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    the Cars

    Drive-in concert lets Houstonians finally rock out at Midtown hot spot

    Johnston Farrow
    Johnston Farrow
    May 13, 2020 | 10:12 am

    It may not be what we're used to seeing, but live music is back in the Bayou City.

    Stakeholders at Midtown venue, Axelrad Beer Garden, located at 1517 Alabama St., announced on it would stage a drive-in rooftop concert on Saturday, May 23. It will be difficult to get tickets, however, as only 75 spaces for vehicles in the adjacent parking lots will be allotted for the show that will feature local acts, psych-rock act Flower Graves and indie-rock band El Lago, performing on the roof of the property.

    Those who can't get in will be able to watch a live video stream of the show from Axelrad's livestreaming website, www.axelrad.io.

    The show will start check-in at 6:30 pm with bands starting at 7:30 pm with the sound being transmitted via FM receiver. No alcohol will be sold, Alexrad's interior space will be closed, and no vendors will be on site except for neighboring Luigi's Pizza, which will deliver to vehicles.

    Portable toilets will be o- site but organizers are encouraging attendees to wear masks when they must exit their vehicles. Cars will each be given an assigned parking spot, set up to practice social distancing.

    It is the first show in Houston in nearly two months as the live music scene has been shuttered due to the COVID-19 pandemic, leading to a weeks-long shelter-in-place order by local officials. The closure of venues and cancellation or postponement of hundreds of shows has resulted in millions of dollars in lost revenue and mass layoffs of bar and production staff across the city.

    “We’re providing an opportunity for music fans who miss attending concerts to get their fix while bars and music venues are closed,” said Axelrad partner Adam Brackman in a statement. “We’re committed to providing a safe and secure environment to accomplish this and believe that the concept of a drive-in concert allows us to adhere to the current social distancing guidelines and sanitation regulations while creating a way to give work to some of the struggling musicians living in Houston.”

    The drive-in concert concept recently popped up, first deployed in Denmark, but has quickly gained steam in other countries, including the U.S. Texas raised experimental electronic artist Marc Rebillet recently announced a summer drive-in tour and Live Nation, one of the world's largest booking agencies responsible for a large portion of shows in Houston each year, recently announced plans for drive-in shows over the next few months. Rumors have been swirling around the city about similar shows but Alexrad beat everyone to the punch.

    “We love supporting local musicians and it’s important to us that we continue that tradition even as we are all navigating through this unprecedented time,” said Monte Large, also a partner in Axelrad.

    While the experience of attending a live concert will be diminished with the Alexrad show, there is good news. The concert is free, with those lucky to score tickets being asked to contribute a pay-what-you-can donation that will benefit Alexrad staff, bands, Houston Arts Alliance, and Houston Music Foundation, the latter two assisting out of work performers with grants.

    “Axelrad has always been deeply committed to the Houston arts scene. For years they’ve hosted performances and supported local musicians, and used their position in our community to give back,” Rachel Austin of Houston Music Foundation tell CultureMap. “We’re excited that Houston Music Foundation has been chosen as a beneficiary of this event, and grateful to Adam and the Axelrad team for their support.”

    Organizers said the May 23 show will be a test run for a potential string of rooftop performances that may continue as long as health guidelines require bars and music venues to keep their doors closed. This will surely be a welcome respite for music fans from the unprecedented drought of concerts with no definitive return in sight for the live shows they are used to attending.

    Psych rockers Flower Graves will headline the Axelrad Beer Garden drive-in rooftop concert.

    Flower Graves
    Photo by Daniel Jackson
    Psych rockers Flower Graves will headline the Axelrad Beer Garden drive-in rooftop concert.
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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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