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    Looking for sympathy amid craziness

    Houston rewards Charlie Sheen for a #winning performance

    Caroline Gallay
    Apr 27, 2011 | 8:53 am

    Charlie Sheen, Charlie Sheen . . . what to say about @CharlieSheen?

    Approaching this particular assignment (covering Sheen's Violent Torpedo of Truth tour spot in Houston), I thought my powers of observation would be more directed toward the crowd than toward Sheen himself. What kind of people actually purchase tickets to witness the ravings of an addict? Who in Houston is making a date night out of this sort of thing?

    Most importantly, after reading terrible reviews from other cities, I wondered what made for a #winning performance.

    Whatever went wrong in Detroit (where Sheen's tour opened and against whom he led a rousing chorus of "Fuck Detroit") there was no sign of it in Houston. The venue was, and stayed, full — and the heckling was, for better or worse, encouraging.

    For his part, Sheen successfully buttered up the crowd — a mixture of those, like myself, who attended for sheer spectacle and those who seemed to worship him as some kind of alt-hero — a crowd that, as a whole, already seemed, ahem, well-greased.

    Sheen took the stage at Verizon Wireless Theater in an Astros jersey, which he later threw into the crowd to reveal a University of Houston T-shirt — perhaps a souvenir from his visit to baseball practice the night before? He brought a player who had recently beaten leukemia onstage for a rousing round of applause, which only got louder when he asked the crowd if they had (and were willing to share) any of our own homegrown drug of choice — sizzurp.

    Alarmingly, the crowd also responded enthusiastically to Sheen's suggestion that running for President would be the "next logical step" in his meltdown (or, as he termed it, his comeback). And watching him interact with fans in an end-of-show question and answer session, fans that included a handsy 59-year-old who wanted to know how to keep her sex life goin', was arguably the night's highlight.

    But it's Comedy Central regular Jeff Ross, who shared the stage with Sheen for much of the evening, who gets the credit for making the night as painless, nay, enjoyable, as it was. Although his Katrina/Selena jokes were too soon (as we get the feeling they sort of always will be), Ross gave Sheen the roast he needed.

    Cracks included "if you're winning, this must not be a custody hearing," "Your liver must be smaller and blacker than Barry Bonds' nut sack," and "Charlie's looking for a blow job. Not oral sex, but a job that pays him in coke."

    Although the jabs were well-received and well-deserved, things took a turn for the serious at the close of the show when Sheen seemed to beg the crowd for sympathy in talking about losing his job and losing his kids. That particular bit fell flat with me because, as willing as Sheen is to laugh at himself, the state he's in isn't so funny when one considers his five kids and ongoing battle with sobriety.

    Sheen told the crowd that their favorite sitcom — Two and a Half Men, of course — was meant to be his swan song. He interpreted the widespread laughter as support, but it's tough to wonder, that late in the show, whether we have a hand in feeding into these delusions or whether, with or without us, he'd make himself a one-man shit-show.

    Click here to read about Charlie Sheen's evening with the UH baseball team.

    unspecified
    news/entertainment

    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
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