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    Movie Review

    The magic in The Secrets of Dumbledore fails to conjure anything fantastic

    Alex Bentley
    Apr 13, 2022 | 5:30 pm
    The magic in The Secrets of Dumbledore fails to conjure anything fantastic
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    It has been a bumpy start for the Fantastic Beasts series, a Harry Potter spinoff that centers on Newt Scamander (Eddie Redmayne), who has an affinity for all sorts of creatures with strange abilities. Neither of the first two films managed to capture the allure that the eight Potter films did, with a focus on complex storytelling instead of the basics that made the original series so appealing.

    I’m sad to report that the third film, The Secrets of Dumbledore, continues that unfortunate trend, even with Steve Kloves — who wrote all but one of the Harry Potter movies — taking over for J.K. Rowling as screenwriter. The film starts off promising enough, with an intriguing and unusually direct conversation between Albus Dumbledore (Jude Law) and series villain Gellert Grindlewald (Mads Mikkelsen, taking over for the disgraced Johnny Depp). That’s followed by an exciting scene in which Newt tries to rescue a newborn Qilin, a deer-like creature whose powers are sought by the power hungry.

    From there, however, the film devolves into the series’ usual convoluted storytelling. Newt’s romantic interest, Tina Goldstein (Katherine Waterston), is all-but-missing from the film, but he’s joined by an odd group that includes his friend Jacob (Dan Fogler), brother Theseus (Callum Turner), and a newcomer, American auror Eulalie Hicks (Jessica Williams). They, along with Dumbledore, are enlisted to … well, it’s never quite clear, but it has something to do with keeping Grindlewald away from power. The series’ big bad villain has apparently given up on truly evil deeds and resorted to … (checks notes) … election fraud?

    That’s just one of many things that Kloves (who based his screenplay upon an earlier version from Rowling) and director David Yates can never adequately explain. Even worse is that, for a movie called The Secrets of Dumbledore, those secrets aren’t given nearly the import you’d expect. Aside from an enchanted vial that connects Dumbledore with Grindlewald and the fact that he’s gay, neither of which he bothers hiding from other characters, it’s difficult to say what “secrets” the film is supposed to be about.

    The filmmakers take the plot down seemingly random detours that don’t always pay off. Characters intersect or reconnect at odd junctures, and subplots have a strange way of stopping and starting in ways that make no sense for the film as a whole. The thinking seems to be that more information is better, but they obviously don’t have the ability to organize everything in a coherent manner.

    Since the film isn’t based on any previously published story, they could literally do anything to entertain fans. While there are some fun moments, like a scene where Newt must imitate crabs in order to facilitate an escape, they are few and far between. The film continues the series’ overall dark tone, and even though there is plenty of magic to be found, it never feels magical.

    Redmayne, though technically still the lead of the series, takes somewhat of a backseat this time around, which keeps his quirky style of acting from being too annoying. Law is as charismatic as ever, even if his story arc is confusing. Mikkelsen makes for a great replacement of Depp, although the evilness of his character never quite connects. And Williams affects a haughty accent that almost equals Redmayne’s irritating nature.

    At this point in the Fantastic Beasts series, you either love or hate the direction the filmmakers have taken the story. As much as I try to give them the benefit of the doubt, I am continuously confounded by their inability to make even a halfway entertaining film.

    ---

    Fantastic Beasts: The Secrets of Dumbledore opens in theaters on April 15.

    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore.

    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore
    Photo courtesy of Warner Bros. Pictures
    Mads Mikkelsen in Fantastic Beasts: The Secrets of Dumbledore.
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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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