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    Movie Review

    Booksmart works hard to show full depth of female friendship

    Alex Bentley
    May 27, 2019 | 12:35 pm
    Booksmart works hard to show full depth of female friendship
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    When it comes to comedies about teenagers going wild, more often than not they focus on male characters. That stereotype may be beginning to change as, following 2018’s Blockers, teen girl characters are once again front and center in Booksmart.

    Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) are best friends on the verge of graduating from high school and moving on to highly respected universities. Their school-first attitudes are shattered, though, when they learn that many of the popular kids, whom they had assumed didn’t do well in school because of their partying, are also going to great colleges.

    In the classic “one last night before school ends” movie tradition, Molly and Amy decide to throw caution to the wind and finally party like everyone else. The only problem is actually getting to the party. The duo endures a host of hijinks en route to their intended destination, in the process learning a lot about their classmates and themselves.

    Marking the directorial debut of Olivia Wilde and written by the all-female team of Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, the film provides a nice mix between over-the-top antics and down-to-earth sensibilities. Befitting the two girls’ mostly buttoned-down personalities, the filmmakers draw laughs from fish-out-of-water scenarios, as well as a variety of characters that stand in stark contrast to their dispositions.

    The biggest reason the film works as well as it does is the intimate look into Molly and Amy’s friendship. The audience is privy to a number of private details about their lives that make them highly relatable. They’re goofy, they’re nerdy, and they’re sexual, traits we all share in our own way no matter your background. The film also offers equal time for different sexual orientations, with both girls nursing crushes, one on a boy and one on a girl.

    Feldstein, who knocked it out of the park as the sidekick in Lady Bird, shines again in another high school role. With her talent and comic timing, she may soon challenge brother Jonah Hill for acting supremacy. Dever, who’s been in a string of high-profile projects in which she’s not the star, may see her profile rise after this great performance. Special note should also be made of fantastic supporting roles turned in by Jason Sudeikis, Billie Lourd, and Skyler Gisondo.

    Booksmart, despite a plethora of profanity and sexual innuendo, is a mostly sweet film that works hard to show the full depth of a female friendship. Showcasing two up-and-coming highly-talented actors, it’s a movie that holds up well against other recent notable comedies.

    Skyler Gisondo in Booksmart.

    Skyler Gisondo in Booksmart
    Photo by Francois Duhamel
    Skyler Gisondo in Booksmart.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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