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    Why are you waking me up for labor?

    Aftershocks: Is the blastoma baby bumming everyone out on Real Housewives of NewJersey?

    Joseph Campana
    Theodore Bale
    May 27, 2010 | 2:22 pm
    • Danielle only wanted a little protection for the blastoma baby benefit.
    • As usual, everyone is getting along.

    It was a tale of two babies — the one ruddy with health, the other stricken with cancer. It was also a story of two young adults struggling in the shadow of successful parents: the enterprising young man an entrepreneur-to-be and the indifferent girl in need of a life coach.

    Weighty themes abounded in the last installment of The Real Housewives of New Jersey. As Dina Manzo weeps upon becoming a godmother, Danielle gets busy finding just the right company for her upcoming season in hell.

    Last week The Real Housewives of New York (yes, we can't just have one Housewives season going at a time) quibbled, cried, and boozed it up by sea and by land in St. John, making us fear we’d be shipwrecked in a never-ending therapy session. Maybe those ladies should set sail for Franklin Lakes to gain some much needed perspective.

    As the show opens, gorgeously made-up Teresa Giudice moans as she climbs the stairs to tell sleeping-in-that-day husband Joe that she needs to deliver her baby. He seems irritated and takes his time making a fresh pot of coffee for himself.

    Daughter Gabriella wants breakfast (“FRENCH TOAST!”), which multitasking Teresa makes as she reads email and waits for “Mr. Slow Poke” to drive her to the hospital. Everyone seems bored by the fourth time around for the couple, even Dr. Gerardis, their OB/GYN.

    Joe still isn’t awake in the waiting room, fiddling on his mobile while Teresa applies lipstick. She calls Dina, who asks her “Did you make it pretty?” It seems the newborn will have a perfect view as she emerges into the world. “My chuckie? I tried to shave it this morning,” Teresa explains.

    As we watch what looks like a 16-guage needle dive into Teresa’s iodine-splashed spine, suddenly the images aren’t so funny. The camera remains fixed for minutes on the sign “Labor/Delivery Room” as Teresa shrieks and the subtitles spell out her attempt at “It’s a girl!” Those camera folks at Bravo always know when to leave a good thing alone.

    From one baby to another and stripping ...

    Meanwhile, as Danielle enjoys lunch at the pristine Preakness Diner with long-time friend Kathy (this is the first we’ve heard of her), her eyebrows knit when she hears disturbing news.

    Diner owner Chris comes out to explain that his 15-month-old daughter Emmanuela has been diagnosed with an extremely rare cancer. Chris is so poignant and humble you want to get your checkbook out when he asks Danielle to help raise the $10,0000 to $20,000 he and his wife will need each week for healthcare.

    Danielle says she’ll do anything she can to help. But piercing music stabs our ears as the venue of the benefit is announced: The Brownstone, owned by the family of one of Danielle’s worst enemies, redhead Caroline Manzo.
    And if you’re thinking what we were thinking, the answer is yes. Danielle would steal the limelight even from a baby with a blastoma.

    Maybe we felt a little sorry for her last season when Caroline called her garbage, even if it seemed true. But she 's truly trash when she visits ex-felon friends to secure bodyguards for her upcoming appearance at the benefit for baby Emmanuela.

    As a taxidermy bobcat leers over the fireplace, Danny and John, whose unrevealed crimes seem to linger in the air like a cheap cigar, lounge on the sofa. “When Danny takes my back, people better be listening,” Danielle explains to the camera.

    Well, we would listen. Danny and John seem straight from a sitdown on The Sopranos.

    The young adults in town are struggling with career decisions, and bright-eyed Christopher finally gets a chance to work on his strip-club cum car-wash venture. His folks arrange for him to work at Perfect Shine, a friend’s car wash, on Wednesday, the slowest day for business.

    To prepare, Christopher interns for one day at a high-rollers gentleman’s club in Manhattan. When he brings girls to promote business on his first day at Perfect Shine, there’s skepticism all around. But when the men pour in for a wash and polish from Christopher’s tattooed young friends in Daisy Duke shorts, owner Rick is thrilled. Caroline couldn’t be prouder. It seems she’s taught her son the difference between lowbrow “strip joints” and respectable “strip clubs.”

    Meanwhile, Ashley shuffles back to the homestead, explaining that she’s moving forward with her plans. She may not be looking for a job, but she’s definitely looking into looking for a job. Mom tries to help out, but Ashley throws cold water on the idea of a life coach. After all, she’s certain she might be interested in a career as a fashion-merchandiser-music-manager-zoologist.

    Even extra-dull husband Chris laughs off the life coach. After their second child, the energy between them seems to have dissipated. But Chris teases her, saying “you don’t want to see what’s in that safe!” Of course, that’s all she wants to see.

    Jacqueline feigns horror at first. As one gun after another emerges from the refrigerator-sized safe, Jacqueline holds them and “models” for Chris. Her voice becomes excited, feverish, and suddenly Franklin Lake’s newfound Patty Hearst fingers her latest glamour accessory: a sash of shiny bullets.

    Oh how Jacqueline beams.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    A post shared by RODEOHOUSTON (@rodeohouston)


    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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