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    Curtains Up

    It's Curtains for Guiding Light's dynamic duo Robert Newman and Kim Zimmer

    Steven Devadanam
    Apr 4, 2011 | 12:36 pm
    • Kim Zimmer and Robert Newman from "Guiding Light"
    • From "Guiding Light," Josh Lewis (Robert Newman) and Reva Shayne (Kim Zimmer),childhood sweethearts who had several stabs at a relationship and a fewmarriages to other people before finally tying the knot in a July 1989 episode
    • "Guiding Light" cast members say good-bye in a double-page spread in "Soap OperaWeekly"

    Soap opera stars Robert Newman and Kim Zimmer spent 28 years as a star-crossed couple on Guiding Light. When the classic soap opera ended in 2009, fans were devastated. But now Newman and Zimmer are together again in the current Theatre Under the Stars production of the Broadway musical, Curtains, at the Hobby Center for the Performing Arts.

    CultureMap had a chat with the dynamic duo to discuss life, love and the pursuit of a Galleria shopping spree.

    CultureMap: Tell us about your transition to a career in theater.

    Robert Newman: When Guiding Light went off the air, I was already working on another musical. That was an easier transition for me, because for the last seven years, I've taken four to six weeks off a year to do theater. As an actor, I thought that would always keep me on the ball and keep my muscles moving. It would also rejuvenate me for soap opera work. I'd shot about 100 of the 150 Guiding Light episodes each year. It wears you out, and you need to work different muscles. Otherwise, I've been having a great time. I've shot three different prime time shows including Criminal Minds and Law and Order: SVU, and have done a couple of commercials, including one for IKEA, which is a company I adore.

    Kim Zimmer: I'd slip away to do summer productions — I also love doing Shakespeare — but it's really been a dream of mine to get back into theater. Actually, I have a casting application on my computer. I went onto testing sites, and of course there were very few things for me. When i heard that I got the offer for Curtains without auditioning, I said, 'This I like,' because I don't get jobs that I audition for! It was totally incidental that Robert and I ended up working on Curtains together. It wasn't until I was in negotiations that I found out that he was on it. What can I say? It was fate.

    CM: What was most surprising about working on Curtains?

    KZ: We both have numbers where we're working our asses off. I have no excuse to be out of breath at the end of this one number. I'm kicking myself for not getting in better shape.

    RN: We compare aches and pains every day. 'It's my shoulder;' 'It's my back.' I wake up and I'm like, 'What the heck?'

    KZ: I walked into a Massage Envy yesterday and Robert was right there getting a massage, too. Of course, I'm a Massage Envy member in New Jersey.

    RN: I actually put my massage on her credit card!

    CM: To what extent do you interact onstage?

    KZ: We don't have a whole lot to do together onstage. However, the little bits we do together are precious. His character's with another girl, which I don't like!

    RN: Kim and I try to make out once or twice before we go onstage. It's an old relationship. I remember way before I saw the show a year and a half ago, I thought, 'Gosh, she's so great for this show.' It's been really fun to work with her in a completely different format than the one we worked in for two and a half decades. Just standing across the room and watching her work through a number is a joy.

    CM: What do you miss about acting in a soap opera?

    RN: Soap opera work really narrows you down. What I miss primarily are the people I worked with there for 28 years. There were lots of births and weddings and deaths amongst the cast and crew. There were just a lot of great people and we became close in many ways. And that's what makes this a complete joy with Kim.

    KZ: I can echo that. I'm actually currently rehashing a role I did 29 years ago on One Life to Live, so I still experience that whole life. But when you spend 28 years of your life on one show, it's like being divorced and losing that whole side of the in-laws. I miss that family — the crew and the jokes. And I miss the paycheck. I do have a book coming out in August about my experience on Guiding Light.

    CM: Do you plan on exploring Houston during your time here?

    RN: I'm sure I'll be tracking down golf courses. And I like Barnaby's a lot — the buffalo burger and fries are very nice.

    KZ: I myself haven't even been to The Galleria. I'm like a rabid dog without a bone because I am a shopaholic and I have not had the opportunity to go over there. It's like I can see it, and I can smell it. Hopefully once the show gets underway, I can go during the day and manage that. Oh, and I have every intention of getting a couple of pairs of boots from Cavender's.

    CM: Any interest in the NCAA fanfare?

    RN: Actually, Kim is the sports person in this relationship. That's something my poor son has had to put up with.

    KZ: I've been trying to get my hands on some tickets to Monday's game. If Charles Barkley is out there and reading this, he needs to give me his extra ticket!

    Curtains plays at the Hobby Center through Saturday.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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