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    Meet me at the Fairs

    Texas Contemporary brings cutting edge spirit to fall art fairs

    Steven Devadanam
    May 9, 2011 | 10:00 am
    • The Texas Contemporary fair will be held at the George R. Brown ConventionCenter, Oct. 20 - 23.
    • Texas Contemporary has aligned itself with Contemporary Arts Museum Houston.

    When it comes to international art fairs, is two company?

    Houston audiences will find out this fall, when the already-announced Houston Fine Art Fair, scheduled for Sept. 16 through 18, will be followed by the Texas Contemporary art fair one month later. Slated for Oct. 20 through 23, the inaugural Texas Contemporary will present roughly 50 contemporary art dealers from around the world at the George R. Brown Convention Center.

    Texas Contemporary is organized by Brooklyn-based art fair producer artMRKT, which already presents similar events in San Francisco and the Hamptons. Incidentally, the fair's managing partner, Max Fishko, was previously affiliated with HEG Shows, the company that is producing the Houston Fine Art Fair (which also organizes art fairs in San Francisco and the Hamptons, as well as in Aspen).

    "What we're doing is pretty special because we're focusing solely on contemporary work with a further focus on work that's being made by people living and working in Texas today," Fishko tells CultureMap. He views Texas Contemporary as an "opportunity to showcase what's happening in Texas that might otherwise be overlooked," especially by younger artists that are represented by younger galleries.

    At the fair, a proposals section will showcase progressive works in solo booths from Texas-based artists. Still, the scope of artists and audiences is projected towards a national and international level. "What's interesting is that it won't be the usual suspects," says Fishko.

    He explains that Texas Contemporary's October timeline is ideal because of the mild local weather and that the date "fits nicely" into the local arts calendar. Although it follows London's Frieze Art Fair by one week, he says, "there are no other U.S. fairs going on in close proximity."

    Local stalwart galleries Inman Gallery and Texas Gallery are already enrolled to exhibit. "Most galleries have finite resources, and I had to make a difficult decision as to which fair would be better for Inman Gallery," says Kerry Inman, adding that she liked the smaller size of Texas Contemporary and the timing was preferable because of weather and previous commitments during September.

    Fredericka Hunter, director of Texas Gallery, also preferred the later date and that Texas Contemporary focuses on contemporary art. "When I think of September in Houston, I think of heat and hurricanes," she says.

    She was also deterred by Houston Fine Art Fair's aligning itself with the concurrent Houston Antiques Dealer Association show, which will be held adjacent to HFAF at the Geroge R. Brown Convention Center. Because of its focus on Latin American art, HFAF "is not where we belong," she says. "I'm interested in young people, younger galleries, benefiting non-profits and some of the effort going on in Houston being showcased."

    Texas Contemporary has logically aligned itself with the Contemporary Arts Museum Houston, which will cohost a benefit preview party on Oct. 20. "The idea of 'contemporary' has to do with the global cultural and social issues of the moment," says CAMH director Bill Arning. "The fact that the Texas Contemporary is dedicated to those values is really important to me."

    He adds that the strong advisory committee that includes Inman, Hunter and Catharine Clark of San Francisco increased the fair's appeal. Explains the museum director, "The importance of a fair comes from the artists you get to see, and such a strong committee meant they would be bringing in top talent."

    Even so, HFAF has signed with several local galleries, including Hiram Butler Gallery, Barbara Davis Gallery, McClain Gallery and Meredith Long & Co.

    Hunter suggests that buzz is growing for Texas Contemporary, referencing dealers in LA, New York and New Orleans calling her to find out more about the event — although some are ringing just to clarify why there are now two fairs.

    The event's organizers are still in the process of gathering applications. "We've kept our price for exhibitors pretty reasonable," says Fishko, suggesting that the event will cull a fresh generation of dealers.

    To ingratiate itself into the local community, the fair is presenting MRKTworks, a small-scale online and live auction that will launch two weeks prior to the fair. Featuring artworks donated by participating dealers, proceeds will benefit "key" non-profits in Houston.

    --------------------

    Tickets for Texas Contemporary go on sale online Aug. 1. Admission for a single day is $20, ($25 at the door) and $40 for a three day ticket ($45 at the door). Entrance to the CAMH preview benefit is $100 and $110 at the door.

    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment
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