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    It's down to two

    On the front row at American Idol: Justin Bieber is a "no show" & Simon Cowellshows his nice side

    Jane Howze
    May 19, 2010 | 11:13 pm
    • The view from my seat
    • A coveted ticket to Wednesday night's "American Idol" elimination round.
      Jane Howze
    • Justin Bieber's performance was on tape
    • It won't be the same without Simon
    • Lee DeWyze is the crowd favorite
    • But don't count Crystal Bowersox out
      Photo courtesy of Crystal Bowersox

    Sometimes it just pays to ask.

    I flew from Houston to Los Angeles Wednesday because I was lucky enough to snare a couple of seats to the American Idol elimination round at CBS Studios (courtesy of a client who was a former executive at Fox). My husband and I got there an hour before showtime and, after having to check my cellphone (none are allowed at the show), we made it inside. Even though the studio is small, holding around 300 people max, our seats were on the back row. So I politely asked the guard if I could find a better seat because I was a correspondent for CultureMap.

    He moved me to the front row, a few seats down from Perez Hilton and next to guest singer Travis Garland's parents and a beautiful woman who called him a "good friend."

    "We're Texan too," his mother told me. "We're from Lubbock."

    "You need to listen to him," his friend told me. "He's going to be the next big thing."

    Even though American Idol is live, its guest singers usually aren't. Garland performed his song twice before the show and the best one was presumably chosen for airing.

    "This is TV, nothing is done just once," an announcer intoned before the second take."Cheer louder. Let's go!"

    After Garland finished, the judges (minus Simon Cowell) came out with the 10 Idol finalists, who will go on tour after next week's season-ender, as a big cake was rolled onstage. They sang "Happy Birthday" to Fox reality chief, Mike Darnell. "He hired us all for the show," Randy Jackson said.

    Ellen Degeneres — dubbed "Ellen The Generous" by Washington Post TV writer Lisa de Moraes because she rarely said anything bad about a contestant the entire season — was in deep conversation with frontrunner Lee DeWyze while Randy Jackson huddled with chief rival Crystal Bowersox. But Cowell, who will leave the show after next week's finale, was nowhere to be found.

    "I don't know where Simon is. He must be spray-painting his shirt on," Ryan Seacrest said in one of his few unscripted comments of the night. (During the show, Seacrest reads every line from a Teleprompter that is taller than he is.)

    Even with all this activity, there was still 25 minutes before the show began, so the judges disappeared. As I waited, the audience rippled with whispers that the main attraction, teen idol Justin Bieber, would not be performing live. His performance was previously taped and he was nowhere in the house.

    I asked Garland's friend, "Are you sure?"

    "They always do it that way so they can edit it," she said.

    I told her I was at an American Idol show three years ago and Barry Manilow performed live.

    "That was then," she said.

    With about five minutes until showtime, all 12 previously eliminated contestants reappeared, sending the surprised audience into a shouting frenzy, and the show began.

    The most interesting parts were the commercial breaks. During one extended break, the judges hot footed it out of the auditorium through 20-foot-doors that led to a loading dock. When the doors were slid open to let them exit, sunlight flooded in (it was just a little after 6 p.m. West Coast time), adding a surreal feeling to the evening.

    At another break, judges Randy Jackson and Kara DioGuardi hightailed it over to Hilton's seat to schmooze witth the celebrity gossip blogger. At another stop, the announcer announced that Bieber would not be performing live. "But you can watch his performance on the big screen," he said.

    I was touched during one break, when Cowell and DioGuardi came over to a severely disabled boy in a wheelchair about two feet from me and tenderly spoke with him for several minutes and signed autographs. It made me think that Simon is not such a bad guy.

    Finally it came time to announce the two finalists for next week's closer. When DeWyze's name was announced, the cheers were so earsplitting that I couldn't hear the other chosen contestant, Bowersox. The third contestant, Texan Casey James, sang his farewell song -—John Mayer's "Daughter" —and scooped up a little girl from the audience (maybe a niece? She didn't seem fazed). And then it was over.

    But not quite.

    "Don't leave everybody," the announcer said. It was time for the coin toss, with a special medallion bearing Bowersox's face on one side and DeWyze's on the other. Bowersox won the flip and chose to go second in next week's finale.

    But I'm pretty sure that DeWyze will win. The audience was on his side and it's been a long time since a woman won American Idol.

    Before we left to retrieve my cell phone —there must have been 60 or more waiting — the cities where the 2011 American Idol auditions were announced. Nashville, Jersey City, and San Francisco are on the list.

    But it won't be the same without Simon.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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