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    at the drive-in

    New drive-in theater revs up movie-watching fun at Sawyer Yards

    Steven Devadanam
    May 6, 2020 | 8:45 am
    drive in theater drive-in car van sawyer yards
    Get out there and get your movie fix with this new drive-in theater experience.
    Photo by Getty Images

    Fans of Houston’s Rooftop Cinema Club at BLVD Place in Uptown will have to wait until June for the wildly popular movie experience to reopen due to COVID-19 concerns. But for those who need their cinematic fix, the club has announced a safe, contact-free way to enjoy films al fresco with others.

    Rooftop has unveiled the new Drive-In at Sawyer Yards, which opens Tuesday, May 12, at Sawyer Yards, 2301 Summer St., behind Buffalo Bayou Brewing Co. Audiences can enjoy a mix of modern and classic films, starting with the iconic Grease (and that famous drive-in scene).

    Tickets can be bought in advance online beginning Wednesday, May 6, at noon.

    The experience stars a giant 100-foot screen projected on to the side of the silos as guests pull in. Parking will be assigned upon arrival based on “Central View” or “Side View” tickets. Film audio can be picked up through local FM stereo in the car, or a portable radio. Restrooms — with extra sanitization safeguards — will be available on site, according to a release.

    The drive-in theater opens with two screenings seven days a week, with the first program running from Tuesday May 12 through Sunday May 17, with more films releasing soon.

    Tickets will start at $28 per vehicle, regardless of occupancy, and guests have the option to bring their own snacks, order concessions from Rooftop Cinema, or nab food and drinks Buffalo Bayou Brewing Co., located on site. All orders are made online and guests will be notified for pick up, to avoid time outside their cars. Concession items include popcorn, candy and sodas and to-go menu items from the brewery include slow cooked short ribs, burgers, wraps, and salad bowls.

    The screenings include family-friendly films such as Night at the Museum, The Princess Bride, and The Sandlot, which will be the first of two screenings each night beginning at 8:15 pm. Late shows start around 10:45 pm and include titles such as Drive, Moulin Rouge, Silence of the Lambs, and more drive-in hits. Doors open one hour prior to the first screening and 30 minutes prior to the second.

    The drive-in also includes free “Community Screenings” planned for Mondays and Tuesdays each week. The first-come, first-serve shows are meant for first responders, frontline workers, and those in financial hardship and are a way “to say thank you and give those most impacted by COVID-19 – whether financially, professionally or personally — an opportunity to experience joy outside the home, from the safety of one's own vehicle,” according to Rooftop management.

    Free community screening tickets must be reserved online.

    Here are the titles movie fans can expect for the inaugural week:

    May 12 — Grease; Drive
    May 13 — Night at the Museum; Silence of the Lambs
    May 14 —The Princess Bride; Romeo + Juliet
    May 15 —The Greatest Showman; The Rocky Horror Picture Show
    May 16 —Grease; Moulin Rouge
    May 17 —The Sandlot; Brown Sugar

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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