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    Houston cool kid on Good Morning America

    12-year-old Houston DJ will spin a sizzling set on Good Morning America for a great cause

    Johnston Farrow
    Johnston Farrow
    Apr 21, 2020 | 4:10 pm
    DJ Maddy Rose
    You can catch young DJ Maddy Rose during a set on Good Morning America.
    Photo by Cassie James Photography

    America, meet 12-year-old Bayou City DJ wunderkind Maddy Rose.

    The preteen tune spinner, Maddy Rose Johnston, has been making waves in the Houston scene and will take it to the next level, making her nationwide debut on ABC’s Good Morning America on May 1. She is a seventh-grade student of St. Vincent de Paul Catholic School and in her spare time, she likes “to play video games and play with her dog,” she tells CultureMap.

    Maddy got the invite to join Robin Roberts, Michael Strahan, and George Stephanopoulos on one of the biggest morning shows in the country following a call for viewers to submit kids doing great things during the current global health crisis. Now she’ll have a national platform, one she’ll put to good use, turning the opportunity into a way to raise money for those in need.

    “At first, she was just DJing for friends and family and then she got asked to be on GMA,” says her mother, Wendy Johnston. “She decided because she might have a big audience, that she should use it for something beneficial, and that’s when she came up with No Kid Hungry.”

    Maddy Rose will use the platform to encourage people to donate to nonprofit No Kid Hungry. Her goal is to raise $5,000 through her live streaming performances, Friday Night DJ Lights, available to dance along to on her Twitch handle, DJMaddyRose, on which she blasts Miley Cyrus, Eminem, and Ludacris, and her favorite current artist, hometown hero, Lizzo.

    No Kid Hungry specifically targets the 22 million low-income kids across the country that rely on free and reduced meals at school. Since schools are closed across the country, many children are struggling to find nutritious meals.

    The agency, whose main office location is in Washington, D.C., works with federal and local government to support children in need, diverting resources to the hardest-hit communities. They also use a communications network for families to find meals while schools are closed.

    “Millions of vulnerable children in America are losing the healthy meals they depend on as the coronavirus closes schools nationwide, but that’s not stopping us from getting kids the critical meals they need to thrive,” said Carla Warner, the Director of Revenue Innovation for the No Kid Hungry campaign. “We’re working hard to provide emergency grants to schools and community organizations feeding hungry kids. Funds raised by amazing champions like DJ Maddy Rose will help us provide vulnerable kids with nutritious food during this time of crisis, and as we support them during the recovery phase.”

    Those who wish to donate to the mixing wizard’s efforts can do so at her No Kid Hungry page. At the of time of publishing this story, she’s raised $2,680, just over halfway to her goal.

    “As most of you know, many people have lost their jobs and children are not in school, which has led to even more starving children,” Maddy Rose said on her fundraising page. “It makes me sad to think that a kid has to worry about when they will get their next meal.

    As for DJ Maddy Rose, her side hustle isn’t a gimmick — although to purists and plain jealous music heads, it might look that way. She has the support and mentorship of some of the most established DJs in town, including DJ Gonz, DJ SoulStar, and DJ Senega — the latter who books her through his Premier Sound and Lighting collective.

    “I just love playing music and technology,” she says, her set up including Numark CDJs, a mixer, and laptop, which she has put to use with a few dozen gigs over the past year.

    Taken under the wing of Senega when she was 11 years old, she quickly made a name for herself, playing high-end parties in the River Oaks District and charity events, which she cited as her personal favorite to play. Her first gig outside of spinning for friends was the Arts of Healing event for the Sunshine Kids nonprofit, performing for children being treated as cancer patients.

    Before the shelter-in-place orders were put into place, she took lessons every week, working on her scratching skills with DJ Gonz. She continues to practice at home, ready to play in front of crowds that are sure to get larger as her fame grows. Appearing on Good Morning America is a darn good start.

    Her goals for the future?

    “I want to make it a career and play for big artists,” says the young DJ, the world in front of her.

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Frankenstein and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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