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    First Saturday of every month

    Of Poets and Politicians: Mayor Annise Parker launches Public Poetry series withher own poem

    Tarra Gaines
    Apr 3, 2011 | 10:24 pm
    • Mayor Annise Parker, right, and Guadalupe Hernandez
      Photo by Tarra Gaines
    • From left, Martha Serpas, Deborah Wiggins, Annise Parker, Eva Skrande, GuadalupeHernandez, Rhea Brown Lawson, Jennifer Schwartz, Rich Levy, Fran Sanders.
      Photo by Tarra Gaines

    On Saturday, Mayor Annise Parker revealed her semi-secret identity: She's a poet.

    The mayor was at the Central Houston Public Library on the second day of National Poetry Month to launch Public Poetry, a new poetry reading series. Public Poetry is also the name of the organization that began the monthly series to create buzz about poetry.

    Parker said she was ecstatic at the sizeable turnout of more than 60 poetry lovers and then spoke, well, poetically about the value of poetry in our lives, insisting it causes the “synapses to fire in new ways.” She believes poetry can cause a spark and help us make connections we wouldn’t have made on our own.

    Her chosen poem was “My Parents Watch the July Fourth Parade” by Richard Beban. After finishing, she said “and one more” and began to read a short but humorous poem entitled “A Different Theory of Relativity,” which describes a small moment of different cultural values colliding.

    When she ended the poem, Parker merely said, “That one’s mine,” an admission that was met with rousing applause.

    Public Poetry founder Fran Sanders introduced featured poets Rich Levy, executive director of Inprint and author of the poetry collection Why Me?; Cuban-born Eva Skrande, author of My Mother’s Cuba; Deborah D.E.E.P. Wiggins, who was ranked the No. 2 female poet in the world at the Women of the World National poetry slam in 2008; and UH creating writing professor and poet Martha Serpas.

    The event was organized not as a traditional reading nor as a competitive poetry slam; instead, each of the four poets was given seven minutes to read as many of their poems as time allowed. At the end of the first round a Writers in the Schools student read a poem and then a second round began.

    The time limit and two-round aspect of the reading highlighted the eclectic and dramatic mix of both the subject matter and styles of the readings.

    • In the first round, Levy turned personal shame into a funny and attractive companion.
    • Skrande added her own contribution to the world’s canon of onion poetry.
    • Wiggins admited that her performance poetry may scare the audience “but that’s O.K” and didn't read or recite her work as much as thunder it into the room.
    • Serpas, a hospital trauma chaplain, offered a poem portrait of a mother receiving news of her child in a hospital hallway.

    The structure of the event also allowed the poets to respond to each other in supportive ways, making those connections that Parker spoke about. Several times during the second round, one poet would pick up and run with a theme or subject from the last poet's work by choosing a poem to read that contained some similar image or tone.

    Perhaps it was the mayor’s presence, but the form reminded me somewhat of political debate. Instead of sound bites and canned responses, the poets wove together their different perspectives of the world.

    Each round ended with a work by the afternoon’s littlest poet, Guadalupe Hernandez, a fourth grader at E. O. Smith Education Center. She read two poems, “My World” and “Diamond.”

    After the readings, several members of the audience congratulated Poet Parker. She explained that she doesn’t write that much poetry now because it needs “a quiet mind,” something that running the fourth largest city in American doesn’t often afford her. She wrote “A Different Theory of Relativity” 12 years ago after a trip to South America.

    When I asked her if she ever considered posting her poetry online she laughed and replied no because it invites people to become critics. Perhaps policy critics are one thing but online poetry criticism would be something else.

    Yet Parker’s belief that poetry fires synapses in new ways is true for me, as the afternoon left me with the idea that poetry and politicians should meet more often. In fact, instead of letting candidates parrot well-rehearsed focus-group-polished slogans during political debates, let’s make them recite their favorite poem or write their own.

    In partnership with the Houston Public Library, Public Poetry will give Houstonians the opportunity to hear local as well as national and international poets the first Saturday of each month. The readings will begin at the Central Library and then move to the Kendall, Discovery Green, and Park Place libraries with the change of seasons.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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