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    A Special Day

    Houston composer Todd Frazier's work gets the Kennedy Center treatment withRenée Fleming

    Joel Luks
    Apr 2, 2011 | 2:00 pm
    • Renee Fleming, opera superstar, will perform Frazier's piece along with theNational Symphony Orchestra, Christoph Eschenbach conducting.
      Photo by Andrew Eccles
    • Jefferson Todd Frazier's "We Hold These Truths" will be performed as part of TheKennedy Center's Spring Gala.
    • Jefferson’s draft of the Declaration of Independence, with edits by Franklin andAdams.
    • John F. Kennedy Center celebrates Michael Kaiser's 10-year tenure as president.

    Sunday is a special day for Houston composer, arts administration guru and all-around good guy J. Todd Frazier. Soprano superstar Renée Fleming will sing one of his compositions Sunday at the 2011 Kennedy Center Spring Gala in Washington D.C., honoring Michael Kaiser's 10-year tenure as president of what is arguably one of America's most distinguished performing arts centers, also focusing on arts education.

    Titled We Hold These Truths, the work will be performed by the National Symphony Orchestra led by former Houston Symphony music director Christoph Eschenbach and narrated by Kennedy Center chairman David M. Rubenstein.

    Frazier and Fleming have an education at the Eastman School of Music in common.

    "I'm so happy to be singing Todd's piece for the first time," Fleming said in an email. "It's a beautiful work and the words of the Declaration of Independence come to life in a powerful way. It's particularly special for me to perform this in our nation's capital. I've known Todd and his family for many years. I especially admire Todd's dedication to arts education."

    Quiet and composed most of the time, Frazier is the type of person who's constantly brewing up ideas and innovative collaborations, surprising family, friends and colleagues with his seemingly off-the-cuff accomplishments. But behind the accolades, colorful stories, great people and interesting coincidences abound.

    We Hold These Truths was originally conceived for Houston violinist Henry Rubin and is the first movement of Thomas Jefferson: The Making of America, a larger two-part multi-movement oratorio for orchestra, mezzo-soprano, tenor, soprano, violin, narrator and actor based on the life of Jefferson. Frazier used writings by Jefferson, his friends and colleagues and quotes music popular in the president's time.

    "I am inspired by extra musical sources," Frazier explained. "Thomas Jefferson, at the age of 33, composed the first draft of the Declaration of Independence in 17 days in a hotel room. We know he had his violin and a bushel of music with him. Whether playing music during this time served as relaxation, clearing his mind or mused his words, I always felt the fact that music was a handmaiden to the creation of this extraordinary document, and I wanted to find a way to tell that story."

    This first movement was premiered in collaboration with the Texas Music Festival and the American Festival for the Arts in 2005 with support from the Brown Foundation. Frazier just finished the complete oratorio a few weeks ago. He placed the work in the hands of Fleming, who recommended it for performance at the gala and had the violin part looked at by Joshua Bell. The Kennedy Center confirmed its inclusion on the program only last Monday.

    "The complete oratorio, from the Declaration to Jefferson's first inaugural address, would be an ideal piece for Independence Day concerts for American orchestras," Frazier said. "We don’t have an American piece. Tchaikovsky's 1812 Overture, specifically the cannons, is fundamentally tied to that day but it would nice to have a more directly meaningful work and American work. Thomas Jefferson: The Making of America is a piece that people would enjoy on many levels."

    Having the piece performed around Jefferson's Birthday (April 13, 1743), in the nation's capital, in the Kennedy Center by the National Symphony Orchestra, hits home for Frazier.

    Known for founding the American Festival for the Arts, Houston's premier institution and training program for school-age musicians, Frazier is now the executive director for Young Audiences of Houston and the managing director of the Methodist Hospital Center for Performing Arts Medicine.

    The gala also honors Smokey Robinson and features music superstars Barbara Cook, Manoel Felciano, Audra McDonald, Brian Stokes Mitchell, Jean-Yves Thibaudet, Cory Stearns and Paloma Herrera of American Ballet Theatre, Megan Fairchild and Andrew Veyette of New York City Ballet, Michael Cook and Elisabeth Holowchuk of The Suzanne Farrell Ballet and the Kennedy Center Opera House Orchestra with conductor James Moore.

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    news/entertainment

    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

    rodeohoustonconcert reviewlizzo
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