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    Taylor Swift's All Red

    Taylor Swift lets her costumes (10 changes) and emotions fly, calls Houston a magical place

    Anna Domning
    May 17, 2013 | 6:41 am

    “Hello Houston, Texas . . . I’m Taylor.”

    A wide-eyed Taylor Swift played to a sold-out Toyota Center Thursday night on the 17th stop of her worldwide “Red Tour.” The show came complete with 10 costume changes, fireworks, confetti and elaborate moving sets. By the end of the night Swift truly had the whole crowd “feelin’ 22.” To me Swift has always been about the lyrics and songwriting, but she proved that she has the vocals to back it up, belting out an 18-song set to thousands of screaming girls, and the occasional miserable dad.

    If it weren’t for the hoards of girls in cowboy boots filling the stands no one would have known Swift began as a country star. Her new Red album is the most rock/pop of any of her albums, with several songs involving techno and dubstep beats.

    Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    Swift erupted onto the stage with “State of Grace,” the first track on her new album. I was extremely impressed with the strength of her vocals this night. I've heard Swift sing live in the past and on TV and she rarely sounds like she does on the radio. Next up was “Holy Ground” a fast paced single complete with a flying marching band.

    The third song of the night was the title track "Red" — and Red truly was the theme of the show. From Swift's wardrobe choices and bedazzled electric guitar to her signature red lipstick, you couldn’t escape the color. She explained that she always likes to assign colors to her different emotions and lately the craziness in her life has been a “blinding red.” That craziness surely includes Swift's many tumultuous relationships (and breakups) that are often sensationalized in the tabloids.

    In one of her many (read: too many) audience heart to hearts, Swift shared that she “writes lots of songs about her feelings.” Spoiler alert, she has lots of feelings.

    The lyrics to Swift's songs tell stories about her romances and she doesn’t try to hide who they are about. From Jake Gyllenhaal to the teenage Kennedy to her most recent break up with One Direction’s Harry Styles, she certainly has a lot of material to work with.

    Swift's Texas Mom

    Swift also chatted with the crowd about her love for the Lone Star State. It so happens that her mother, who was comically paraded through the crowd at the beginning of the show, was actually raised here in Houston, attending both Memorial High School and the University of Houston. Swift said she always wondered what this “magical place called Houston, Texas is like, and it turns out [it’s] awesome.” I tend to agree.

    It almost makes you feel uncomfortable that she is sharing so much with you.

    While all the fireworks and acrobats were exciting to look at, Taylor really shined in her intimate acoustic performances. She worked her way through the crowd to a remote stage on the opposite side of the stadium to perform fan favorites “Fearless” and “Begin Again." Without all the bells and whistles, Swift was really able to connect with the audience with just a stool and her guitar.

    My favorite part of the night was when she brought out her opening act Ed Sheeran to perform their duet “Everything Has Changed.” Sheeran did an amazing job of warming up with crowd with a short set that was completely solo and acoustic but still engaging and energized.

    Dramatics

    While performing “Sparks Fly," Swift flew over the audience on a sparkling platform back to the main stage for her final set of songs. The most emotional performance of the night was undoubtedly her rendition of “All Too Well” where she showcased her impressive piano skills. Swift was so engrossed in the tragic love song about another failed romance (rumored to be about Gyllenhaal) that she looked like she was going to burst into tears at any moment.

    There is no denying that listening to Taylor Swift's lyrics is like tearing out a page from her diary, and it almost makes you feel uncomfortable that she is sharing so much with you.

    While there were many instances when I couldn’t help but roll my eyes at her rambling monologues about overcoming bullies and following your dreams, Swift genuinely does seem to be completely humbled by her success and is adamant about being a good role model to her fans. Overall the concert was extremely entertaining and by the end even the miserable-looking dads couldn’t help but tap their feet to the painfully catchy “We Are Never Ever Getting Back Together. “

    Set List:

    State of Grace
    Holy Ground
    Red
    You Belong with Me
    Lucky One
    Mean
    Stay Stay Stay
    Ho Hey (Lumineers cover)
    22
    Fearless
    Everything Has Changed
    Begin Again
    Sparks Fly
    I Knew You Were Trouble
    All Too Well
    Love Story
    Treacherous
    We are Never Ever Getting Back Together

    Taylor Swift arms up
    Photo by Chinh Phan
    unspecified
    news/entertainment

    Movie Review

    Rose Byrne and star-laden cast try to beat the system in new movie Tow

    Alex Bentley
    Mar 23, 2026 | 3:00 pm
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast — both Spencer and DeBose are Oscar winners — makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

    moviesfilm
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