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    take a look at him now

    With his music limited by an injury, Phil Collins follows his love of historydeep into the Alamo

    Tyler Rudick
    May 11, 2012 | 1:39 pm
    • Phil Collins is currently suffering from issues with his left hand, but said helooks forward to having a chance to continue concentrating on his writing.
      The Sun
    • The legendary Phil Collins sat down with CultureMap Wednesday to discuss hisfirst book The Alamo and Beyond: A Collector’s Journey.
      Photo by Tyler Rudick
    • The Alamo and Beyond: A Collector's Journey by Phil Collins
      Phil Collins.com
    • "Yeah, they knew," Collins said about his little-known interest in the Alamo. "Imean Tony Banks liked gardening, you know. It was no big deal."
      The Hobo's Ride
    • The History Shop, where Collins conducted an archaeolgical dig in search ofAlamo artifacts. "You can still see the place where we dug," he said. "It's in aportion of store next to this giant model of the Alamo."
      Google Maps

    Throughout his decades-long career as one of the most successful musicians in rock history, legend Phil Collins has maintained a little-known passion . . . for the Alamo.

    That's right, the iconic drummer for Genesis and author of solo mega-hits like "In the Air Tonight" and "Sussudio" has held a near-obsession with the Spanish colonial mission since he first saw Walt Disney's Davy Crockett as a 5-year-old London suburbanite.

    This week, Collins finds himself in Lone Star State on tour not for a new album, but for a book he's written about his massive collection of artifacts from the Alamo and Texas Revolution. On Wednesday, he made his way to the Houston offices of Torch Energy Advisors, which hosted a special book signing and Q&A session with the musician to raise funds for the Texas State Historical Society.

    CultureMap joined Collins for a special interview before the event. He talked more about the collection, his 2011 retirement from music and his rather unlikely new career as an historian.

    Phil Opens Up

    The collection is more or less a personal endeavor, Collins explained, and though the entire bottom floor of his house is dedicated to Texas artifacts, only about 20 people have ever seen it.

    "I've actually got quite a modest home in Switzerland," he laughed. "There used to be just enough stuff to put around the house and not have it get in the way. Suddenly, I was building display cases and now the basement is pretty much taken up with all of it."

    "It's not that I'm hiding it — it's just always been something that's only for me . . . something that's mine," he joked in a Mr. Burns-style voice, tapping his fingers together. I wanted to know if he kept his hobby a secret from the rest of Genesis.

    "It's just always been something that's only for me . . . something that's mine," Collins joked about his collection in a Mr. Burns-style voice, tapping his fingers together.

    "Yeah, they knew," Collins said. "I mean [keyboardist] Tony Banks liked gardening, you know. It was no big deal."

    Starting in the early 1970s and on through the mid-to-late '80s, Genesis rehearsed for all its tours in Dallas, where the company that built the band's elaborate stage and lighting designs was based.

    "I first went to the Alamo in '73 with Peter Gabriel and our tour manager," Collins recalled, saying that he found it fascinating, but was still far from the knowledgeable aficionado he is today.

    "I actually only went there two or three times until 2004 when I did the final farewell tour and we were playing here [in Houston]," he said. "I hired a little plane and flew with my wife, my 3-year-old and my assistant for a quick two-hour tour."

    The short visit marked a rather dramatic turning point for the musician, who was already considering a turn away from music towards writing.

    "I first went to the Alamo in '73 with Pet er Gabriel and our tour manager," Collins recalled, saying that he found it fascinating, but was still far from the knowledgeable aficionado he is today.

    "It was such a pivotal trip, because that's when I met James Guimarin who ran the History Shop, this antique shop near the Alamo," Collins said.

    The two would bond over their joint borderline obsession with the Battle of Texas and before long, Collins and Guimarin were organizing their own archaeological digs beneath the floors boards of the shop.

    "You can still see the place where we dug," he said. "It's in a portion of the store next to this giant model of the Alamo."

    After injuring his back playing drums on the last Genesis reunion tour in 2007, Collins noted that he has frequent issues with his left hand and struggles to play music. While he hasn't ruled out the possibility of a full recovery, he said he's enjoying his time away from the music industry and looks forward to having a chance to continue concentrating on his writing.

    unspecified
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

    moviesfilm
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