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    The Big Dance Concert Series

    No lack of oomph at mid-afternoon Kings of Leon concert

    Sarah Rufca
    Apr 2, 2011 | 10:53 pm
    • Kings of Leon
      Photo by © Michelle Watson/CatchlightGroup.com
    • Ludacris hit the stage as MC along with former college and NBA legends BillWalton and Christian Laettner.
      Photo by © Michelle Watson/CatchlightGroup.com
    • The Kings of Leon drew a large crowd to Discovery Green for the Big DanceConcert Series.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Kings of Leon lead singer Caleb Followill
      Photo by © Michelle Watson/CatchlightGroup.com
    • A Kings of Leon fan holds up her camera to record the band.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Former Duke star Christian Laettner stopped by the stage with rapper/actorLudacris before Kings of Leon and got a mixed response from the crowd.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Among fans were Jeff Peoples and Karen Cox.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Discovery Green as viewed from One Park Place.
      Photo by © Michelle Watson/CatchlightGroup.com

    If there were any concern that Kings of Leon, the Saturday headliners of The Big Dance Concert Series, would lose some oomph by performing at 3 p.m., the band drummed it away with the thunderous opening chords of "Radioactive."

    Playing to an audience that nearly filled Discovery Green, the band started out strong and only gained momentum, barely breaking between songs including "Crawl," "Notion," and "Back Down South."

    It was a marked difference from the marked apathy that met emo-pop supporting act Panic! At The Disco. The duo played several songs of their new album, Vices and Virtues, and in their signature three-piece suits were unprepared for the 80-something degree heat and humidity.

    And Panic! At The Disco weren't the only ones to find the crowd tough. After their set Duke legend Christian Laettner came onstage for a Q&A (alongside rapper/actor Ludacris) and got plenty of boos from the Duke-hating (or maybe just Kentucky-supporting) crowd — at least until he mentioned he loved listening to Van Halen and the Smashing Pumpkins. See? Music really does bring us together.

    But when it came to Kings of Leon's set, the crowd was sold from the beginning. The light show was somewhat pointless in the overcast yet bright day, but the band brought energy to the stage and the crowd, including a little ass-shaking by lead singer Caleb Followill. On tape, Followill's voice is clear and almost plaintive, but in concert it's full of grit and growl. Sometimes he literally snarls out the lyrics to enticing effect.

    Casual fans of their radio hits might have been surprised to hear so much southern rock in Kings of Leon's performance, but for many it's a return to the sound that made them rising star darlings of the indie circuit before graduating to playing stadiums in 2008.

    Though the crowd had been moving and singing along throughout the performance, the apex came in the last 15 minutes, when the band sailed through three of their most recognizable hits, early favorite "Molly's Chamber," "Sex on Fire" and the Grammy-winning "Use Somebody."

    When they broke to talk to the crowd, Followill said the band was happy to play Houston again (they were at Cynthia Woods Mitchell Pavilion last fall) and proclaimed this concert their best yet in the city. This seemed expected, since cameras on cranes swooped overhead, broadcasting part of the performance nationally in the CBS Final Four pre-game show.

    Speaking of recording concerts, when did holding up a lighter or a cell phone light get replaced by holding phones overhead to get video recordings? One out of every 10 people within 50 yards of the stage was doing this during the band's closer, "Use Somebody," and there's just no way YouTube needs that many records of this event.

    It was the kind of show that any festival would be lucky to have as the finale after a long day — it just happened to take place in the middle of the afternoon. Sunday's star Kenny Chesney has some big, Southern rocker shoes to fill.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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