Superstar comedian Chris Rock, fresh off his highly publicized altercation with Will Smith at the Academy Awards, is extending his "Ego Death World Tour." It now will include a stop in Sugar Land at Smart Financial Centre on November 5.
The tour, which is currently ongoing, is scheduled for venues across the United States, Canada, and Australia. In addition to the date in Irving, Rock will perform in in Irving on Thursday, November 3 and San Antonio on November 10.
One of the strongest comedic voices working today, Rock has a career that has spanned more than three decades, enjoying success in both film, television, and stage as a comedian, actor, writer, producer, and director. Though he got his break on Saturday Night Live, his career has gone on to include plenty of dramatic roles, including in the FX series Fargo, in the horror film Spiral, and in the upcoming biopic Rustin.
Of course, comedy has always been Rock's primary way of entertaining the masses, whether as a stand-up comedian, acting in Adam Sandler movies, or directing his own projects like 2014's Top Five.
It was his comedy that earned the wrath of Smith at the Oscars on March 27, with the soon-to-be Best Actor slapping Rock in one of the most shocking moments in Oscar history (an incident which now has its own Wikipedia page). Rock has said he won't talk about the incident until he "gets paid."
The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.
It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.
Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).
Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.
But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.
Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.
Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.
Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.
