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    The Big Dance Concert Series

    No lack of oomph at mid-afternoon Kings of Leon concert

    Sarah Rufca
    Apr 2, 2011 | 10:53 pm
    • Kings of Leon
      Photo by © Michelle Watson/CatchlightGroup.com
    • Ludacris hit the stage as MC along with former college and NBA legends BillWalton and Christian Laettner.
      Photo by © Michelle Watson/CatchlightGroup.com
    • The Kings of Leon drew a large crowd to Discovery Green for the Big DanceConcert Series.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Kings of Leon lead singer Caleb Followill
      Photo by © Michelle Watson/CatchlightGroup.com
    • A Kings of Leon fan holds up her camera to record the band.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Former Duke star Christian Laettner stopped by the stage with rapper/actorLudacris before Kings of Leon and got a mixed response from the crowd.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Among fans were Jeff Peoples and Karen Cox.
      Photo by © Michelle Watson/CatchlightGroup.com
    • Discovery Green as viewed from One Park Place.
      Photo by © Michelle Watson/CatchlightGroup.com

    If there were any concern that Kings of Leon, the Saturday headliners of The Big Dance Concert Series, would lose some oomph by performing at 3 p.m., the band drummed it away with the thunderous opening chords of "Radioactive."

    Playing to an audience that nearly filled Discovery Green, the band started out strong and only gained momentum, barely breaking between songs including "Crawl," "Notion," and "Back Down South."

    It was a marked difference from the marked apathy that met emo-pop supporting act Panic! At The Disco. The duo played several songs of their new album, Vices and Virtues, and in their signature three-piece suits were unprepared for the 80-something degree heat and humidity.

    And Panic! At The Disco weren't the only ones to find the crowd tough. After their set Duke legend Christian Laettner came onstage for a Q&A (alongside rapper/actor Ludacris) and got plenty of boos from the Duke-hating (or maybe just Kentucky-supporting) crowd — at least until he mentioned he loved listening to Van Halen and the Smashing Pumpkins. See? Music really does bring us together.

    But when it came to Kings of Leon's set, the crowd was sold from the beginning. The light show was somewhat pointless in the overcast yet bright day, but the band brought energy to the stage and the crowd, including a little ass-shaking by lead singer Caleb Followill. On tape, Followill's voice is clear and almost plaintive, but in concert it's full of grit and growl. Sometimes he literally snarls out the lyrics to enticing effect.

    Casual fans of their radio hits might have been surprised to hear so much southern rock in Kings of Leon's performance, but for many it's a return to the sound that made them rising star darlings of the indie circuit before graduating to playing stadiums in 2008.

    Though the crowd had been moving and singing along throughout the performance, the apex came in the last 15 minutes, when the band sailed through three of their most recognizable hits, early favorite "Molly's Chamber," "Sex on Fire" and the Grammy-winning "Use Somebody."

    When they broke to talk to the crowd, Followill said the band was happy to play Houston again (they were at Cynthia Woods Mitchell Pavilion last fall) and proclaimed this concert their best yet in the city. This seemed expected, since cameras on cranes swooped overhead, broadcasting part of the performance nationally in the CBS Final Four pre-game show.

    Speaking of recording concerts, when did holding up a lighter or a cell phone light get replaced by holding phones overhead to get video recordings? One out of every 10 people within 50 yards of the stage was doing this during the band's closer, "Use Somebody," and there's just no way YouTube needs that many records of this event.

    It was the kind of show that any festival would be lucky to have as the finale after a long day — it just happened to take place in the middle of the afternoon. Sunday's star Kenny Chesney has some big, Southern rocker shoes to fill.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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