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    Top Chef episode 6 recap

    Top Chef recap: Houston chef's Selena fandom blossoms into a winning moment

    Eric Sandler
    Apr 8, 2022 | 9:35 am
    A group of distinguished Texas women judged the Elimination Challenge.
    A group of distinguished Texas women judged the Elimination Challenge.
    Photo by David Moir Bravo

    In his opening monologue on last week’s episode of Saturday Night Live, host Jerrod Carmichael spends about five minutes saying he’s not going to talk about “it.” Carmichael never says that “it” is Will Smith slapping Chris Rock at the Oscars. He doesn’t have to, because the audience understands exactly what he’s "not" talking about.

    This week’s episode of Top Chef felt a little like Carmichael’s monologue. No one in the episode says the words “abortion” or “Senate Bill 8,” but it’s clearly on the minds of both the guest judges and the cheftestants. Think back to last fall, when Top Chef regulars Padma Lakshmi and Gail Simmons spoke at a rally to protest the law, which sharply restricted access to abortion.

    Dr. Lori Choi, co-founder of the female health non-profit I’ll Have What She’s Having, also participated in the march. She appears in episode six alongside other famous, very accomplished women to dine on dishes inspired by five historically significant Texas women: aviator Bessie Coleman, Congresswoman Barbara Jordan, Texas Governor Ann Richards, Queen of Tejano music Selena, and Olympian and golf legend Babe Didrikson Zaharias.

    “I really want to say for Houston, especially the restaurant women, thank you so much for coming,” Choi says to Lakshmi, Simmons, and head judge Tom Colicchio. “For you to come at this time couldn’t be more important.”

    Everyone at the table knew what Choi meant by “this time,” because the protests against SB 8 raged statewide around the time they dined together. Whether food-obsessed Top Chef fans nationwide will also understand the episode’s context is unclear. Hopefully, they do.

    Politics aside, let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Joining Choi for the Elimination Challenge meal are a few other accomplished Texas women: Cecile Richards, daughter of Ann; Suzette Quintanilla, Selena’s sister and drummer; Texas Tech and Houston Comets basketball star Sheryl Swoopes; and former Houston Ballet principal Lauren Anderson. Houston chef and current James Beard finalist Christine Ha joins Top Chef alum and current Beard finalist Tiffany Derry as the challenge’s guests judges.

    All of the guests provide insights, with Anderson criticizing one dish by saying, “We have to be able to say, ‘Your baby is ugly.’” Ha, no stranger to reality TV after winning the third season of Masterchef, noted that being visually impaired makes her unimpressed by presentation; she — wait for it — saw through the chef’s displays and keenly detected flaws in their dishes, especially chef Ashleigh Shanti’s undercooked, overly-vinegared pork.

    The choice of Brennan’s of Houston to host the challenge seems fitting, too. Both the Midtown institution and its sister restaurant, New Orleans’ iconic Commander’s Palace, claim legendary restaurateur Ella Brennan as a founder. That history doesn’t make the episode, but viewers are treated to a couple of quick exterior shots and an appropriately luxurious-looking dining room.

    How did Evelyn Garcia do
    Once again, the only Houstonian cheftestant shines. Luckily, chef Evelyn draws Selena, one of her favorite musicians — the producers helpfully throw in a picture of childhood Evelyn dressed as the singer for Halloween. She makes a snapper aguachile inspired by “Como la Flor,” her favorite Selena song, that has everyone at the table swooning.

    “I have none left,” Swoopes declares. By a vote of the entire table, Garcia wins her second challenge in a row.

    “Winning is definitely pushing me,” Evelyn declares at Judges’ Table. “This is just a boost of energy to keep going hard, staying true to me, and showing y’all what I have.”

    Who wins
    As with last week’s barbecue episode, Evelyn is joined in the top three by chefs Buddha Lo and Jackson Kalb. Lo created an expertly roasted chicken in honor of Coleman learning to fly in France, while Kalb celebrated Jordan’s “heart and guts” by using offal in his pasta.

    Considering Jackson and Buddha won episode four’s Elimination Challenge as well, the three chefs have clearly established themselves as the season’s frontrunners. The other chefs are going to have to step up if they want to have a shot at the overall title.

    Who goes home
    After trending in the bottom all season, chef Monique Feybesse finally packs her knives. She created a dish of fried oysters, beans, and pickled okra in tribute to ingredients Barbara Jordan might have cooked with in her hometown of Houston, but the chef’s decision to cut the oysters in half and serve the dish with an under seasoned pancetta broth confused the judges.

    Chef Ashleigh, fresh off returning to the competition from Last Chance Kitchen, gets saved by her immunity from the Quickfire Challenge. Noma alum Luke Kolpin’s insufficiently cured salmon landed in the bottom three as well.

    Who exceeded expectations
    Chef Nick Wallace wins his second Quickfire in a row, and immunity, by collaborating with Ashleigh on a sweet and savory dessert built around ginger snaps and pork rinds. Technical flaws kept his Elimination Challenge dish of potato-crusted red snapper out of the top three, but its whimsical visual style delighted the non-chef judges.

    A group of distinguished Texas women judged the Elimination Challenge.

    Top Chef Houston episode 6
    Photo by David Moir/Bravo
    A group of distinguished Texas women judged the Elimination Challenge.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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