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    A Relaxed Post Punk Angst

    Smiling through the sneers: Richard Butler & Psychedelic Furs wink at Houston

    Chris Becker
    Apr 24, 2011 | 3:02 am

    For an alienated and angst-ridden man, Richard Butler, lead singer of The Psychedelic Furs, sure smiles a lot.

    At Warehouse Live Saturday night, Butler and company presented two sets; the entirety of their 1981 album Talk Talk Talk that’s the one with “Pretty In Pink” on it, and another hour of songs from their extensive repertoire of 1980s post punk, new wave and gothic disco. Each and every member of Furs smiled during the performance, but none more than Butler who appeared genuinely moved by the reception Houston gave to the music.

    The crowd included parents with children young enough to still need a babysitter, a smattering of twentysomethings boldly recording the show with camera phones, and plenty of middle-aged fans ready to scream out the lyrics to classic numbers like “India” from the first Furs album — played with scorching fury in the evening’s encore.

    The night began with TTT’s “Dumb Waiters.” Butler, brother Tim on bass, and tenor saxophonist Mars Williams zigzagged the stage and egged the audience on with the song’s sardonic lyrics. Throughout the show, Tim Butler, wearing his requisite sunglasses, would often stand at the edge of the stage and shout key lines from the songs directly at members of the audience, including some of those aforementioned young ones.

    Richard never stayed still for very long, and maintained the phrasing of both the ballads and the more punk rock numbers while complimenting his lyrics with his trademark theatrical gestures. He along with the rest of the band — Paul Garisto on drums, Rich Good on guitar, and Amanda Kramer on keyboards — were never aloof or distant. Even a cool Kramer on her dual keyboard rig swayed happily to the variety of grooves.

    The Furs have a lot of songs in their rep, and they are mixing it up with each date as far as what they play for “fans” vs the “heads.” The MTV hit “Love My Way” or the spooky “Highwire Days”? Why not play them both? They did.

    The two “Hey audience, let’s all sing along with Richard Butler!” numbers turned out to be the Furs’ 1986 hit “Heartbreak Beat” and an earlier more obscure number called “Heaven” during which Butler spun himself around with his hands held in prayer perhaps enjoying the collective trance of music and audience. He did have that smile on his face!

    If I had any complaint about the night, it would be that the Warehouse Live’s PA/sound system isn’t suited for any subtleties in this music, although “wall of sound” is a description the Furs happily appropriated for its ensemble onslaught back in the day. However, the guitar and saxophone duo that introduces TTT’s “All Of This And Nothing” was quite beautiful and came through in the house mix, inspiring well-deserved cheers for Williams’ eerie solo.

    The Psychedelic Furs' tour continues through July.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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