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    Music Matters

    Rock 'n' roll Medusa: It's the '80s all over again when Bon Jovi comes to town

    Michael D. Clark
    May 16, 2011 | 10:07 pm

    Ahhhh, 1983.

    It was a good vintage year for pop music. Michael Jackson's "Billie Jean" ruled FM radio, with The Police's "Every Breath You Take" and Irene Cara's "Flashdance... What A Feeling" right behind the King of Pop for singles of the year. Men at Work were going "Down Under," the Eurythmics were telling us what "Sweet Dreams" are made of and Lionel Richie was keeping the party going "All Night Long."

    And somewhere in New Jersey, 21-year-old John Francis Bongiovi Jr. was in the process of becoming Jon Bon Jovi. By the time his debut single, "Runaway" started getting regional radio play and the band Bon Jovi took form, young Jon had become semi-competent on a guitar, very profiicent as a lead singer and an absolute wizard with a hair dryer and a teasing comb. His electrified hair was streaked with highlights and stood straight up as if her were some kind of rock n' roll Medusa.

    But it takes more than magnificent hair, good looks and a lucky first single to sustain a 28-year career, doesn't it? Apparently not, as the now iconic Bon Jovi's much anticipated performance at the Toyota Center Tuesday night confirms.

    I studied a list of bands that formed in 1983 along with Bon Jovi. There were a few, like Run D.M.C and the Red Hot Chili Peppers, that seemed like a big deal from day one and sure bets to become superstars. There were a few others — My Bloody Valentine, Art of Noise and Guided By Voices — that seemed destined for greatness but have long since dissolved. No one, however, could have predicted that the wannabe heavy metal kids with the super prissy hair would go one to sell 130 million albums worldwide and evolve into one of the most wholesome nights of family rock n' roll in existence.

    After mild success with early hits "Runaway" and "She Don't Know Me," (Fun Fact #1 "She Don't Know Me" has been disavowed by Bon Jovi and is the only one of its 51 singles that it refuses to play live), it took a couple more years for the band to find its niche. It eventually moved away from hair metal and toward big guitar arena rock and found the winning formula on 1986's Slippery When Wet. That album spent eight weeks at the top of the charts and sold 28 million albums on the strength of No. 1 hits "You Give Love A Bad Name" and "Livin' On A Prayer."

    (Fun Fact #2: This was supposed to the cover of Slippery When Wet. I wonder if the album still would have become an American rock classic if this very '80s beach babe— and 34DDs — wouldn't have been switched out in the eleventh hour for the timeless and now instantly recognizable slick garbage bag logo?)

    Bon Jovi never again matched the pop culture synchronicity captured with Slippery When Wet. They have continued to dole out a steady stream of mainstream sing-alongs and standing-in-the-rain ballads — 'I'll Be There For You," "It's My Life" and "We Weren't Born To Follow." Truth be told, the group's latest studio album, "The Circle" is its worst-selling album in neary a quarter century and its hottest single, "We Weren't Born To Follow," got an icy reception compared to past chart-toppers (although it did go to No. 3 in Hungary. I checked).

    But that hardly matters. When fans pack the Toyota Center it won't be for the new singles. This is a night to celebrate the band's '80s heyday.

    Bon Jovi, Tuesday 7:30 p.m. at Toyota Center

    Tickets: $19.50-$129.50

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    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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