Houston fans of a cult-favorite high school TV show and popular character actors have much to look forward to this summer.
Comic, pop culture, and entertainment extravaganza Comicpalooza has announced its highly anticipated guest lineup, one that’s sure to delight diehards when it returns to to the George R. Brown Convention Center on Saturday, July 17 through Sunday, July 18.
Chiseled and dimpled TV star Mario Lopez will join his former Saved by the Bell co-star Mark-Paul Gosselaar. The duo rose to fame playing Bayside High School studs A.C. Slater and Zack Morris on the hit show and promise to be a huge show draw.
Actor Ron Perlman, known for his gruff, tough-guy turns on Blade II, Drive, Sons of Anarchy, and his Golden Globe Award-winning portrayal of Vincent in Beauty and the Beast will also lend his looming presence to the event.
Meanwhile, comic book fans can line up to meet Donny Cates, best known for his work on titles including Doctor Strange and Thanos. Cates is next working on the relaunch of Marvel’s Thor and recently closed out his run on Venom. He was paired with artist Ryan Stegman, an accomplished comic book artist for Marvel Comics. Stegman’s credits include Venom, Uncanny Avengers, Amazing Spider-Man, Wolverine, and Fantastic Four.
Event organizers promise more guest announcements in the coming weeks.
Fans can stay up-to-date on Comicpalooza happenings, important health and safety guidelines, admission prices and schedules, and more at the official site.
The most important thing for any movie to establish early on is its tone. No matter the genre, a film needs to make its audience understand how they should feel as the story unfolds so that they’re willing to go along with whatever transpires on screen. A film that doesn't do that, such as the new Onslaught, runs the risk of failing to connect with viewers even if it has some interesting or fun elements to offer.
One of the biggest issues for the movie is that it fails to fully invest in its main character, Celeste (Adriana Arjona). She’s a military veteran who now lives in and manages a desert trailer park, which is filled with a motley crew of offbeat people. She also has a contentious relationship with her ex, who unexpectedly drops off their daughter, Daisy (Blake Kennedy), soon after the film begins.
Celeste has a stash of high-powered weapons, showing she hasn’t left her former career fully behind. Her expertise comes in handy when something goes wrong at a nearby military contractor facility run by Hans Kemmler (Dan Stevens), and a trio of super soldiers escapes into the wild. Trained to kill everyone in their path, it’s not long before they set their glowing eyes on the trailer park.
Directed by Adam Wingard and written by Simon Barrett, the film has elements of horror, action, and comedy, but the filmmakers struggle in finding the right combination of the three. Wingard and Barrett divide the film’s focus between the trailer park and the military facility for a long time at the beginning of the film, and the quirkiness of people at the former mixed with the bold weirdness of the people at the latter keep viewers off balance in a bad way.
Once they finally settle into the main part of the story where the super soldiers go on a rampage, the filmmakers overpromise and underdeliver. The showdown between a seemingly unstoppable group and an angry woman and her band of misfits seems destined to be highly entertaining, but comes off as underwhelming. The sequence is filled with brutality with no meaning and heroics that feel more accidental than purposeful.
The ham-fisted way in which the story plays out is disappointing since the film has a bunch of characters who could have been great if used properly. The trauma of Celeste’s military career and personal life are hinted at, but don’t come into play as much as expected. Hans and his wife Hanna (Rebecca Hall) are completely off-the-wall, but their eccentricities seem to be apropos of nothing. The super soldiers are initially intimidating, but the climactic sequence undercuts them significantly.
Arjona has yet to fully break out despite some good roles in Hit Man and the Disney+ show Andor. She makes for a good lead here, embodying the toughness of a military veteran while still being relatable. Stevens and Hall go all in with their bonkers characters, but the story doesn’t serve them well. Comic relief comes in the form of Reginald VelJohnson and Eric Wareheim, and they do a great job in smaller roles.
A movie like Onslaught is typically one where the audience just turns off their brains and enjoys the carnage. But Wingard and Barrett try a little too hard by throwing in oddball characters that don’t add much to the story, forgetting to pay enough attention to the mechanics of the plot in the process.
