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    bring on the bunnymen

    Influential '80s band Echo & The Bunnymen bring on a Houston stop in new tour

    Steven Devadanam
    May 17, 2022 | 5:20 pm
    Ian McCulloch Echo & The Bunnymen
    Lead singer Ian McCulloch hits Houston with the band this August.
    Echo & The Bunnymen/Facebook

    In yet another jolt to Gen-Xers’ “it’s been how long!?” sensibilities, one of the most influential bands in modern British music history has just announced a North American tour celebrating 40 — yes, 40 — years.

    Innovative pop-New Wave act Echo & The Bunnymen will visit three Texas cities during the tour, starting with Houston at House of Blues on Wednesday, August 17, which is the second date right after Atlanta on August 15. It then heads to Dallas’ House of Blues on Friday, August 19, then to Austin’s Austin City Limits Live at The Moody Theater the next day on Tuesday, August 20.

    Tickets for the 2022 North American tour will be available at 10 am Friday, May 20 online.

    Fans can expect at least 20 of the Bunnymen’s top-20 hits, such as “The Killing Moon,” “Lips like Sugar,” “Bring On the Dancing Horses,” “Never Stop,” “Seven Seas,” and “Nothing Lasts Forever.” The band also boasts nine, seminal, top-20 albums, including Crocodiles, Heaven Up Here, Porcupine, and Ocean Rain — all of which have served as inspiration and foundations for modern acts such as Coldplay (who covered “Lips Like Sugar,”), The Killers, Hole, and The Flaming Lips.

    Led by lead singer Ian McCulloch (no, he’s not “Echo”) and his gravity-defying hair and Bowie-esque crooning, Echo & The Bunnymen were smart, stylish leaders of the ’80s post-punk movement, crafting irresistibly catchy hooks and instrumentation.

    Singles such as the poppy, anthemic “Bring On the Dancing Horses” were perfectly defining matches in 1980s teen movies such as Pretty in Pink, while the moodily upbeat “The Killing Moon” is widely considered the band’s biggest hit.

    Most recently, the band dropped the album The Stars, The Oceans & The Moon in 2018, with Q Magazine anointing the release as “magical.”

    “I can’t wait for this upcoming tour of America and Toronto,” said McCulloch in a statement. “It will be a continuation of the U.K. tour we did in February/March of this year which was my favourite ever tour, and talking to fans and friends after shows and reading loads of brilliant comments from Bunnymen and Bunnywomen, all saying pretty much what I was feeling … that some new magical ingredient had been added to the starlight and the moonbeams and the angels and the devils that live inside the songs.”

    concertsmusic
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

    moviesfilm
    news/entertainment

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