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    Movie Review

    The magic in The Secrets of Dumbledore fails to conjure anything fantastic

    Alex Bentley
    Apr 13, 2022 | 5:30 pm
    The magic in The Secrets of Dumbledore fails to conjure anything fantastic
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    It has been a bumpy start for the Fantastic Beasts series, a Harry Potter spinoff that centers on Newt Scamander (Eddie Redmayne), who has an affinity for all sorts of creatures with strange abilities. Neither of the first two films managed to capture the allure that the eight Potter films did, with a focus on complex storytelling instead of the basics that made the original series so appealing.

    I’m sad to report that the third film, The Secrets of Dumbledore, continues that unfortunate trend, even with Steve Kloves — who wrote all but one of the Harry Potter movies — taking over for J.K. Rowling as screenwriter. The film starts off promising enough, with an intriguing and unusually direct conversation between Albus Dumbledore (Jude Law) and series villain Gellert Grindlewald (Mads Mikkelsen, taking over for the disgraced Johnny Depp). That’s followed by an exciting scene in which Newt tries to rescue a newborn Qilin, a deer-like creature whose powers are sought by the power hungry.

    From there, however, the film devolves into the series’ usual convoluted storytelling. Newt’s romantic interest, Tina Goldstein (Katherine Waterston), is all-but-missing from the film, but he’s joined by an odd group that includes his friend Jacob (Dan Fogler), brother Theseus (Callum Turner), and a newcomer, American auror Eulalie Hicks (Jessica Williams). They, along with Dumbledore, are enlisted to … well, it’s never quite clear, but it has something to do with keeping Grindlewald away from power. The series’ big bad villain has apparently given up on truly evil deeds and resorted to … (checks notes) … election fraud?

    That’s just one of many things that Kloves (who based his screenplay upon an earlier version from Rowling) and director David Yates can never adequately explain. Even worse is that, for a movie called The Secrets of Dumbledore, those secrets aren’t given nearly the import you’d expect. Aside from an enchanted vial that connects Dumbledore with Grindlewald and the fact that he’s gay, neither of which he bothers hiding from other characters, it’s difficult to say what “secrets” the film is supposed to be about.

    The filmmakers take the plot down seemingly random detours that don’t always pay off. Characters intersect or reconnect at odd junctures, and subplots have a strange way of stopping and starting in ways that make no sense for the film as a whole. The thinking seems to be that more information is better, but they obviously don’t have the ability to organize everything in a coherent manner.

    Since the film isn’t based on any previously published story, they could literally do anything to entertain fans. While there are some fun moments, like a scene where Newt must imitate crabs in order to facilitate an escape, they are few and far between. The film continues the series’ overall dark tone, and even though there is plenty of magic to be found, it never feels magical.

    Redmayne, though technically still the lead of the series, takes somewhat of a backseat this time around, which keeps his quirky style of acting from being too annoying. Law is as charismatic as ever, even if his story arc is confusing. Mikkelsen makes for a great replacement of Depp, although the evilness of his character never quite connects. And Williams affects a haughty accent that almost equals Redmayne’s irritating nature.

    At this point in the Fantastic Beasts series, you either love or hate the direction the filmmakers have taken the story. As much as I try to give them the benefit of the doubt, I am continuously confounded by their inability to make even a halfway entertaining film.

    ---

    Fantastic Beasts: The Secrets of Dumbledore opens in theaters on April 15.

    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore.

    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore
    Photo courtesy of Warner Bros. Pictures
    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

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    The Drama opens in theaters on April 3.

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