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    Inprint's birthday

    An ultra hot book party: Tickets for 87-year-old author's reading disappear in an Internet flash

    Tarra Gaines
    May 13, 2013 | 2:42 pm

    Turning 30 usually calls for a blowout birthday party, but for Inprint, Houston’s preeminent literary arts organization, turning 30 was the perfect excuse to create a whole, new party genre, the after-reading, champagne and cupcake signing-line party.

    For a surprise added reading event to their Inprint Margarett Root Brown Reading Series, Inprint brought to town renowned American author James Salter for the only Texas appearance in support of his new novel. That book, All That Is, has garnered rave reviews for the 87-year-old author and is causing critics and fans alike to take one more look at this literary giant.

    When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes.

    Houston fans immediately took notice when Inprint made the announcement that the reading at the Menil Collection would be free but would require a ticket. When the first batch of tickets were released on the Inprint website, they were snatched up in 11 minutes. The second set was gone in four minutes. Not wanting to disappoint the literature-loving hordes still clambering for seats, Inprint and the Menil decided to audio broadcast the reading onto the front lawn to let guests without a ticket relax out on the grass, while not missing a word.

    Salter was an appropriate choice for this anniversary celebration that ends the 2012-2013 season. The last time Salter published a new novel was over three decades ago, before Inprint’s founding.

    Set in post-World War II New York, All That Is chronicles the life and loves of the novel’s protagonist, a book editor named Philip Bowman. The novel gives a fascinating look at a time when many New York publishing houses were first established. It was era of immense change in the world of writers and books, and so All That Is might resonate profoundly for readers living in our own time of tweeting and blogging authors and books taking form as light on a screen.

    After Salter’s reading everyone was invited to Inprint House, located a block behind the museum. Event goers wandered into the evening air, and quickly turned into partygoers as they streamed into Inprint House.

    No one appeared to mind waiting in the immense line that snaked through the converted house and onto the backyard deck. With cupcakes and champagne to imbibe inside, great conversation among old and new friends to be had beneath the night sky and James Salter waiting to sign books and talk with guests one-on-one, Inprint might have hit upon the perfect line-waiting formula for the future. Here’s to another 30 years of champagne and cupcake line parties.

    Among Houston’s literati attending the event were Kathryn and David Berg, Rick Carrell, Franci Crane, Justin Cronin, Consuelo Duroc Danner, Cece Fowler, Sis Johnson, Kathleen Lee and Tony Hoagland, Karl Kilian, Victoria and Marshal Lightman, Lillie Robertson, Doreen Stoller and Dan Piette, and Mark Wawro.

    Salter signing his book inside Inprint house

    141 Inprint Houston James Salter event May 2013
    Photo by Dave Einsel
    Salter signing his book inside Inprint house
    unspecified
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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