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    Top Chef episode 10 recap

    Top Chef recap: Astronauts, spacey food, and our historic farmers market take center stage

    Eric Sandler
    May 6, 2022 | 9:45 am

    It took until the season’s 10th episode, but Top Chef finally acknowledged Houston’s status as Space City. The Elimination Challenge tasked the six remaining cheftestants with creating a meal that could be served to astronauts aboard the International Space Station.

    In the Quickfire, they put their spin on fajitas at the Houston Farmers Market. In other words, they cooked Houston’s most prominent culinary contribution to international cuisine — at least until Viet Cajun crawfish really takes off globally — at a setting that’s all about food and ingredients.

    Ultimately, the restrictions related to cooking for spaceflight stymied a chef who had seemed to be among the frontrunners. She packed her knives for the final round of Last Chance Kitchen.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    As noted above, the Quickfire Challenge takes place at the Houston Farmers Market, the recently renovated property that combines produce vendors with the R-C Ranch butcher shop and two restaurants by chef Chris Shepherd’s Underbelly Hospitality, Wild Oats and Underbelly Burger. Of course, neither the restaurants nor the butcher shop had opened yet when Top Chef filmed last fall; since a sponsor contributed the challenge's proteins, they likely wouldn’t have been featured even if they had been in operation.

    Thankfully, the market looks great on TV, with prominent shots of vendor stalls loaded with produce, species, and even some ready-to-eat snacks. While the show acknowledges Mama Ninfa Laurenzo’s role in popularizing fajitas, the episode doesn’t call on anyone in the Laurenzo family or anyone currently associated with Ninfa’s to judge the results. Instead, it’s Top Chef alum Claudette Zepeda who joins Padma Lakshmi at the market.

    Similarly, celebrity chef Marcus Samuelsson and Top Chef all-star Melissa King judge the Elimination Challenge. Was there not an appropriately spacey Houston chef available to participate?

    Despite the episode's conspicuous lack of Houston culinary talent, the Johnson Space Center looks appropriately dramatic on television, and the cheftestants get some advice from astronauts Megan McArthur and Thomas Pesquet, who speak to the competitors from aboard the ISS. Space Center Houston CEO William Harris joins former NASA astronauts Susan Still Kilrain, Tony Antonelli, and Cady Coleman as the city’s non-voting representatives at the Elimination Challenge meal.

    How did Evelyn Garcia do
    The only Houston cheftestant remains one of the season’s favorites. Her papalo-seasoned fajitas are almost good enough to win the Quickfire, but chef Nick Wallace edges her out by making flour tortillas. In the Elimination Challenge, her Tex-Mex-inspired guiso rojo with pork, pumpkin seed rice, and escabeche earns praise for utilizing textural components and acidity that make the dish compelling from beginning to end.

    “It was well seasoned. It was well put together,” head judge Tom Colicchio tells her. “The escabeche really stole the show. It kept the dish interesting.”

    Who wins
    Chef Buddha Lo bounces back from a below average performance in last week’s soul food challenge to secure his first Elimination Challenge win. Taking inspiration from astronaut Alan Shepard playing golf on the moon, he created a coconut mousse sphere with a berry compote center and pieces of meringue that earned universal raves from the judges and the NASA luminaries.

    “You gave us a beautiful, creative, delicious, interactive dessert,” Lakshmi tells him. “I appreciated how much thought you put into each element of that dish. You knocked it out of the park.”

    Who goes home
    Jae Jung won last week’s episode, but she struggled with the requirements of cooking for space. The judges criticize her bulgogi with gochujang barley, sesame mushrooms, and carrots for its mushy beef and undercooked barley. She heads to Last Chance Kitchen for the chance to return in next week’s episode.

    Who exceeded expectations
    Chef Nick’s unofficial theme song is “Money (That’s What I Want). The Mississippi chef has a knack for stepping up when prize money is on the line, earning the nickname of “The Baker” for all the “bread” he’s made on the show. Nick nets another $10,000 by winning the Quickfire, and his chicken gumbo with collard greens secures him top three status in the Elimination Challenge.

    The chef toured the Johnson Space Center.

    Top Chef Houston episode 10
    Photo by David Moir/Bravo
    The chef toured the Johnson Space Center.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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