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    It's down to two

    On the front row at American Idol: Justin Bieber is a "no show" & Simon Cowellshows his nice side

    Jane Howze
    May 19, 2010 | 11:13 pm
    • The view from my seat
    • A coveted ticket to Wednesday night's "American Idol" elimination round.
      Jane Howze
    • Justin Bieber's performance was on tape
    • It won't be the same without Simon
    • Lee DeWyze is the crowd favorite
    • But don't count Crystal Bowersox out
      Photo courtesy of Crystal Bowersox

    Sometimes it just pays to ask.

    I flew from Houston to Los Angeles Wednesday because I was lucky enough to snare a couple of seats to the American Idol elimination round at CBS Studios (courtesy of a client who was a former executive at Fox). My husband and I got there an hour before showtime and, after having to check my cellphone (none are allowed at the show), we made it inside. Even though the studio is small, holding around 300 people max, our seats were on the back row. So I politely asked the guard if I could find a better seat because I was a correspondent for CultureMap.

    He moved me to the front row, a few seats down from Perez Hilton and next to guest singer Travis Garland's parents and a beautiful woman who called him a "good friend."

    "We're Texan too," his mother told me. "We're from Lubbock."

    "You need to listen to him," his friend told me. "He's going to be the next big thing."

    Even though American Idol is live, its guest singers usually aren't. Garland performed his song twice before the show and the best one was presumably chosen for airing.

    "This is TV, nothing is done just once," an announcer intoned before the second take."Cheer louder. Let's go!"

    After Garland finished, the judges (minus Simon Cowell) came out with the 10 Idol finalists, who will go on tour after next week's season-ender, as a big cake was rolled onstage. They sang "Happy Birthday" to Fox reality chief, Mike Darnell. "He hired us all for the show," Randy Jackson said.

    Ellen Degeneres — dubbed "Ellen The Generous" by Washington Post TV writer Lisa de Moraes because she rarely said anything bad about a contestant the entire season — was in deep conversation with frontrunner Lee DeWyze while Randy Jackson huddled with chief rival Crystal Bowersox. But Cowell, who will leave the show after next week's finale, was nowhere to be found.

    "I don't know where Simon is. He must be spray-painting his shirt on," Ryan Seacrest said in one of his few unscripted comments of the night. (During the show, Seacrest reads every line from a Teleprompter that is taller than he is.)

    Even with all this activity, there was still 25 minutes before the show began, so the judges disappeared. As I waited, the audience rippled with whispers that the main attraction, teen idol Justin Bieber, would not be performing live. His performance was previously taped and he was nowhere in the house.

    I asked Garland's friend, "Are you sure?"

    "They always do it that way so they can edit it," she said.

    I told her I was at an American Idol show three years ago and Barry Manilow performed live.

    "That was then," she said.

    With about five minutes until showtime, all 12 previously eliminated contestants reappeared, sending the surprised audience into a shouting frenzy, and the show began.

    The most interesting parts were the commercial breaks. During one extended break, the judges hot footed it out of the auditorium through 20-foot-doors that led to a loading dock. When the doors were slid open to let them exit, sunlight flooded in (it was just a little after 6 p.m. West Coast time), adding a surreal feeling to the evening.

    At another break, judges Randy Jackson and Kara DioGuardi hightailed it over to Hilton's seat to schmooze witth the celebrity gossip blogger. At another stop, the announcer announced that Bieber would not be performing live. "But you can watch his performance on the big screen," he said.

    I was touched during one break, when Cowell and DioGuardi came over to a severely disabled boy in a wheelchair about two feet from me and tenderly spoke with him for several minutes and signed autographs. It made me think that Simon is not such a bad guy.

    Finally it came time to announce the two finalists for next week's closer. When DeWyze's name was announced, the cheers were so earsplitting that I couldn't hear the other chosen contestant, Bowersox. The third contestant, Texan Casey James, sang his farewell song -—John Mayer's "Daughter" —and scooped up a little girl from the audience (maybe a niece? She didn't seem fazed). And then it was over.

    But not quite.

    "Don't leave everybody," the announcer said. It was time for the coin toss, with a special medallion bearing Bowersox's face on one side and DeWyze's on the other. Bowersox won the flip and chose to go second in next week's finale.

    But I'm pretty sure that DeWyze will win. The audience was on his side and it's been a long time since a woman won American Idol.

    Before we left to retrieve my cell phone —there must have been 60 or more waiting — the cities where the 2011 American Idol auditions were announced. Nashville, Jersey City, and San Francisco are on the list.

    But it won't be the same without Simon.

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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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