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    It's down to two

    On the front row at American Idol: Justin Bieber is a "no show" & Simon Cowellshows his nice side

    Jane Howze
    May 19, 2010 | 11:13 pm
    • The view from my seat
    • A coveted ticket to Wednesday night's "American Idol" elimination round.
      Jane Howze
    • Justin Bieber's performance was on tape
    • It won't be the same without Simon
    • Lee DeWyze is the crowd favorite
    • But don't count Crystal Bowersox out
      Photo courtesy of Crystal Bowersox

    Sometimes it just pays to ask.

    I flew from Houston to Los Angeles Wednesday because I was lucky enough to snare a couple of seats to the American Idol elimination round at CBS Studios (courtesy of a client who was a former executive at Fox). My husband and I got there an hour before showtime and, after having to check my cellphone (none are allowed at the show), we made it inside. Even though the studio is small, holding around 300 people max, our seats were on the back row. So I politely asked the guard if I could find a better seat because I was a correspondent for CultureMap.

    He moved me to the front row, a few seats down from Perez Hilton and next to guest singer Travis Garland's parents and a beautiful woman who called him a "good friend."

    "We're Texan too," his mother told me. "We're from Lubbock."

    "You need to listen to him," his friend told me. "He's going to be the next big thing."

    Even though American Idol is live, its guest singers usually aren't. Garland performed his song twice before the show and the best one was presumably chosen for airing.

    "This is TV, nothing is done just once," an announcer intoned before the second take."Cheer louder. Let's go!"

    After Garland finished, the judges (minus Simon Cowell) came out with the 10 Idol finalists, who will go on tour after next week's season-ender, as a big cake was rolled onstage. They sang "Happy Birthday" to Fox reality chief, Mike Darnell. "He hired us all for the show," Randy Jackson said.

    Ellen Degeneres — dubbed "Ellen The Generous" by Washington Post TV writer Lisa de Moraes because she rarely said anything bad about a contestant the entire season — was in deep conversation with frontrunner Lee DeWyze while Randy Jackson huddled with chief rival Crystal Bowersox. But Cowell, who will leave the show after next week's finale, was nowhere to be found.

    "I don't know where Simon is. He must be spray-painting his shirt on," Ryan Seacrest said in one of his few unscripted comments of the night. (During the show, Seacrest reads every line from a Teleprompter that is taller than he is.)

    Even with all this activity, there was still 25 minutes before the show began, so the judges disappeared. As I waited, the audience rippled with whispers that the main attraction, teen idol Justin Bieber, would not be performing live. His performance was previously taped and he was nowhere in the house.

    I asked Garland's friend, "Are you sure?"

    "They always do it that way so they can edit it," she said.

    I told her I was at an American Idol show three years ago and Barry Manilow performed live.

    "That was then," she said.

    With about five minutes until showtime, all 12 previously eliminated contestants reappeared, sending the surprised audience into a shouting frenzy, and the show began.

    The most interesting parts were the commercial breaks. During one extended break, the judges hot footed it out of the auditorium through 20-foot-doors that led to a loading dock. When the doors were slid open to let them exit, sunlight flooded in (it was just a little after 6 p.m. West Coast time), adding a surreal feeling to the evening.

    At another break, judges Randy Jackson and Kara DioGuardi hightailed it over to Hilton's seat to schmooze witth the celebrity gossip blogger. At another stop, the announcer announced that Bieber would not be performing live. "But you can watch his performance on the big screen," he said.

    I was touched during one break, when Cowell and DioGuardi came over to a severely disabled boy in a wheelchair about two feet from me and tenderly spoke with him for several minutes and signed autographs. It made me think that Simon is not such a bad guy.

    Finally it came time to announce the two finalists for next week's closer. When DeWyze's name was announced, the cheers were so earsplitting that I couldn't hear the other chosen contestant, Bowersox. The third contestant, Texan Casey James, sang his farewell song -—John Mayer's "Daughter" —and scooped up a little girl from the audience (maybe a niece? She didn't seem fazed). And then it was over.

    But not quite.

    "Don't leave everybody," the announcer said. It was time for the coin toss, with a special medallion bearing Bowersox's face on one side and DeWyze's on the other. Bowersox won the flip and chose to go second in next week's finale.

    But I'm pretty sure that DeWyze will win. The audience was on his side and it's been a long time since a woman won American Idol.

    Before we left to retrieve my cell phone —there must have been 60 or more waiting — the cities where the 2011 American Idol auditions were announced. Nashville, Jersey City, and San Francisco are on the list.

    But it won't be the same without Simon.

    unspecified
    news/entertainment

    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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    news/entertainment
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