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    june on the rooftop

    Houston's first rooftop cinema reveals prideful new summer lineup and fun themed nights

    Steven Devadanam
    May 1, 2019 | 7:33 am
    Rooftop Cinema Club Houston night skyline
    Get ready for some diverse features and slapstick comedy.
    Photo by Rooftop Cinema Club Houston

    Since its opening, Houstonians have been packing the Rooftop Cinema Club in Uptown Park to catch cool new releases, cult classics, and sing-along favorites. Now, the city’s hottest outdoor theater unveils its first summer season, which showcases diversity in film with titles honoring black and LGBTQ cinema.

    Cinephiles can expect titles such as How Stella Got Her Groove Back June 13, BlacKKKlansman June 19, The Favourite June 20, and more. In keeping with their popular theme nights, the cinema will host a special nod to dads on Father’s Day, plus a Best Friends Day and Sunglasses Day.

    Comedy fans will want to get onboard with the hilarious 1980 slapstick flick Airplane! on June 22, where they can enjoy in-flight-inspired beverages, snack service, pilot announcements, and movie bingo.

    June also sees the return of the popular sing-alongs, where fans can belt out choruses to Mamma Mia June 1, Grease June 3, and The Greatest Showman June 17. The club will also offer up “Rooftop Classics” including Selena, A Star is Born, The Breakfast Club, and others.

    Tickets for the June lineup go on sale online at noon Wednesday, May 1. To paraphrase ’80s icon Ferris Bueller (and CultureMap food editor Eric Sandler): Tickets move pretty fast: If you don’t stop and look, you could miss them.

    Prices start at $17 per person for a one-person lounge seat. A single person seat with the addition of bottomless popcorn is $20. Tickets for couples, or a roomier love seat, plus bottomless popcorn, are $24 per person. New for spring is a student discount ticket starting at $15.30, with valid I.D. required the night of the event.

    As always, the cinema will serve up movie grub from Good Dog Houston, which offers three dogs: the Picnic Dog, the Uptown Dog, and The Dude. Additional fare includes fruit and cheese plates, frito pie, and chili cheese nachos. Adult beverages include a full bar with craft cocktails, local beer options, and an assortment of wines.

    Here is the full June movie lineup, which features screenings every night throughout the month.

    June 1 – Mamma Mia (sing-along)
    June 2 – Friday
    June 3 – Grease (sing-along)
    June 4 – 9 to 5
    June 5 – Selena
    June 6 – Weird Science
    June 8 – Romy & Michele's High School Reunion (Best Friends Day)
    June 9 – A Star is Born
    June 10 – Bohemian Rhapsody
    June 11 – Romeo + Juliet
    June 12 – The Shining
    June 13 – How Stella Got Her Groove Back
    June 14 – Selena (Flag Day)
    June 15 – The Breakfast Club
    June 16 – Field of Dreams (Father’s Day and 30th anniversary)
    June 17 – The Greatest Showman (Sing-along)
    June 18 – Bohemian Rhapsody
    June 19 – Blackkklansman (Juneteenth)
    June 20 – The Favourite (Pride film)
    June 21 – Friday the 13th (1980)
    June 22 – Airplane! (Themed night)
    June 23 – Eternal Sunshine of the Spotless Mind (15th anniversary)
    June 24 – Grease
    June 25 – Girls Trip
    June 26 – Dirty Dancing
    June 27 – The Lost Boys (Sunglasses Day)
    June 28 – A Star is Born
    June 29 – Bring it On
    June 30 – Black Dynamite (10th anniversary)

    ---

    Rooftop Cinema Club is located at BLVD Place above Whole Foods, 1700 Post Oak Blvd. For tickets and information, visit the official site.

    movies
    news/entertainment

    Movie Review

    Final Destination: Bloodlines reboots cult favorite horror franchise

    Alex Bentley
    May 15, 2025 | 4:30 pm
    Kaitlyn Santa Juana in Final Destination: Bloodlines
    Photo by Eric Milner
    Kaitlyn Santa Juana in Final Destination: Bloodlines.

    On the surface, the Final Destination films really shouldn’t work. There is no villain other than the concept of death itself, and nearly every death that occurs is foreshadowed so heavily that it removes the normal suspense that comes in horror films. And yet the franchise was successful enough to spawn five films over 11 years in the early 2000s, and now a reboot, Final Destination: Bloodlines.

    A fantastic opening sequence set in the 1960s sets both the tone and the plot of the film, in which Stefani (Kaitlyn Santa Juana) has a recurring nightmare about a disaster that her grandmother, Iris (Gabrielle Rose), helped to avert. A visit to the reclusive Iris convinces Stefani that she and her family should not exist, and that each one of them is destined to meet a grisly end in the near future.

    Met with resistance from her family members, Kaitlyn is unsurprisingly proven right as the film goes along, with different people dying in a variety of bizarre ways. A visit to William Bludworth (the late Tony Todd), a mortician who’s been the one constant in the series, provides a glimmer of hope that they can cheat death. But will they figure it out before it’s too late?

    Directed by Zach Lipovsky and Adam B. Stein, and written by Guy Busick and Lori Evans Taylor, the film does not try to reinvent the wheel for the concept. The entire point is to get as creative as possible with the death scenes, and the filmmakers take that mandate seriously, with each successive death becoming increasingly gruesome. The Rube Goldberg-like manner in which each death occurs makes the scenes come off as entertaining instead of off-putting.

    The idea of Death hunting down an entire family line due to the actions of the family elder is a solid twist on the series’ central premise, and that change keeps the film from feeling repetitive. The story also introduces the possibility that the entire series is connected due to Iris’ actions, with the character possessing a scrapbook that references well-known incidents from previous films, a fun Easter egg for longtime fans.

    The creativity of the kill sequences does not carry over to the overall story, though. Almost every character in the film only exists in order to meet a horrific end, so anything that they have going on outside of being stalked by Death is purely window dressing. Consequently, it’s hard to really care about anybody, even if they are all related to one another.

    Because characters are so easily dispatched in the film, the cast is devoid of well-known actors. This is by far Santa Juana’s biggest role to date, and she does well enough to want to see more of her in the future. Adults like Alex Zahara and Rya Kihlstedt are character actors who bring some history with them, while the younger group is composed of people still trying to make names for themselves.

    Final Destination: Bloodlines is a solid return for the franchise, even if it feels more like a one-off film rather than a justification for more stories in the future. But given how easily the concept can be adapted into new circumstances, don’t be surprised if another movie pops up in a couple of years.

    ---

    Final Destination: Bloodlines opens in theaters on May 16.

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