• Home
  • popular
  • EVENTS
  • submit-new-event
  • CHARITY GUIDE
  • Children
  • Education
  • Health
  • Veterans
  • Social Services
  • Arts + Culture
  • Animals
  • LGBTQ
  • New Charity
  • TRENDING NEWS
  • News
  • City Life
  • Entertainment
  • Sports
  • Home + Design
  • Travel
  • Real Estate
  • Restaurants + Bars
  • Arts
  • Society
  • Innovation
  • Fashion + Beauty
  • subscribe
  • about
  • series
  • Embracing Your Inner Cowboy
  • Green Living
  • Summer Fun
  • Real Estate Confidential
  • RX In the City
  • State of the Arts
  • Fall For Fashion
  • Cai's Odyssey
  • Comforts of Home
  • Good Eats
  • Holiday Gift Guide 2010
  • Holiday Gift Guide 2
  • Good Eats 2
  • HMNS Pirates
  • The Future of Houston
  • We Heart Hou 2
  • Music Inspires
  • True Grit
  • Hoops City
  • Green Living 2011
  • Cruizin for a Cure
  • Summer Fun 2011
  • Just Beat It
  • Real Estate 2011
  • Shelby on the Seine
  • Rx in the City 2011
  • Entrepreneur Video Series
  • Going Wild Zoo
  • State of the Arts 2011
  • Fall for Fashion 2011
  • Elaine Turner 2011
  • Comforts of Home 2011
  • King Tut
  • Chevy Girls
  • Good Eats 2011
  • Ready to Jingle
  • Houston at 175
  • The Love Month
  • Clifford on The Catwalk Htx
  • Let's Go Rodeo 2012
  • King's Harbor
  • FotoFest 2012
  • City Centre
  • Hidden Houston
  • Green Living 2012
  • Summer Fun 2012
  • Bookmark
  • 1987: The year that changed Houston
  • Best of Everything 2012
  • Real Estate 2012
  • Rx in the City 2012
  • Lost Pines Road Trip Houston
  • London Dreams
  • State of the Arts 2012
  • HTX Fall For Fashion 2012
  • HTX Good Eats 2012
  • HTX Contemporary Arts 2012
  • HCC 2012
  • Dine to Donate
  • Tasting Room
  • HTX Comforts of Home 2012
  • Charming Charlie
  • Asia Society
  • HTX Ready to Jingle 2012
  • HTX Mistletoe on the go
  • HTX Sun and Ski
  • HTX Cars in Lifestyle
  • HTX New Beginnings
  • HTX Wonderful Weddings
  • HTX Clifford on the Catwalk 2013
  • Zadok Sparkle into Spring
  • HTX Let's Go Rodeo 2013
  • HCC Passion for Fashion
  • BCAF 2013
  • HTX Best of 2013
  • HTX City Centre 2013
  • HTX Real Estate 2013
  • HTX France 2013
  • Driving in Style
  • HTX Island Time
  • HTX Super Season 2013
  • HTX Music Scene 2013
  • HTX Clifford on the Catwalk 2013 2
  • HTX Baker Institute
  • HTX Comforts of Home 2013
  • Mothers Day Gift Guide 2021 Houston
  • Staying Ahead of the Game
  • Wrangler Houston
  • First-time Homebuyers Guide Houston 2021
  • Visit Frisco Houston
  • promoted
  • eventdetail
  • Greystar Novel River Oaks
  • Thirdhome Go Houston
  • Dogfish Head Houston
  • LovBe Houston
  • Claire St Amant podcast Houston
  • The Listing Firm Houston
  • South Padre Houston
  • NextGen Real Estate Houston
  • Pioneer Houston
  • Collaborative for Children
  • Decorum
  • Bold Rock Cider
  • Nasher Houston
  • Houston Tastemaker Awards 2021
  • CityNorth
  • Urban Office
  • Villa Cotton
  • Luck Springs Houston
  • EightyTwo
  • Rectanglo.com
  • Silver Eagle Karbach
  • Mirador Group
  • Nirmanz
  • Bandera Houston
  • Milan Laser
  • Lafayette Travel
  • Highland Park Village Houston
  • Proximo Spirits
  • Douglas Elliman Harris Benson
  • Original ChopShop
  • Bordeaux Houston
  • Strike Marketing
  • Rice Village Gift Guide 2021
  • Downtown District
  • Broadstone Memorial Park
  • Gift Guide
  • Music Lane
  • Blue Circle Foods
  • Houston Tastemaker Awards 2022
  • True Rest
  • Lone Star Sports
  • Silver Eagle Hard Soda
  • Modelo recipes
  • Modelo Fighting Spirit
  • Athletic Brewing
  • Rodeo Houston
  • Silver Eagle Bud Light Next
  • Waco CVB
  • EnerGenie
  • HLSR Wine Committee
  • All Hands
  • El Paso
  • Houston First
  • Visit Lubbock Houston
  • JW Marriott San Antonio
  • Silver Eagle Tupps
  • Space Center Houston
  • Central Market Houston
  • Boulevard Realty
  • Travel Texas Houston
  • Alliantgroup
  • Golf Live
  • DC Partners
  • Under the Influencer
  • Blossom Hotel
  • San Marcos Houston
  • Photo Essay: Holiday Gift Guide 2009
  • We Heart Hou
  • Walker House
  • HTX Good Eats 2013
  • HTX Ready to Jingle 2013
  • HTX Culture Motive
  • HTX Auto Awards
  • HTX Ski Magic
  • HTX Wonderful Weddings 2014
  • HTX Texas Traveler
  • HTX Cifford on the Catwalk 2014
  • HTX United Way 2014
  • HTX Up to Speed
  • HTX Rodeo 2014
  • HTX City Centre 2014
  • HTX Dos Equis
  • HTX Tastemakers 2014
  • HTX Reliant
  • HTX Houston Symphony
  • HTX Trailblazers
  • HTX_RealEstateConfidential_2014
  • HTX_IW_Marks_FashionSeries
  • HTX_Green_Street
  • Dating 101
  • HTX_Clifford_on_the_Catwalk_2014
  • FIVE CultureMap 5th Birthday Bash
  • HTX Clifford on the Catwalk 2014 TEST
  • HTX Texans
  • Bergner and Johnson
  • HTX Good Eats 2014
  • United Way 2014-15_Single Promoted Articles
  • Holiday Pop Up Shop Houston
  • Where to Eat Houston
  • Copious Row Single Promoted Articles
  • HTX Ready to Jingle 2014
  • htx woodford reserve manhattans
  • Zadok Swiss Watches
  • HTX Wonderful Weddings 2015
  • HTX Charity Challenge 2015
  • United Way Helpline Promoted Article
  • Boulevard Realty
  • Fusion Academy Promoted Article
  • Clifford on the Catwalk Fall 2015
  • United Way Book Power Promoted Article
  • Jameson HTX
  • Primavera 2015
  • Promenade Place
  • Hotel Galvez
  • Tremont House
  • HTX Tastemakers 2015
  • HTX Digital Graffiti/Alys Beach
  • MD Anderson Breast Cancer Promoted Article
  • HTX RealEstateConfidential 2015
  • HTX Vargos on the Lake
  • Omni Hotel HTX
  • Undies for Everyone
  • Reliant Bright Ideas Houston
  • 2015 Houston Stylemaker
  • HTX Renewable You
  • Urban Flats Builder
  • Urban Flats Builder
  • HTX New York Fashion Week spring 2016
  • Kyrie Massage
  • Red Bull Flying Bach
  • Hotze Health and Wellness
  • ReadFest 2015
  • Alzheimer's Promoted Article
  • Formula 1 Giveaway
  • Professional Skin Treatments by NuMe Express

    No Kid's Flick

    Kristen Stewart & Dakota Fanning dish with us on The Runaways

    Joe Leydon
    Apr 9, 2010 | 11:29 am
    • Kristen Stewart as Joan Jett and Dakota Fanning as Cherie Currie in "TheRunaways"
    • "The Runaways" movie poster

    Are you ready for a scorchin’ slice of grrrl power?

    Then you’re part of the target audience for the R-rated rambunctiousness of The Runaways, writer-director Floria Sigismondi’s careening and compelling biopic about the mid-1970s all-girl band that smashed through the glass ceiling designed to dissuade young ladies from rocking like the bad boys.

    It’s not exactly a complete picture, since Sigismondi, for various reasons, focuses almost entirely on two members of the original Runaways ensemble. Joan Jett — the swaggeringly ambisexual singer-guitarist who continues to perform as an indefatigable hard-rocker — and Cherie Currie — the group’s lead singer who left the music industry years ago, and has more recently made her mark as (no kidding) a chainsaw sculptor — are the featured players.

    But even if it’s not the whole story, The Runaways — based in part on a memoir by Currie, and executive produced by Jett — commands attention and stokes emotions. For that, much of the credit must go to its above-the-title lead performers: Twilight star Kristen Stewart, who makes all the right moves as Joan, and all-grown-up Dakota Fanning, who rocks the house and breaks your heart as Cherie.

    While promoting The Runaways — which opens today — Stewart and Fanning slowed down long enough to answer a few questions about indie moviemaking and rock ’n’ roll role-playing.

    CM: This is a movie about female empowerment, about how, in the 1970s, these girls proved they could rock just like the boys. As actresses, have you ever felt you’ve had to prove yourselves in a similar fashion?

    Dakota Fanning: Actually, I’ve grown up always thinking I could do whatever I want, and be whatever I want. I don’t think I’ve ever gone through any struggle compared to what [Cherie Currie and Joan Jett] did. I mean, when I started acting, sure, I didn’t get a lot of things that I wanted. Like, people said I didn’t have enough hair, or I was too blond, or I didn’t have enough experience, so they didn’t want me in their movie. So I experienced things like that. But nothing like they did.

    Kristen Stewart: Yeah. Joan always says that nothing has changed whenever she’s asked what’s different in music today. But that’s because she doesn’t see girls literally playing the kind of music that she does. And I don’t think that’s necessarily because things haven’t changed — I think it’s because she’s so unique. And I don’t know if girls necessarily have that drive.

    Yeah, we’re definitely put in boxes nowadays. They’re just different boxes. But I think it’s definitely gotten better, because I’ve grown up thinking I could be anything I wanted as well. Joan didn’t. At the same time, though, I think it’s still easier for a guy to have a little bit more personality, or individuality. It’s easier for them to be different, and not have people comment on it as much.

    CM: Gee, are you saying that a guy can get away with saying something totally outrageous, but a gal saying the same thing might be considered…. unladylike?

    Kristen: Yeah. To a certain degree, definitely.

    CM: Were you at all intimidated by the challenge of actually doing your own singing and playing your own instruments?

    Dakota: I don’t think it ever occurred to me to not do it myself. I just thought it would be so non-authentic — like, the easy way out — and I really didn’t want to do that. So I always wanted to sing. Of course, it’s a funny thing: Sometimes you jump into something without fully realizing what you’re getting yourself into. We had, like, two weeks to get ready. We had to sort of just do it without thinking, because we really liked it. We’re really not performers in that way. And they have such a distinct, awesome sound.

    Kristen: I never, ever got fully comfortable playing the songs while Joan actually was around. Ever. I just had to forget that she was there until they yelled, “Cut!” I mean, she always seemed really happy. And I ‘m sure that even if we were doing really badly, she would have said we were doing well — just to help us do better. But still ...

    CM: How did you prepare?

    Dakota: Well, I had some voice lessons, and I worked with Cherie on the songs. The performance of “Cherry Bomb” was what I worked on the most, probably. And that was filmed on the second to last day, so I had a lot of practice with that. But Cherie’s personality now is very different than what it was then. And off-stage, she was kind of quiet. I did some research, and I found this interview where she sounds so soft (whispering) like this. And that was so different from her on-stage persona. So I had to work on trying to capture that vulnerability she had, as well as the other stuff.

    Kristen: I played guitar before. And that was a good thing, because I had like six songs to learn. But it wasn’t so much playing the songs – Joan plays rhythm guitar, so it was, like, power chords. It was more the way she does it. I don’t do that, I don’t have her mannerisms. But she was with me every single day. And we were able to see Cherie and her together, too, which was also really helpful. Because when they’re around each other, they go right back to when they were with The Runaways. They sort of take on that same dynamic, which was very helpful.

    CM: But the emotions are just as important — actually, more important — than the music. You had to make this movie very quickly, on an limited budget. Did that make playing some of the more grueling scenes even more difficult?

    Dakota: Well, yes. You see, in every movie, there’s usually about two scenes that are your two really big moments. But in this movie, every little detail of it, every scene was so important, because it was someone’s life, and it really happened to them. We only had six weeks to do the movie, and it was kind of rushed.

    Kristen: And there were times when we’d really be working hard on something, and we’d think we’re going to do another take, but it was like, “OK. That’s it. We’re done with that now. That’s just going to be in the movie now. ” It’s not that it was arbitrary. It’s just that, well, that’s the nature of making a small movie.

    CM: Do you feel like you could have done some things even better if only you’d had some more time?

    Kristen: Oh, my God! Hell, yeah! We loved watching the movie, but (picking up a pencil) I can’t have objects like this is my hand while I’m watching it, because otherwise (lunging forward) I’ll want to go “Arrrgh!”

    unspecified
    news/entertainment
    CULTUREMAP EMAILS ARE AWESOME
    Get Houston intel delivered daily.

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

    moviesfilm
    news/entertainment
    CULTUREMAP EMAILS ARE AWESOME
    Get Houston intel delivered daily.
    Loading...