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    Music Matters

    Something old, new, country & cool: Willie Nelson and Pale perform tonight (butnot together)

    Michael D. Clark
    Apr 28, 2011 | 12:05 am
    • Willie Nelson at Verizon Wireless on Thursday
    • Pale at Warehouse Live on Thursday

    There are not a lot of instances where a pot-smoking, bandana-wearing, Lone Star icon like Willie Nelson and an alternative-meets-ambient Houston rock band like Pale would share a lot of space in the same article, but I can think of one: Both represent all that is great about being an audiophile in the great state of Texas.

    Also, both are playing Houston on Thursday night.

    While The Red-Headed Stranger mines the best of his half-century of outlaw country — spanning 65 studio albums — at Verizon Wireless Theater, Pale will be taking us for our first ride down its new rock n' roll rabbit hole and introducing the city to new album, In The Time of Dangerous Men, at Warehouse Live.

    How great is it that we live in a city where a Texas legend and the state's musical future can share a crosstown moment by sharing set times?

    For Nelson, 77, this trip is little more than a "thank you" to a metropolitan landscape that has supported him through every No. 1 hit — "On The Road Again," "Blues Skies," "My Heroes Have Always Been Cowboys," and many more -— as well as every pot bust, IRS indictment and other rock star cliche he's laid claim to since his first recording was released in 1962. No doubt, Willie loyalists will also forgive him for "Superman," the duet he recorded with Snoop Dogg that is featured on the rapper's new album, Doggumentary.

    (Now I wonder what could have gotten these two unlikely friends together? One guess comes to mind...)

    This Nelson show was actually supposed to happen back on Feb. 4, but unexpected ice storms forced a postponement. (Tickets for that earlier date will be accepted for admittance Thursday nigh.)

    For Pale and local lead singer Calvin Stanley the buidling of a legendary future begins on Thursday with the live debut of In The Time of Dangerous Men. I have covered Pale's rise through the local band ranks for over a decade and always thought it was only a matter of time until they hit the big time. (in the name of complete "birther"-like transparency, must admit I have shared a beer — maybe more —and lively conversation with Stanley many times over the years).

    Pale's blend of searing, wall of sound instrumentation and abstract thinking man's lyrics has always been a winning combination. All they needed was the right moment. A moment akin to when Depeche Mode first blew modern rock radio away in the mid-'80s or when Radiohead did it again (and again, and again) in the '90s. One ride along with the falsetto apocalypse of first video, "Catastrophic Skies" make me believe that this might be that moment.

    Don't miss the chance to say you were then Pale debuted their first true masterpiece for the masses.

    Willie Nelson, Thursday 8 p.m. at Verizon Wireless Theater

    Tickets: $49.40-$69.50

    Pale, Thursday 8 pm. at Warehouse Live

    Tickets: $10-$12

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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