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    ParentsPost

    MFAH Sunday Family Zone helps kids explore fine art in a fun way

    Bernadette Verzosa
    Apr 5, 2012 | 9:22 am
    • The MFAH Sunday Family Zone aims to get kids more comfortable in the museum.
    • Sasha creates a work of art. The museum provides supplies for sketching andcoloring in the galleries.
    • Because artist Jules Olitski spackled, sprayed, poured and dripped to create hisbrilliant paintings, the museum devised a way for the families to do the same.
    • An MFAH volunteer does "pretend play" with the children, where they use theirfive senses to relate to the art.
    • Children sit enthralled in one of the MFAH galleries.

    Editors Note: CultureMap readers with children have asked for more stories about families. So we're thrilled to introduce columnist Bernadette Verzosa, who has just launched a web site, parentspost.com, which covers new and exciting things for families to do in Houston. This is her first column.

    It’s noon on Sunday. Zully Wisniewski is fluffing floor pillows and scattering stools in front of a painting at the Museum of Fine Arts, Houston. She’s expecting some VIPs shortly. This afternoon’s VIPs are children.

    The MFAH staff is preparing for the Sunday Family Zone and Studio. “It’s a great atmosphere for exploring art. You don’t have to be perfectly still and perfectly quiet. You can be moving around. You can be making noise. The kids are so much more comfortable in the museum,” says teaching artist Debbie Simon.

    “Looking at art as a family is an important human experience, because art can mean different things to different people,” Berquist says. “Life is not a right or wrong answer; there are different answers.”

    Wisniewski, the family guide, moves her gallery cart filled with puzzles, games and books near the designated focus work of art: Jules Olitski’s abstract canvas titled "With Love and Disregard: Splendor."

    “We do pretend play with the kids. We ask them to imagine that we are all jumping into the painting together, and we ask them which color would they like to jump into,” she explains. “We ask the children, and their parents, to use their five senses, we ask them what they see, how they feel,” she says.

    Wisniewski soon has her eager audience, including Elizabeth Cosgrove, who visits regularly with her husband and four children.

    “My kids love the incredible group of people who run the program. There’s a sense of passion that they transfer to the children, a love of this world and excitement being part of it,“ says Cosgrove. “My daughter liked Olitski’s spray painted works, my boys were enamored with the dynamic. They all sensed motion in geology terms – they felt like volcanoes were erupting, stars were clashing, oceans were swirling.”

    Another group enjoying the exhibit is the Johnson family.

    “I love the colors,” says 5-year-old Marvin Johnson, Jr. “It makes me think of outer space and the different planets.” He comes weekly with his older brother and his parents.

    His dad, Marvin Johnson, says, “We really have fun with the teaching artists. They challenge our whole family mentally. I’m very impressed with the things the boys come up with. They can really think with such depth, they can feel the art, it’s amazing how they see it.”

    The museum also provides supplies for sketching and coloring in the galleries. MFAH family programs manager Kris Bergquist makes sure everything runs smoothly. She and her team conceptualize and develop the ideas for projects, programs, and resources, all geared towards enhancing enjoyment.

    “Looking at art as a family is an important human experience, because art can mean different things to different people,” she says. “Life is not a right or wrong answer, there are different answers. It’s an open experience, parents can learn from kids, kids can learn from parents, the museum can learn from the families.”

    To further cultivate imagination, the Family Programs group also organizes art projects related to the focus work of art. Because Olitski spackled, sprayed, poured and dripped to create his brilliant paintings, they devised a way for the families to do the same. At the MFAH Creation Station, they provided palette knives, and paints in pumps and drip bottles. But they also gave the children and parents transparencies, to separate the vibrant colors in layers.

    “It was phenomenal. They gave us the materials that allowed the children fantastic results no matter what their personality – whether they like to create quickly or meticulously,” said Cosgrove. ”I thought it was a miracle that the end product from all the kids captured the intense movement of the Olitski painting.”

    “It was pretty fun,” said 7-year-old Imogen Parenti. “I really liked painting over the transparencies because you can make different swirls of colors.” She worked alongside her two brothers and parents.

    Bergquist takes pride in her team’s ability to envision the challenges connected to creating certain works. “As an art museum, we need to have materials that are special. Our artists all work as artists in the community, and they’ve worked with children,” she says. “Because we do not have as much tourist traffic at the MFAH, we’re able to have more art-making and gallery programs because our numbers are not overwhelming. That also allows us to purchase higher quality art materials.”

    The MFAH hosts family programs every Sunday. In April, the Sunday Family Zone & Studio will spotlight the still life paintings of Dutch artist Willem van Aelst. The focus work of art is his “Large Still Life with Armor.”

    Anyone interested in Olitski’s abstract paintings can continue to view his works through May 6. More than 30 of his canvases are part of the exhibit ”Revelation: Major Paintings by Jules Olitski.”

    MFAH Sunday Family Zone is from 1 - 4 p.m. on Sundays. For more information, click here.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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