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Movie Review

Pokémon Detective Pikachu will electrify fans, but few others

Alex Bentley
May 10, 2019 | 10:45 am
Pokémon Detective Pikachu will electrify fans, but few others
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There are some movies where you go in knowing that if you don’t have prior knowledge of the film’s history, it’s not going to affect you as much as true-blue fans. If you haven’t seen all the Marvel or Star Wars movies, chances are you won’t enjoy a new one that much. So it might be best to take the following review of Pokémon Detective Pikachu with a grain of salt, as it’s being written by a person with only a passing knowledge of the 20+ year history of the Pokémon brand.

The first live-action Pokémon movie, Detective Pikachu centers on Tim Goodman (Justice Smith), a 20-something with a checkered family history. Upon learning that his dad was in a fatal car accident, Tim comes back to Ryme City, the only place in the world where humans and Pokémon co-exist peacefully. While searching through his father’s apartment, he encounters Pikachu (voiced by Ryan Reynolds), a creature that he can somehow understand even though nobody else can.

They investigate the possibility that Tim’s father might still be alive, aided by Lieutenant Hide Yoshida (Ken Watanabe) and Lucy Stevens (Kathryn Newton), an enterprising young reporter. Their search leads them into the orbit of Howard Clifford (Bill Nighy), the man who first espoused the idea of human-Pokémon co-existence, and his son Roger (Chris Geere), one of whom may not be exactly the man he proclaims himself to be.

Just as with other massively popular properties, the film offers more pleasure to fans than non-fans. The world of Ryme City is teeming with Pokémon of all sorts, some of which play a part in the story but most of which don’t. Just the sight of certain Pokémon sent my preview audience into squeals of delight, a devotion which goes way beyond the objective cuteness of most of the creatures.

It seems obvious that writer/director Rob Letterman and his writing team made the movie for the already-initiated, as it provides precious few entry points for those of us who don’t already have Pokémon on the brain. The use of Reynolds as the voice of Pikachu is one such point, as anyone who’s had experience with his sarcastic wit in Deadpool and elsewhere will enjoy his performance.

It’s also difficult to resist the inherent weirdness of the various creatures, including the panicky Psyduck and the angry Snubbull, who don’t say a word but entertain with just the threat of outbursts. The relationship between Tim and Pikachu, as well as a hint of a romance between Tim and Lucy, are the best parts of the movie.

But the details of the story, including the hows and whys of relationships between people and their Pokémon and the twisty noir of the main plot, don’t land as much of a punch. The filmmakers assume knowledge of how humans and Pokémon connect instead of actually explaining it, and the central mystery of whether Tim’s dad is still alive is treated more like a red herring than something crucial.

The performances of Reynolds, Smith, and Newton, all of whom are having upswings in their careers, keep things interesting. Watanabe is hardly used, so it’s unclear why he’s even in the movie, and Nighy and Geere have fun chewing the scenery in their various scenes.

Pokémon Detective Pikachu has a purpose — to indulge fans — and it does so with gusto. Anyone else would be better served by choosing almost any other movie.

Bill Nighy in Pokémon Detective Pikachu.

Bill Nighy in Pok\u00e9mon Detective Pikachu
Photo courtesy of Warner Bros. Pictures
Bill Nighy in Pokémon Detective Pikachu.
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Movie Review

Summer camp drama The Plague proves middle school is still pure horror

Alex Bentley
Jan 2, 2026 | 2:30 pm
Everett Blunck in The Plague
Photo courtesy of IFC
Everett Blunck in The Plague.

Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

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The Plague is now playing in theaters.

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