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    Houston cool kid on Good Morning America

    12-year-old Houston DJ will spin a sizzling set on Good Morning America for a great cause

    Johnston Farrow
    Johnston Farrow
    Apr 21, 2020 | 4:10 pm
    DJ Maddy Rose
    You can catch young DJ Maddy Rose during a set on Good Morning America.
    Photo by Cassie James Photography

    America, meet 12-year-old Bayou City DJ wunderkind Maddy Rose.

    The preteen tune spinner, Maddy Rose Johnston, has been making waves in the Houston scene and will take it to the next level, making her nationwide debut on ABC’s Good Morning America on May 1. She is a seventh-grade student of St. Vincent de Paul Catholic School and in her spare time, she likes “to play video games and play with her dog,” she tells CultureMap.

    Maddy got the invite to join Robin Roberts, Michael Strahan, and George Stephanopoulos on one of the biggest morning shows in the country following a call for viewers to submit kids doing great things during the current global health crisis. Now she’ll have a national platform, one she’ll put to good use, turning the opportunity into a way to raise money for those in need.

    “At first, she was just DJing for friends and family and then she got asked to be on GMA,” says her mother, Wendy Johnston. “She decided because she might have a big audience, that she should use it for something beneficial, and that’s when she came up with No Kid Hungry.”

    Maddy Rose will use the platform to encourage people to donate to nonprofit No Kid Hungry. Her goal is to raise $5,000 through her live streaming performances, Friday Night DJ Lights, available to dance along to on her Twitch handle, DJMaddyRose, on which she blasts Miley Cyrus, Eminem, and Ludacris, and her favorite current artist, hometown hero, Lizzo.

    No Kid Hungry specifically targets the 22 million low-income kids across the country that rely on free and reduced meals at school. Since schools are closed across the country, many children are struggling to find nutritious meals.

    The agency, whose main office location is in Washington, D.C., works with federal and local government to support children in need, diverting resources to the hardest-hit communities. They also use a communications network for families to find meals while schools are closed.

    “Millions of vulnerable children in America are losing the healthy meals they depend on as the coronavirus closes schools nationwide, but that’s not stopping us from getting kids the critical meals they need to thrive,” said Carla Warner, the Director of Revenue Innovation for the No Kid Hungry campaign. “We’re working hard to provide emergency grants to schools and community organizations feeding hungry kids. Funds raised by amazing champions like DJ Maddy Rose will help us provide vulnerable kids with nutritious food during this time of crisis, and as we support them during the recovery phase.”

    Those who wish to donate to the mixing wizard’s efforts can do so at her No Kid Hungry page. At the of time of publishing this story, she’s raised $2,680, just over halfway to her goal.

    “As most of you know, many people have lost their jobs and children are not in school, which has led to even more starving children,” Maddy Rose said on her fundraising page. “It makes me sad to think that a kid has to worry about when they will get their next meal.

    As for DJ Maddy Rose, her side hustle isn’t a gimmick — although to purists and plain jealous music heads, it might look that way. She has the support and mentorship of some of the most established DJs in town, including DJ Gonz, DJ SoulStar, and DJ Senega — the latter who books her through his Premier Sound and Lighting collective.

    “I just love playing music and technology,” she says, her set up including Numark CDJs, a mixer, and laptop, which she has put to use with a few dozen gigs over the past year.

    Taken under the wing of Senega when she was 11 years old, she quickly made a name for herself, playing high-end parties in the River Oaks District and charity events, which she cited as her personal favorite to play. Her first gig outside of spinning for friends was the Arts of Healing event for the Sunshine Kids nonprofit, performing for children being treated as cancer patients.

    Before the shelter-in-place orders were put into place, she took lessons every week, working on her scratching skills with DJ Gonz. She continues to practice at home, ready to play in front of crowds that are sure to get larger as her fame grows. Appearing on Good Morning America is a darn good start.

    Her goals for the future?

    “I want to make it a career and play for big artists,” says the young DJ, the world in front of her.

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    news/entertainment

    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
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