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    Meet me at the Fairs

    Texas Contemporary brings cutting edge spirit to fall art fairs

    Steven Devadanam
    May 9, 2011 | 10:00 am
    • The Texas Contemporary fair will be held at the George R. Brown ConventionCenter, Oct. 20 - 23.
    • Texas Contemporary has aligned itself with Contemporary Arts Museum Houston.

    When it comes to international art fairs, is two company?

    Houston audiences will find out this fall, when the already-announced Houston Fine Art Fair, scheduled for Sept. 16 through 18, will be followed by the Texas Contemporary art fair one month later. Slated for Oct. 20 through 23, the inaugural Texas Contemporary will present roughly 50 contemporary art dealers from around the world at the George R. Brown Convention Center.

    Texas Contemporary is organized by Brooklyn-based art fair producer artMRKT, which already presents similar events in San Francisco and the Hamptons. Incidentally, the fair's managing partner, Max Fishko, was previously affiliated with HEG Shows, the company that is producing the Houston Fine Art Fair (which also organizes art fairs in San Francisco and the Hamptons, as well as in Aspen).

    "What we're doing is pretty special because we're focusing solely on contemporary work with a further focus on work that's being made by people living and working in Texas today," Fishko tells CultureMap. He views Texas Contemporary as an "opportunity to showcase what's happening in Texas that might otherwise be overlooked," especially by younger artists that are represented by younger galleries.

    At the fair, a proposals section will showcase progressive works in solo booths from Texas-based artists. Still, the scope of artists and audiences is projected towards a national and international level. "What's interesting is that it won't be the usual suspects," says Fishko.

    He explains that Texas Contemporary's October timeline is ideal because of the mild local weather and that the date "fits nicely" into the local arts calendar. Although it follows London's Frieze Art Fair by one week, he says, "there are no other U.S. fairs going on in close proximity."

    Local stalwart galleries Inman Gallery and Texas Gallery are already enrolled to exhibit. "Most galleries have finite resources, and I had to make a difficult decision as to which fair would be better for Inman Gallery," says Kerry Inman, adding that she liked the smaller size of Texas Contemporary and the timing was preferable because of weather and previous commitments during September.

    Fredericka Hunter, director of Texas Gallery, also preferred the later date and that Texas Contemporary focuses on contemporary art. "When I think of September in Houston, I think of heat and hurricanes," she says.

    She was also deterred by Houston Fine Art Fair's aligning itself with the concurrent Houston Antiques Dealer Association show, which will be held adjacent to HFAF at the Geroge R. Brown Convention Center. Because of its focus on Latin American art, HFAF "is not where we belong," she says. "I'm interested in young people, younger galleries, benefiting non-profits and some of the effort going on in Houston being showcased."

    Texas Contemporary has logically aligned itself with the Contemporary Arts Museum Houston, which will cohost a benefit preview party on Oct. 20. "The idea of 'contemporary' has to do with the global cultural and social issues of the moment," says CAMH director Bill Arning. "The fact that the Texas Contemporary is dedicated to those values is really important to me."

    He adds that the strong advisory committee that includes Inman, Hunter and Catharine Clark of San Francisco increased the fair's appeal. Explains the museum director, "The importance of a fair comes from the artists you get to see, and such a strong committee meant they would be bringing in top talent."

    Even so, HFAF has signed with several local galleries, including Hiram Butler Gallery, Barbara Davis Gallery, McClain Gallery and Meredith Long & Co.

    Hunter suggests that buzz is growing for Texas Contemporary, referencing dealers in LA, New York and New Orleans calling her to find out more about the event — although some are ringing just to clarify why there are now two fairs.

    The event's organizers are still in the process of gathering applications. "We've kept our price for exhibitors pretty reasonable," says Fishko, suggesting that the event will cull a fresh generation of dealers.

    To ingratiate itself into the local community, the fair is presenting MRKTworks, a small-scale online and live auction that will launch two weeks prior to the fair. Featuring artworks donated by participating dealers, proceeds will benefit "key" non-profits in Houston.

    --------------------

    Tickets for Texas Contemporary go on sale online Aug. 1. Admission for a single day is $20, ($25 at the door) and $40 for a three day ticket ($45 at the door). Entrance to the CAMH preview benefit is $100 and $110 at the door.

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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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