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    THE SESSIONS' INSIDE TRACKS

    Inside tracks: Exclusive new music from Fitz and The Tantrums has Stax appeal

    Lauren Sands
    Apr 28, 2012 | 5:00 pm
    • Fitz and The Tantrums
    • Photo by Alicia Rose

    Dressed to the nines in GypsySun Vintage, Fitz and The Tantrums turned up the heat on stage during SXSW 2011. Their hit single, “Moneygrabber,” took the entire Sessions Factory on a trip back to the ever-so-popular Motown era.

    Originating in Los Angeles, Fitz and The Tantrums came to life almost overnight in 2008. Lead singer Michael Fitzpatrick snagged an electronic organ from his ex-girlfriend’s neighbor and wrote his first song, “Breaking the Chains of Love," that very same evening. He rallied up the troops to form the rest of the band and the rest is history.

    Recorded in Fitzpatrick's house, Fitz and The Tantrums released an EP titled, Songs for a Breakup, Vol. 1, in Summer 2009. This phenomenal debut paved the way for scoring noteworthy gigs around the Los Angeles area, including the infamous Viper Room. The '60s-inspired, neo-soul ensemble had an even bigger response to their first LP, Pickin’ Up the Pieces, which led to performances on TBS’ Conan and NBC’s The Tonight Show with Jay Leno.

    With their much deserved fame, Fitz and The Tantrums keep feeding hungry crowds with their soul-packed songs and superhuman stage presence. Fresh off the Coachella stage, Michael and his gang of musical masterminds will certainly play to sold out houses on their North American tour that starts this weekend. Peep where they have shows here.

    If you do one interesting thing this summer, make sure you save the date for one of their shows. They are absolutely explosive live!

    And don’t forget to “Like” Fitz and The Tantrums and The Sessions Music LLC on Facebook.

    "Moneygrabber" by Fitz and The Tantrums

    ---

    About The Sessions:

    Producers CJ Vinson and Lauren Bucherie are musical tastemakers based out of Austin. They built their company around a simple wish: To diminish the boundary between art and audience. Their unwavering style and eclectic creative collaborations have made The Sessions sought-after team for musicians around the world. CJ and Lauren have worked with everyone from local favorites Cowboy and Indian, Suzanna Choffel and Dan Dyer to internationally-renowned acts like Fitz and The Tantrums and two-time Grammy award winners The Civil Wars.

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    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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    news/entertainment

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