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    Alley Theatre Favorite

    A true Southern lady, Dixie Carter is dead at 70

    Clifford Pugh
    Apr 10, 2010 | 11:21 pm
    • Dixie Carter
    • Dixie Carter starred with husband Hal Holbrook in the Alley Theatre productionof "Be My Baby" in 2005

    When Designing Women was a big TV hit in the late '80s and early '90s, everyone loved Delta Burke, who played the sassy interior designer Suzanne Sugarbaker. But I was partial to Dixie Carter, who played her sister, Julia, the head of an Atlanta design firm. Carter's character was strong-willed but respectful of Southern mores, using a well-placed quip and an arched eyebrow to make her point. She was smart and sexy and funny but always a lady. She embodied the Southern women I knew growing up near Memphis, which coincidentally was where Carter, a west Tennessee native, got her start in show business.

    And she was a good actress, too.

    Carter died Saturday in Houston, where she was being treated for endometrial cancer. She was 70.

    Carter and her husband, Hal Holbrook, were favorites at the Alley Theater. They appeared together in the world premiere of the Ken Ludwig play, Be My Baby, in 2005. Two years later Carter starred in the Alley production of Arsenic and Old Lace. Last year, the couple were honorary chairs at a "roast and toast" fundraiser to celebrate Alley artistic director Gregory Boyd's 20th year with the Houston theater company.

    In program notes for the production of Be My Baby, Ludwig recalled that Holbrook and Carter got involved with his play after he met Holbrook at an Alley fundraiser in 2004. He sent a copy of the play to Holbrook, who agreed to star.

    "We began talking about who should play the woman’s role opposite him," Ludwig wrote. "Needless to say, his wife Dixie Carter is marvelous, and I desperately wanted her to do the part. So I suggested, delicately, that – with his permission – my agent could overnight a copy of the script to Dixie, with the message that she shouldn’t feel obligated to even read it."

    And, he said, “Well, we can do that. Or, I can walk across the room and hand it to her.” About two hours later, the phone rings and Dixie says, “Ken, I love this play. I’ll do the part.” It was music to my ears."

    The Tennessee native often portrayed independent Southern women in theater and television. She played recurring roles in the sitcoms Different Strokes and Filthy Rich in the '80s before starring in Designing Women, which ran from 1986 to1993. In 2007, Carter was nominated for an Emmy for a seven-episode guest stint on Desperate Housewives.

    She met Holbrook in 1980 while making the TV movie, The Killing of Randy Webster. They married in 1984. The couple starred together in her final project, the 2009 independent film That Evening Sun, shot in Tennessee and based on a short story by Southern novelist William Gay.

    "This has been a terrible blow to our family,” Holbrook said in a statement. “We would appreciate everyone understanding that this is a private family tragedy.”

    unspecified
    news/entertainment

    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

    moviesgirl scout cookiefilm
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