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    Movie Review

    Speed and brawn collide in fun but uninspired Sonic the Hedgehog 2

    Alex Bentley
    Apr 7, 2022 | 4:06 pm
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.play icon
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
    Photo courtesy of Paramount Pictures

    There are some properties where a rabid fandom can be expected, including any Marvel or DC movie, Star Wars, and the like. But you wouldn’t necessarily expect the same level of enthusiasm for a character from a videogame franchise, even one that has existed across multiple consoles for almost the past 30 years.

    And yet the response from the crowd at this critic’s screening to Sonic and other characters from the game in Sonic the Hedgehog 2 prove that Sega Sammy Studios and Paramount Pictures were right to bring the franchise to the big screen in 2020. The first film wound up making over $350 million worldwide, and it might have been more if the pandemic hadn’t hit a month later.

    Sonic (voiced by Ben Schwartz) is back to his usual antics after banishing the evil Dr. Robotnik (Jim Carrey) to a mushroom planet at the end of the last movie. Still living with Tom (James Marsden) and Maddie (Tika Sumpter) in Montana, Sonic has taken to thwarting criminals in far-off places like Seattle, quickly returning home after a night’s work. His crime-fighting ways are put on pause, however, when Dr. Robotnik figures out a way to return to Earth with the help of an echidna named Knuckles (voiced by Idris Elba).

    They’re on the hunt for the Master Emerald, a legendary jewel that brings great power to whomever possesses it. Naturally, Sonic must try to stop them, and this time he has help from Tails (Colleen O’Shaughnessy), a fox from Sonic’s planet who can fly using her dual tail. Their adventures take them around the world, from Montana to Siberia to Hawaii, with a few surprises thrown in along the way.

    Made once again by director Jeff Fowler and writers Pat Casey, Josh Miller, and newcomer John Whittington, the film is a nice mix between stuff aimed at kids, parts that adults will appreciate, and elements to get the fans cheering. The inclusion of two more animated characters – and Carrey, who’s essentially an animated character – brings a lot more silliness into play, although they still keep the eye-rolling jokes to a minimum.

    Tom and Maddie travel to Hawaii – via one of Sonic’s rings, natch – for the wedding of Maddie’s sister, Rachel (Natasha Rothwell), and even though the subplot is in service to Sonic’s story, they still throw in a couple more mature aspects to keep things interesting for parents. But the film’s final act is really for the superfans who know all about the Master Emerald and what it can do; the residual excitement from certain moments is infectious, even if you’re not exactly sure why they’re so thrilled.

    The filmmakers don’t try to reinvent the wheel for the second film, something that both helps and hurts them. They utilize a couple more slo-mo scenes where Sonic is moving at regular speed while everything else essentially stands still. There are only two ways in which you can only depict how fast he is, so it’s hard to fault them for going back to the well with that joke. But the lack of any new innovation for this film is a bad sign for the continued success of the series.

    All of the actors returning from the first film repeat their fun performances, indicating that they were cast well. Elba is a nice choice for the brawny Knuckles, although it’s even better that they cast O’Shaughnessy as Tails, since she’s voiced the character in video games and on TV since 2014.

    It’s rare that a movie based on a video game gets more than one bite at the apple, and even rarer that they turn out as well as the Sonic films have. Here’s hoping that as the series continues – and the end credits confirm that it will – the filmmakers keep all factions of the audience in mind to keep things equally entertaining.

    ---

    Sonic the Hedgehog 2 opens in theaters on April 8.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2
    Photo courtesy of Paramount Pictures
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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