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    Dancing down the aisle

    Wedding bells in the dance world — and you're invited

    Nancy Wozny
    May 12, 2010 | 9:39 am
    • Erica Okoronkwo and Bianca Torres-Aponte of 6 Degrees in "Baptism"
      Photo by David A. Brown
    • 6 Degrees dancers Catalina Molnari and Kara Ary in "Baptism"
      Photo by David A. Brown
    • Michelle Garza of 6 Degrees in "Baptism"
      Photo by David A. Brown
    • Amy Ell of Vault
      Photo by David A. Brown
    • Vault's Catalina Molnari and Amy Ell
      Photo by David A. Brown

    Cue the wedding march, 6 Degrees and Vault, two Houston contemporary dance companies are about to tie the knot. There hasn't been this much excitement in artsy nuptials since The Arts Guys married that oak sapling.

    The ceremony begins Friday promptly at 8 p.m. at DiverseWorks, when choreographers and artistic directors Toni Leago Valle and Amy Ell reveal their new work and pledge everlasting love, for at least two weekends.

    Opposites attract and this couple couldn't be more different. Valle, dark-haired and intense, projects a no-nonsense presence. Her ability to do it all is legendary in the dance community.

    Valle's work is often deeply personal, sometimes even autobiographical, always dance-y. Her newest opus, Baptism, is all about water, bucket loads of it, how it contains us, holds us captive, and sometimes sets us free. "Water is a nurturing force, a chance to be reborn," Valle says. "It can also drown us." Valle is married in real life and is a mom.

    Ell, white-haired and pale, is soft spoken, keeping a quieter persona on the scene. She prefers to hang from the rafters, and is one of the most trained aerial artists in Texas. She's studied circus arts all over the world, including a close collaboration with Fred Deb' the orginator of "silks" and director of Compagnie Drapes Aeriens.

    Ell may be tiny, but as the reigning triple threat of Gyrotonic, Pilates and aerial work, she is hands-down one of the strongest dancers in Houston. No one scampers up a 20-foot pole or down a silk like this little dynamo. Ell premieres Blau, a work that travels from the ground into the airspace using single-point low-flying trapeze.

    "Blau" is German for blue, and refers to both the layers of self and stage spaces she uses during the piece. "Think of the human onion, you peel off one layer and there's another one," she says. Ell likes to adapt her many aerial skills to the space. Although DiverseWorks' ceiling is too low to use silks, it's perfect for for trapeze. Ell is single and a single mom of a teen ballet dancer.

    It's a marriage of water and air. As expected, neither has seen each other's new work yet. That would be bad luck for the betrothed pair. "We are both working from an abstract place this time," Valle says. "I am sure our work will complement each other's, but be different enough to make a really fun evening of dance."

    Not-so silly nuptials

    The choreographers have been meeting for over a year, discussing the possibility of doing something together. Being a choreographer can be a lonely job, slaving away in a studio alone to come up with cool moves to show your dancers. All the biz work takes another toll. Valle and Ell came up with an idea where they share the production and marketing, rather than the artistic end, of making a show.

    "We make good partners. It's more fun than going it alone, and we share the workload of putting it all together," Ell says.

    "One day after a meeting, I murmured 'Something old, something new' as a way to describe what we are doing as older choreographers doing something fresh," remembers Ell. "At first, I thought the idea of a wedding was silly. I finally got the nerve to call Toni with the wedding concept and she immediately loved it. It's just quirky enough."

    The idea stuck and gave the team just enough of a concept to present their work together.

    In a generous move, they also share five dancers, which makes the evening feel even more unified. University of Houston assistant professor and choreographer/dancer Teresa Chapman finds the couple inspiring.

    "In some ways they couldn't be more alike. They have such passion, energy and drive," Chapman says. "In other ways, they couldn't be more different. Amy works micro to macro, while Toni has the big picture more in mind from day one."

    As for which one is the groom or the bride? "Depends on the day, really, on the hour," quips Valle. "Today, we were both grooms," Ell adds.

    To commemorate the big day they have tweaked the saying to read, "Something old, something now, something drenched, something Blau."

    The wedding idea worked well for all the usual kickoff parties and fundraising efforts leading up to the show. Their announcement came in one of those traditional fat envelopes with a fancy engraved invitation. The two held a shower, complete with a layered vegan wedding cake. The rehearsal dinner featured short performances. The wrap-up cast party has a honeymoon theme. I imagine they will be sharing the dreaded thank-you-note writing to donors.

    Ell and Valle are two of the most generous, adventurous, and well-loved dance people in town. I know the entire dance community joins me in wishing them well on this special occasion.

    Quick, run and get some champagne. To Toni and Amy, may your dance dreams come true.

    As for the future, The smiling couple declined to speculate how long the marriage will last.

    "We like to live in the moment," offers Valle. Ell concurs. "As they say, one day at a time."

    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
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