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    Top Chef episode 6 recap

    Top Chef recap: Houston chef's Selena fandom blossoms into a winning moment

    Eric Sandler
    Apr 8, 2022 | 9:35 am
    A group of distinguished Texas women judged the Elimination Challenge.
    A group of distinguished Texas women judged the Elimination Challenge.
    Photo by David Moir Bravo

    In his opening monologue on last week’s episode of Saturday Night Live, host Jerrod Carmichael spends about five minutes saying he’s not going to talk about “it.” Carmichael never says that “it” is Will Smith slapping Chris Rock at the Oscars. He doesn’t have to, because the audience understands exactly what he’s "not" talking about.

    This week’s episode of Top Chef felt a little like Carmichael’s monologue. No one in the episode says the words “abortion” or “Senate Bill 8,” but it’s clearly on the minds of both the guest judges and the cheftestants. Think back to last fall, when Top Chef regulars Padma Lakshmi and Gail Simmons spoke at a rally to protest the law, which sharply restricted access to abortion.

    Dr. Lori Choi, co-founder of the female health non-profit I’ll Have What She’s Having, also participated in the march. She appears in episode six alongside other famous, very accomplished women to dine on dishes inspired by five historically significant Texas women: aviator Bessie Coleman, Congresswoman Barbara Jordan, Texas Governor Ann Richards, Queen of Tejano music Selena, and Olympian and golf legend Babe Didrikson Zaharias.

    “I really want to say for Houston, especially the restaurant women, thank you so much for coming,” Choi says to Lakshmi, Simmons, and head judge Tom Colicchio. “For you to come at this time couldn’t be more important.”

    Everyone at the table knew what Choi meant by “this time,” because the protests against SB 8 raged statewide around the time they dined together. Whether food-obsessed Top Chef fans nationwide will also understand the episode’s context is unclear. Hopefully, they do.

    Politics aside, let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Joining Choi for the Elimination Challenge meal are a few other accomplished Texas women: Cecile Richards, daughter of Ann; Suzette Quintanilla, Selena’s sister and drummer; Texas Tech and Houston Comets basketball star Sheryl Swoopes; and former Houston Ballet principal Lauren Anderson. Houston chef and current James Beard finalist Christine Ha joins Top Chef alum and current Beard finalist Tiffany Derry as the challenge’s guests judges.

    All of the guests provide insights, with Anderson criticizing one dish by saying, “We have to be able to say, ‘Your baby is ugly.’” Ha, no stranger to reality TV after winning the third season of Masterchef, noted that being visually impaired makes her unimpressed by presentation; she — wait for it — saw through the chef’s displays and keenly detected flaws in their dishes, especially chef Ashleigh Shanti’s undercooked, overly-vinegared pork.

    The choice of Brennan’s of Houston to host the challenge seems fitting, too. Both the Midtown institution and its sister restaurant, New Orleans’ iconic Commander’s Palace, claim legendary restaurateur Ella Brennan as a founder. That history doesn’t make the episode, but viewers are treated to a couple of quick exterior shots and an appropriately luxurious-looking dining room.

    How did Evelyn Garcia do
    Once again, the only Houstonian cheftestant shines. Luckily, chef Evelyn draws Selena, one of her favorite musicians — the producers helpfully throw in a picture of childhood Evelyn dressed as the singer for Halloween. She makes a snapper aguachile inspired by “Como la Flor,” her favorite Selena song, that has everyone at the table swooning.

    “I have none left,” Swoopes declares. By a vote of the entire table, Garcia wins her second challenge in a row.

    “Winning is definitely pushing me,” Evelyn declares at Judges’ Table. “This is just a boost of energy to keep going hard, staying true to me, and showing y’all what I have.”

    Who wins
    As with last week’s barbecue episode, Evelyn is joined in the top three by chefs Buddha Lo and Jackson Kalb. Lo created an expertly roasted chicken in honor of Coleman learning to fly in France, while Kalb celebrated Jordan’s “heart and guts” by using offal in his pasta.

    Considering Jackson and Buddha won episode four’s Elimination Challenge as well, the three chefs have clearly established themselves as the season’s frontrunners. The other chefs are going to have to step up if they want to have a shot at the overall title.

    Who goes home
    After trending in the bottom all season, chef Monique Feybesse finally packs her knives. She created a dish of fried oysters, beans, and pickled okra in tribute to ingredients Barbara Jordan might have cooked with in her hometown of Houston, but the chef’s decision to cut the oysters in half and serve the dish with an under seasoned pancetta broth confused the judges.

    Chef Ashleigh, fresh off returning to the competition from Last Chance Kitchen, gets saved by her immunity from the Quickfire Challenge. Noma alum Luke Kolpin’s insufficiently cured salmon landed in the bottom three as well.

    Who exceeded expectations
    Chef Nick Wallace wins his second Quickfire in a row, and immunity, by collaborating with Ashleigh on a sweet and savory dessert built around ginger snaps and pork rinds. Technical flaws kept his Elimination Challenge dish of potato-crusted red snapper out of the top three, but its whimsical visual style delighted the non-chef judges.

    A group of distinguished Texas women judged the Elimination Challenge.

    Top Chef Houston episode 6
    Photo by David Moir/Bravo
    A group of distinguished Texas women judged the Elimination Challenge.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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