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    Movie Review

    DisneyNature's Penguins tries too hard to march birds into our hearts

    Alex Bentley
    Apr 19, 2019 | 10:00 am
    DisneyNature's Penguins tries too hard to march birds into our hearts
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    There is a long history of penguins' cuteness winning the day in movies. The 2005 documentary March of the Penguins grossed $127 million worldwide, the success of Happy Feet spawned a sequel, and the penguin sidekicks in the Madagascar series became so popular that they eventually starred in their own movie.

    All of which is to say that if anything should be a slam dunk, it is DisneyNature’s Penguins. Taking its cue — perhaps a bit too much — from March of the Penguins, it follows the journey of Adélie penguins as they make their annual migration to find a mate and create the next generation. Instead of focusing on the group as a whole, though, the filmmakers turn the film into a story about one specific penguin, whom they name Steve.

    Steve goes on quite the adventure, getting separated from the colony early on and trying to catch up for most of the film’s running time. He and the other penguins experience all the joys and perils of their kind, including finding a mate, making long treks for food, evading predators like leopard seals and killer whales, and more.

    The filmmakers, led by directors Alastair Fothergill and Jeff Wilson, decide to have actor Ed Helms not only narrate the film, but give voice to Steve as well. It’s an odd choice, given that the footage of the penguins is more than enough to provide all the drama and comedy you might need. Instead, Helms is required to describe the action seen on screen and then provide an inner monologue for what Steve might be thinking in certain situations.

    This technique highlights the peculiar need for some humans to anthropomorphize animals, as if doing so makes them more relatable. In this instance, it doesn’t make this one penguin any more or less interesting. In some sequences, it actually makes you question the honesty of the filmmakers, since keeping track of Steve among literally millions of other penguins would seem to be improbable, if not impossible.

    Still, the footage is as stunning as you’d hope from a good nature documentary. Given that the filmmakers have worked on series like Planet Earth, The Blue Planet, and Frozen Planet, the quality of their visual work should come as no surprise. Their commitment to documenting the birds and enduring the harsh Antarctic weather themselves comes through in every frame of the film.

    People love penguins in whatever form they are shown to us on screen, and their adorable nature is all over DisneyNature’s Penguins. It would have been nice if the filmmakers had trusted the material they had instead of trying to force the issue with some out-of-place anthropomorphizing of their subjects.

    Behind the scenes of DisneyNature's Penguins.

    Behind the scenes of DisneyNature's Penguins
    Photo courtesy of Walt Disney Studios
    Behind the scenes of DisneyNature's Penguins.
    moviesnature
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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