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    Movie Review

    Hormonal teenagers journey in search of new planet in Voyagers

    Alex Bentley
    Apr 9, 2021 | 2:20 pm
    Hormonal teenagers journey in search of new planet in Voyagers
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    Plenty of films have dealt with the possibility of another habitable planet in the universe, as well as the existential need for such a place given how humans have not treated the Earth well over the course of history. While some films go the philosophical route or explore the dangers of space travel, the makers of the new film Voyagers figured they would be different and just make it about horny and angry teenagers.

    In the world of the film, humanity has come up with a plan to send a group of people to a newly discovered Earth-like planet after Earth has grown too hot and filled with drought and disease to sustain life. But because it will take 86 years to reach said planet, the group is made up almost entirely of young people, born and raised in isolation, whose children and grandchildren will be the ones to actually set foot on the new world.

    Mission leader Richard (Colin Farrell) does his best to keep the group in line, mostly through the use of a blue drink that suppresses the kids’ hormonal urges. But when two of them, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), discover the truth about the drink, they stop taking it, setting in motion a series of events that allows the young people to experience their full range of emotions for the first time, for good and for bad.

    Written and directed by Neil Burger, the film skips over a lot of ethical and practical questions about the space journey in favor of getting right to the juicy part of kids acting crazy in a confined space. The big problem is that because the group has been emotionally-stilted since birth, anyone who acts out seems supremely odd, and not in a good-for-the-story kind of way.

    Burger seems to have given his cast permission to act as strange as possible, leading to a host of awkward moments where one person is acting over the top while another is staring blankly. What’s meant to be an interesting juxtaposition between characters who are finally seeing the light and those still under the drug’s spell comes off instead as goofy, laughable interactions.

    And that’s to say nothing of Burger trying to inject a possible alien story into the mix. For kids who’ve been sheltered literally their entire lives, they sure seem to know a lot about things they’ve never seen before. The third act of the film succeeds somewhat as an action set piece, but because the film doesn’t establish many connections between characters earlier, there’s not much to hold on to in the end.

    Both Sheridan (Ready Player One) and Whitehead (Dunkirk) are actors on the rise, but neither is done any favors by the inert script. Lily-Rose Depp, whose character is in a sort of love triangle with Christopher and Zac, has a nice presence that serves her well in her first major role. Most of the rest of the actors remain as anonymous as their characters.

    Voyagers brings up a lot of questions about the future of humanity, the Earth, and space travel, but instead of trying to address those in any meaningful way, it instead throws a bunch of hormonal teenagers together merely to see what happens. The result is not exciting on any level, and should not be sought out by moviegoers desperate for a trip to the theater.

    ---

    Voyagers opens in theaters on April 9.

    Tye Sheridan and Lily-Rose Depp in Voyagers.

    Tye Sheridan and Lily-Rose Depp in Voyagers
    Photo by Vlad Cioplea
    Tye Sheridan and Lily-Rose Depp in Voyagers.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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    Anaconda is now playing in theaters.

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