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    Top Chef episode 10 recap

    Top Chef recap: Astronauts, spacey food, and our historic farmers market take center stage

    Eric Sandler
    May 6, 2022 | 9:45 am

    It took until the season’s 10th episode, but Top Chef finally acknowledged Houston’s status as Space City. The Elimination Challenge tasked the six remaining cheftestants with creating a meal that could be served to astronauts aboard the International Space Station.

    In the Quickfire, they put their spin on fajitas at the Houston Farmers Market. In other words, they cooked Houston’s most prominent culinary contribution to international cuisine — at least until Viet Cajun crawfish really takes off globally — at a setting that’s all about food and ingredients.

    Ultimately, the restrictions related to cooking for spaceflight stymied a chef who had seemed to be among the frontrunners. She packed her knives for the final round of Last Chance Kitchen.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    As noted above, the Quickfire Challenge takes place at the Houston Farmers Market, the recently renovated property that combines produce vendors with the R-C Ranch butcher shop and two restaurants by chef Chris Shepherd’s Underbelly Hospitality, Wild Oats and Underbelly Burger. Of course, neither the restaurants nor the butcher shop had opened yet when Top Chef filmed last fall; since a sponsor contributed the challenge's proteins, they likely wouldn’t have been featured even if they had been in operation.

    Thankfully, the market looks great on TV, with prominent shots of vendor stalls loaded with produce, species, and even some ready-to-eat snacks. While the show acknowledges Mama Ninfa Laurenzo’s role in popularizing fajitas, the episode doesn’t call on anyone in the Laurenzo family or anyone currently associated with Ninfa’s to judge the results. Instead, it’s Top Chef alum Claudette Zepeda who joins Padma Lakshmi at the market.

    Similarly, celebrity chef Marcus Samuelsson and Top Chef all-star Melissa King judge the Elimination Challenge. Was there not an appropriately spacey Houston chef available to participate?

    Despite the episode's conspicuous lack of Houston culinary talent, the Johnson Space Center looks appropriately dramatic on television, and the cheftestants get some advice from astronauts Megan McArthur and Thomas Pesquet, who speak to the competitors from aboard the ISS. Space Center Houston CEO William Harris joins former NASA astronauts Susan Still Kilrain, Tony Antonelli, and Cady Coleman as the city’s non-voting representatives at the Elimination Challenge meal.

    How did Evelyn Garcia do
    The only Houston cheftestant remains one of the season’s favorites. Her papalo-seasoned fajitas are almost good enough to win the Quickfire, but chef Nick Wallace edges her out by making flour tortillas. In the Elimination Challenge, her Tex-Mex-inspired guiso rojo with pork, pumpkin seed rice, and escabeche earns praise for utilizing textural components and acidity that make the dish compelling from beginning to end.

    “It was well seasoned. It was well put together,” head judge Tom Colicchio tells her. “The escabeche really stole the show. It kept the dish interesting.”

    Who wins
    Chef Buddha Lo bounces back from a below average performance in last week’s soul food challenge to secure his first Elimination Challenge win. Taking inspiration from astronaut Alan Shepard playing golf on the moon, he created a coconut mousse sphere with a berry compote center and pieces of meringue that earned universal raves from the judges and the NASA luminaries.

    “You gave us a beautiful, creative, delicious, interactive dessert,” Lakshmi tells him. “I appreciated how much thought you put into each element of that dish. You knocked it out of the park.”

    Who goes home
    Jae Jung won last week’s episode, but she struggled with the requirements of cooking for space. The judges criticize her bulgogi with gochujang barley, sesame mushrooms, and carrots for its mushy beef and undercooked barley. She heads to Last Chance Kitchen for the chance to return in next week’s episode.

    Who exceeded expectations
    Chef Nick’s unofficial theme song is “Money (That’s What I Want). The Mississippi chef has a knack for stepping up when prize money is on the line, earning the nickname of “The Baker” for all the “bread” he’s made on the show. Nick nets another $10,000 by winning the Quickfire, and his chicken gumbo with collard greens secures him top three status in the Elimination Challenge.

    The chef toured the Johnson Space Center.

    Top Chef Houston episode 10
    Photo by David Moir/Bravo
    The chef toured the Johnson Space Center.
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    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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