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    Building Blocks

    Blaffer blows out its brown box: Airy expansion plans revealed

    Steven Devadanam
    Apr 21, 2011 | 6:00 am
    • The new Blaffer façade.
    • The revised Fine Arts Building courtyard.
    • A café will spill from the Blaffer into the Fine Arts Building courtyard.

    The blueprints are in for the renovation of the 38-year-old Blaffer Art Museum at the University of Houston. Opening up the museum from its 1970s cloistered structure, the redesign makes the Blaffer more conspicuous on campus — and in the local art scene.

    "For years, the museum has suffered from a lack of visibility and accessibility from the campus side, but particularly from the city side," Blaffer director Claudia Schmuckli tells CultureMap. "There was just no indication of the museum on the side of the building. One of the main issues we wanted to resolve was precisely that."

    Blaffer's makeover has been conceived by the New York-based WORK Architecture Company (WORKac), working in partnership with Gensler. WORKac has successfully tinkered with other museum layouts, including a renovation and expansion of the Clark Institute at MASS MoCA in North Adams, Mass., the Children's Museum of the Arts in New York and a master plan of the BAM Cultural District in Brooklyn.

    Museum visitors may soon enter through a north-facing portico crowned by a diagonal truss that articulates the new second-level staircase. Bands of clear and textured channel glass will make up the Blaffer's new northern façade. Entrance is still available through the interior courtyard, but the reception desk will be centralized and replaced by a café and lounge area.

    WORKac's plan provides for an additional 500 square feet to the 11,000 square foot museum while enhancing circulation between the galleries. The primary change in the museum's interior is the relocation of the central staircase (which had previously intervened in the upper level's layout) to the building's northern exterior. A double height central gallery — the museum's centerpiece — will remain largely unchanged. New lighting, furniture and finishes are also on the way.

    Apropos for a museum and art school atrium, social interaction and the exchange of ideas are key themes in the new design. The open space of the interior courtyard has been reconceptualized by SCAPE landscape architecture firm to include triangles of grass upon which spectators can enjoy performances and film screenings. Gone are the tangles of tropical plants, replaced by articulated geometric gathering platforms.

    "We thought it was necessary to approach the site holistically, taking the courtyard into consideration as a very underused space in its current design and guise," explains Schmuckli. "It's one of the most beautiful courtyards on campus, but until now it didn't allow the opportunity for lingering. Now, with the café spilling out into the courtyard, we can establish the building as a social hub on campus. As the university is gearing up for achieving Tier 1 status, we want to be a part of enhancing the quality of student life."

    The museum will break ground this summer, with completion expected in January 2012. Before any walls are rearranged, the galleries will host an exhibition in conjunction with the Museum of Broken Relationships. Starting Tuesday, the museum will accept donations of objects from failed relationships to be displayed at an exhibition that opens on May 21. Learn more about the project here.

    Contemporary art aficionados suffering from Blaffer withdrawal can access the museum's Window Into Houston display at 110 Milam St. Come June 3, the Blaffer will present the exhibition At the Back of the North Windwith Flo Art Fund during the 54th Venice Biennale at the Palazzo Bollani.

    "It's an amazing opportunity for us to be present in Venice," says Schmuckli. "It's just one more opportunity of widening the reach of our programs and creating additional awareness for what we do beyond the city limits."

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    Movie Review

    New movie Friendship pairs Tim Robinson and Paul Rudd in a bizarre bromance

    Alex Bentley
    May 16, 2025 | 3:30 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara), and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin — a weatherman at a local TV channel — even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, many things in the story go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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