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    Through the rabbit hole to the great white way

    A Wicked reception: New York critics pan Broadway version of Alley's Wonderland

    Sarah Rufca
    Apr 20, 2011 | 5:59 pm
    • Jose Llana, Janet Dacal and cast members of "Wonderland"
      Photo by © 2011 Paul Kolnik
    • E. Clayton Cornelious, left, and Janet Dacal with cast in "Wonderland - AliceThrough a Whole New Looking Glass," on Broadway at the Marquis Theatre
      Photo by © 2011 Paul Kolnik
    • From "Wonderland," Jose Llana (kneeling), from left, E. Clayton Cornelious,Janet Dacal, Darren Ritchie and Edward Staudenmayer
      Photo by © 2011 Paul Kolnik

    Wonderland might have been a hit at The Alley Theatre last year, but it has yet to impress New York critics.

    The musical retelling of Alice in Wonderland debuted in Tampa and Houston in 2009, undergoing tweaks and updates throughout its run. An updated production premiered on Broadway at the Marquis Theater on Sunday, with Alley Theatre artistic director Gregory Boyd directing (Boyd also co-wrote the book) and performers including Janet Dacal as a grown-up Alice and Karen Mason as the Queen of Hearts who are veterans of the Houston engagement.

    Unfortunately the reviewers haven't been as kind as Houston audiences. Variety dismissed Wonderland as "less-than-scintillating," citing a lack of wonder and distinction, uninspired performances and a "general air of malaise."

    Charles Isherwood of The New York Times doesn't have too many kind words for the music or performances, but mostly laments how Wonderland turns Carroll's tale of whimsy into "a contemporary parable about reconnecting with your inner child and other watery truisms of the self-help industrial complex," with a healthy dose of Dorothy mixed in.

    The model here appears to be the Broadway behemoth Wicked, which recast L. Frank Baum’s Wonderful Wizard of Oz as a moral-dispensing tale of exceptionally gifted young women (hitherto known as witches) finding common ground in girl power. Unfortunately Wonderland reminded me even more strongly of another latter-day iteration of the Baum story, the bloated 1978 movie version of the Broadway musical The Wiz."

    We'll have to wait to see if Wonderland surpasses critics' expectations and wins over audiences — like Wicked did — or if it closes quickly.

    The last time a tale from Houston made it's way to the New York theater scene, things didn't exactly go well. Enron: The Musical closed last May after 22 performances.

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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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