a gimmick when contrasted against his respectable career as a reggae, hip-hop, and alt-rock performer. Marley is the Grammy Award-winning son of Bob Marley and continues his father’s legacy with forward-thinking reggae. This is a must-see show for Bayou City reggae fans.

    Mitisyahu and Stephen Marley co-headline at White Oak Music Hall, located at 2915 S. Main St., on Wednesday, May 30. Tickets are $21 in advance plus a $6.71 service fee. Doors open at 7 pm.

    Peter Hook’s bizarre band triangle
    Following the bitter break-up of the original New Order line-up of New Order, iconic and influential post-punk bassist Peter Hook went his own way and formed The Light. The band is devoted to performing classic songs from Hook’s old bands, both New Order, and its original incarnation, Joy Division. It's a bittersweet opportunity for fans of either band. On the positive, this is as closest anyone is going to get to hearing Joy Division tracks live since that act’s lead singer, Ian Curtis, committed suicide in 1980. Oppositely, Hook is only one-fourth of New Order and that band is still touring and producing new music. Regardless, these timeless songs ("Love Will Tear Us Apart," "Temptation," "Confusion") are too good to miss celebrating in a live setting and Hook’s latest tour is drawing rave reviews from fans.

    Peter Hook and the Light plays iconic tunes at Warehouse Live, located at 813 St. Emanuel St., on Thursday, May 31. Tickets are $25 in advance plus an $8.22 service fee. Show starts at 8 pm.

    Terry Allen and Libby Koch toast free Thursday nights
    The best happy hour option for music fans continues as the Thursday night concert series at Discovery Green welcomes country singers Terry Allen and Libby Koch. A family friendly event, guests are encouraged to bring food, blankets and chairs to enjoy the evening. Saint Arnold will be on hand serving icy brews and Lake House will offer up the eats for a fee. The best part is the performances will be over at a decent time so you can be home early and well rested for the next day.

    Party on the Plaza with Terry Allen at Discovery Green, located at 500 McKinney St., goes down on Thursday, May 31. Admission is free. Show starts at 7 pm.

    Ronnie Milsap brings the Smoky Mountain Rain
    It's not a huge surprise that country legend Ronnie Milsap is winding down his touring career. The top-tier songwriter is 75 years-old and has had some health scares over the last few years. While he's been on his farewell tour for a few years now, there's no telling when the final shows will be, so his stop at the Dosey Doe is a must for his fans. Tickets are pricey, but seeing the man responsible for 40 No. 1 country hits such as "Smoky Mountain Rain," "Lost in the Fifties Tonight," and "It Was Almost Like a Song" in this intimate venue will be worth it.

    Ronnie Milsap performs at Dosey Doe, located at 25911 Interstate 45 N, on Friday, June 1. Tickets start at $148 plus $14.95 in service fees. Show starts at 8:30 pm.

    You can call me Paul (Simon)
    At one point, Paul Simon, along with his songwriting partner, Art Garfunkel, was one of the biggest musical acts in the world. Featuring hits stretching back to the '60s, Simon is currently on his Homeward Bound farewell tour, culminating in three shows in New York City, with an open date in late-June that many are speculating to be in Central Park, the scene of his biggest triumph in 1981 when he and Garfunkel performed in front of 500,000. Until then, Houston fans will get to see him in the relatively intimate Toyota Center, where they will surely enjoy his best solo works, including "You Can Call Me Al," "Graceland," and "Late in the Evening."

    Paul Simon performs for the final time at the Toyota Center, located at 1510 Polk St., on Saturday, June 2. Tickets start at $49.50 plus fees. Show starts at 8 pm.

    Matisyahu will co-headline with Stephen Marley at White Oak Music Hall on Wednesday, May 30.

    Mitisyahu
    Beau Grealy
    Matisyahu will co-headline with Stephen Marley at White Oak Music Hall on Wednesday, May 30.
    musicnightlifeconcerts
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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