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    Building Blocks

    Blaffer blows out its brown box: Airy expansion plans revealed

    Steven Devadanam
    Apr 21, 2011 | 6:00 am
    • The new Blaffer façade.
    • The revised Fine Arts Building courtyard.
    • A café will spill from the Blaffer into the Fine Arts Building courtyard.

    The blueprints are in for the renovation of the 38-year-old Blaffer Art Museum at the University of Houston. Opening up the museum from its 1970s cloistered structure, the redesign makes the Blaffer more conspicuous on campus — and in the local art scene.

    "For years, the museum has suffered from a lack of visibility and accessibility from the campus side, but particularly from the city side," Blaffer director Claudia Schmuckli tells CultureMap. "There was just no indication of the museum on the side of the building. One of the main issues we wanted to resolve was precisely that."

    Blaffer's makeover has been conceived by the New York-based WORK Architecture Company (WORKac), working in partnership with Gensler. WORKac has successfully tinkered with other museum layouts, including a renovation and expansion of the Clark Institute at MASS MoCA in North Adams, Mass., the Children's Museum of the Arts in New York and a master plan of the BAM Cultural District in Brooklyn.

    Museum visitors may soon enter through a north-facing portico crowned by a diagonal truss that articulates the new second-level staircase. Bands of clear and textured channel glass will make up the Blaffer's new northern façade. Entrance is still available through the interior courtyard, but the reception desk will be centralized and replaced by a café and lounge area.

    WORKac's plan provides for an additional 500 square feet to the 11,000 square foot museum while enhancing circulation between the galleries. The primary change in the museum's interior is the relocation of the central staircase (which had previously intervened in the upper level's layout) to the building's northern exterior. A double height central gallery — the museum's centerpiece — will remain largely unchanged. New lighting, furniture and finishes are also on the way.

    Apropos for a museum and art school atrium, social interaction and the exchange of ideas are key themes in the new design. The open space of the interior courtyard has been reconceptualized by SCAPE landscape architecture firm to include triangles of grass upon which spectators can enjoy performances and film screenings. Gone are the tangles of tropical plants, replaced by articulated geometric gathering platforms.

    "We thought it was necessary to approach the site holistically, taking the courtyard into consideration as a very underused space in its current design and guise," explains Schmuckli. "It's one of the most beautiful courtyards on campus, but until now it didn't allow the opportunity for lingering. Now, with the café spilling out into the courtyard, we can establish the building as a social hub on campus. As the university is gearing up for achieving Tier 1 status, we want to be a part of enhancing the quality of student life."

    The museum will break ground this summer, with completion expected in January 2012. Before any walls are rearranged, the galleries will host an exhibition in conjunction with the Museum of Broken Relationships. Starting Tuesday, the museum will accept donations of objects from failed relationships to be displayed at an exhibition that opens on May 21. Learn more about the project here.

    Contemporary art aficionados suffering from Blaffer withdrawal can access the museum's Window Into Houston display at 110 Milam St. Come June 3, the Blaffer will present the exhibition At the Back of the North Wind with Flo Art Fund during the 54th Venice Biennale at the Palazzo Bollani.

    "It's an amazing opportunity for us to be present in Venice," says Schmuckli. "It's just one more opportunity of widening the reach of our programs and creating additional awareness for what we do beyond the city limits."

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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