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    Art Shakeup

    Two major Houston arts groups are merging as Jenni Rebecca Stephenson takes apower position

    Joel Luks
    Apr 3, 2012 | 10:17 am
    • Spacetaker and Fresh Arts have previously implemented education workshops,outdoor festivals like Julydoscope at Discovery Green and the ARTernativeFestival at CityCentre and Sugar Land's Town Square (pictured.)
    • Fresh Arts Coalition and Spacetaker are tying the knot. The groups' boards ofdirectors announced a merger Tuesday, which is scheduled to be completed inseveral months.
    • Jenni-Rebecca Stephenson, Spacetaker's executive director will lead the newentity, Fresh Arts.

    Fresh Arts Coalition and Spacetaker are tying the knot. The groups' boards of directors announced a merger Tuesday, which is scheduled to be completed in several months. CultureMap was first to report that this merger was coming back on Nov. 10.

    The new entity will be wed as Fresh Arts. According to Spacetaker's website, the name is aligned with the missions of both nonprofits and share a joint vision for the future.

    It's already been determined that Jenni Rebecca Stephenson, Spacetaker's executive director, will be at the helm of the consolidated operations. Wells Fargo vice president of business development Harry McMahan will lead a joint 14-member board. A new website is in the works.

    The staffing structure will evolve as Stephenson plans on adding innovative individuals passionate about the arts community. Position descriptions will be posted soon. In the meantime, the Houston Endowment has committed funds to work out procedural logistics during the transition.

    "The Houston Endowment, a generous benefactor of Houston's arts and tireless seeker of efficiencies, was delighted with news of the merger discussions and provided funding for its execution," Stephenson tells CultureMap. "We are so grateful for the Endowment's vision, guidance and support through this process."

    The move comes at a critical time for Fresh Arts, which has gone without an executive director since Ian Garrett was fired from the post in November because of "a difference of vision." Karen Farber, the coalition's board president at the time, told CultureMap that Fresh Arts was looking to grow in a different direction and she wanted to ensure the needs of the members were being met: Garrett's bold approach didn't cut it.

    As a unified front, it's the hope that this new entity creates more resources to serve emerging artists, small to midsize nonprofits and art consumers.

    But if this year's Glasstire/Fresh Arts Coalition "Disaster Ball" is any indication of community support, the crowd of more than 400 is testimony that Fresh Arts stakeholders stood behind the transition hoping for the best.

    Informal merger talks began even before Garrett's tenure. But proper discussions didn't start until shortly after his dismissal.

    "The merger negotiations have been smooth, " McMahan says. "Synergies between the organizations were evident from the beginning."

    Both Fresh Arts and Spacetaker have been hard at work, exercising their due diligence for five months, parsing through growth options with the help of consultant Kim Sterling of Sterling Associates. As a unified front, it's the hope that this new entity creates more resources to serve emerging artists, small to midsize nonprofits and art consumers.

    "A significant aspect of successful marketing is leveraging public relations and advertising, " Stephenson says. "Spacetaker has historically been very strong in the public relations realm, whereas Fresh Arts has had a large advertising reach. Combining these two components strategically will result in better results in both arenas."

    Spacetaker and Fresh Arts have previously implemented education workshops, outdoor festivals like Julydoscope at Discovery Green and the ARTernative Festival at CityCentre and Sugar Land's Town Square.

    Sure, there are small areas where their offerings intersect and overlap. From an outsider's view, it may appear that both organizations tread in similar waters. But they don't.

    Think of Spacetaker as a support system for emerging artists of any genre. At its Artist Resource Center, visitors will find cutting edge exhibitions, financial workshops and opportunities to connect with the public. An online portal allows artists to create individual profiles and promote their work. Regular mailings keep artists apprised of work openings and available grants.

    The brainchild of photographer David Brown, Spacetaker was set up to assist up-and-coming talent.

    Founded by Marita Fairbanks in 2002, Fresh Arts acts as a marketing arm for a select 25-member roster of art presenters. Each pays a yearly fee for advertising and related support services. In the coalition are Stages Repertory Theatre, Opera in the Heights, Orange Show Center for Visionary Art, River Oaks Chamber Orchestra and Southwest Alternate Media Project.

    Whereas Spacetaker has a strong brand in the indie art community, Fresh Arts is better known to cash-giving philanthropists.

    Editor's note: Joel Luks is a former member of Spacetaker's board of directors.

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    Kelly Clarkson Concert Review

    Sold-out Houston crowd sings along at Kelly Clarkson's epic rodeo return

    Craig Hlavaty
    Mar 14, 2026 | 8:50 pm
    Kelly Clarkson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
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    A cross between Pat Benatar and Reba, with a dash of Aretha, Kelly Clarkson headlined Saturday afternoon’s RodeoHouston matinee, 22 years since she debuted at NRG Stadium, in front of 70,007.

    It was a true “Ladies Day Out” at RodeoHouston for Clarkson, with roving multigenerational groups of women making the rounds under an only mildly-oppressive Houston sun. Between Clarkson, Lainey Wilson, Megan Moroney, and Lizzo, the 2026 rodeo concert season has been dominated by strong female artists, with Clarkson the most decorated.

    The last time Kelly Clarkson played RodeoHouston in 2004, she shared a Tuesday night bill with Y2K it couple Jessica Simpson and Nick Lachey, a match made in MTV ratings heaven. Other acts on the rodeo roster that year included John Mayer, George Strait, Reba, Willie Nelson, and — fresh from her first stint with Destiny’s Child — Beyonce shared the stage with Alicia Keys two nights later.

    The first American Idol winner in 2002, when daresay that truly meant something, she and Carrie Underwood remain the two most successful of winners of Idol all these years later. Clarkson has a permanent seat at the table in Nashville, winning back-to-back CMA Female Vocalist of the Year honors in 2012 and 2013 and never shying away from a little more twang in her power pop. Right out of the chute, she was repping country style, hard to shake when you’re born and raised near Fort Worth.

    Clarkson’s current live act has been honed by various residencies at The Colosseum at Caesars Palace in Las Vegas, playing in front of thousands of Sin City customers. She’s a part of a rare group of performers like Jennifer Lopez, Cyndi Lauper, and even Dolly Parton herself who can command multiple nights. With her syndicated chat show — where her popular genre-bending “Kellyoke” segments were born — ending later this year, it wouldn’t be shocking to see this working mom jump back into regular touring outside of Clark County, especially considering Saturday’s afternoon drawl.

    Clarkson emerged from the cocoon of the rodeo’s revolving star stage just before 4:15 pm in a black, glittery jumpsuit straight from Ozzy’s wardrobe closet with “Favorite Kind of High” from 2023’s divorce record Chemistry, her latest album release. The hard-driving Heart-rock of “Behind These Hazel Eyes” debuted some annoying, intermittent sound skippage but Clarkson’s sold-out crowd filled in any gaps. Her pipes were just too strong.

    A nod to the female country legends of rodeo’s past, Clarkson gave Tanya Tucker’s “It’s A Little Too Late” a widescreen Vegas makeover with horns and fiddle. “This isn’t sweat, it’s glow,” Clarkson joked, kicking off the torch song “Because Of You.” The singalong of “Breakaway” could more than likely be heard out in the carnival, the first big “Kellyoke” moment of the afternoon.

    For “Walk Away” and “Didn’t I,” the horn section and co-ed backup singers that have made Clarkson’s Vegas shows so bombastic got a workout. Clarkson reeled out her Jason Aldean duet “Don’t You Wanna Stay” as a solo. The release was her first country hit and was one of the biggest country duets of the 2010s.

    “It’s way more sad this way,” she laughed. “Because I guess he didn’t stay.”

    Clarkson threw in 2025’s bar-crawling single "Where Have You Been" in the mix, going rogue from the supplied setlist, accentuating the Queen-esque licks with her own highs. Her post-Idol debut rave-up “Miss Independent” set the table for “Stronger (What Doesn’t Kill You),”

    Clarkson sent the crowd out pogo-ing and screaming with “Since U Been Gone,” making her exit in a SUV like a rock star, with plenty of sunshine to spare.

    Setlist

    Favorite Kind Of High
    Behind These Hazel Eyes
    My Life Would Suck Without You
    It’s A Little Too Late (Tanya Tucker cover)
    Because Of You
    Breakaway
    Heat
    Walk Away
    Didn’t I
    Heartbeat Song
    Don’t You Wanna Stay
    Where Have You Been
    Miss Independent
    Stronger (What Doesn’t Kill You)
    Since U Been Gone

    2004 RodeoHouston Lineup

    Mar 2: John Mayer
    Mar 3: George Strait
    Mar 4: Wynonna Judd
    Mar 5: B2K / Bow Wow
    Mar 6: Martina McBride
    Mar 7: Reba McEntire
    Mar 8: Enrique Iglesias
    Mar 9: Alan Jackson
    Mar 10: Amy Grant / Vince Gill
    Mar 11: Clay Walker
    Mar 12: Legends in Concert (Dwight Yoakam, Buck Owens, Marty Stuart, Connie Smith)
    Mar 13: Randy Travis
    Mar 14: Bronco / Jennifer Peña
    Mar 15: Dierks Bentley / Robert Earl Keen
    Mar 16: Jessica Simpson & Nick Lachey / Kelly Clarkson
    Mar 17: Dierks Bentley / Keith Urban / Kenny Chesney
    Mar 18: Alicia Keys / Beyoncé
    Mar 19: Pat Green
    Mar 20: Brooks & Dunn
    Mar 21: Willie Nelson

    Kelly Clarkson RodeoHouston 2026

    Courtesy of Houston Livestock Show and Rodeo

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