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    Sword deluge

    Game of Thrones explained: Strategic moves promise a bloody tournament of champions

    Tarra Gaines
    Apr 1, 2013 | 6:33 am

    With dragons, dire wolves, and Medieval intrigue, HBO’s hit and Emmy-winning series Game of Thrones returned to our television screen appropriately on March 31. As we saw last season, this throne game is closer to a throne tournament, with royal families and potential kings and queens vying for the Westeros Iron Throne all bringing excitement and sometimes literal madness to March.

    This throne game is closer to a throne tournament, with royal families and potential kings and queens vying for the Westeros Iron Throne.

    Game of Thrones, based on George R. R. Martin’s A Song of Ice and Fire novel series, has generally followed one book per season, but this year is different. The third book, A Storm of Swords, which is vast and beloved, is getting divided into two seasons. So fans of the show and books can expect to be drenched by a sword deluge until 2015.

    What You Need to Know

    It’s only a slight hyperbole to state the show contains a cast of thousands. Unless you’re a Song of Ice and Fire fanatic, keeping careful margin notes in the books, you’ll need to pay attention to the “Previously” introduction for each episode to warn you when a character you had forgotten, because he hasn’t appeared for seven episodes, is about to pop up and be important.

    Though the number of characters can be overwhelming, there appears to be a pattern to some of the plotting.

    Episode Nine usually contains a bloody political game changer in the Westeros power landscape. The final episode of each season features the characters picking up the pieces, which are sometimes actual body parts, but ends with some fantastic images like dragons hatching out of a desert funeral pyre or a 10,000 strong ice zombie horde ambling across a frozen wasteland. These terrifying and magnificent scenes serve to remind viewers that sharp political drama can be housed in a fantasy genre.

    Sunday night’s debut episode started out a bit slow with only about half those thousand characters making an appearance. Some of our favorite players like the wandering young Stark kids, Bran, Rickon, and badass Arya were missing.

    Though the number of characters can be overwhelming, there appears to be a pattern to some of the plotting.

    Even with notable absences, there were many strategic opening moves in this episode, so lets make some unspoiled predictions as to which games to watch closely this season.

    Westeros Division

    Starks vs. Lannisters

    Robb Stark turned out to be quite the warrior last season, even winning several off screen battles against the Lannisters, but proved a novice politically. Failing to protect his own territory, Winterfell was taken by the annoying Theon “Daddy Please Love Me” Greyjoy, and later burned to the ground.
    Robb’s alliance with House Frey, brokered by his mother in season one, could be in jeopardy because he married a nice doctor instead of one of those stay-at-home Frey daughters. Meanwhile, the Lannisters are regrouping.
    Lannisters vs. Tyrells
    The Lannisters and Tyrells are in an alliance, with Margaery Tyrell, now engaged to King Joffrey. Yet, in Westeros an alliance simply requires the players to smile at each other as they attempt to get in position for a good round of back-stabbing. With only one episode, we already see that Margaery and her brother Loras are much more limber politicians than any of the Lannisters, with the possible exception of the scarred, but still pretty and cunning, Tyrion Lannister.
    Fun fact: Margaery is the widow of Renly Baratheon, younger brother of dead king Robert — Joffrey’s named father — so she’s engaged to her nephew by marriage. This aunt/nephew engagement is in no way icky, however, because Joffrey is not Robert’s biological son but is actually the bastard of his mother Cersei and her twin brother Jaime. Also, Renly never had sex with Margaery because he was busy having sex with her brother Loras and being murdered by the demon shadow baby of his own brother Stannis Baratheon.
    Best sit back and enjoy the ride, but whatever you do, don’t get too attached to a character. They’re probably going to die painfully and grossly in a few episodes anyway.
    Stannis Baratheon vs. Insanity
    After losing the Battle of Blackwater and therefore the chance to capture the Westeros capitol, Stannis went home to lick his wounds and stare at fire while his advisor/priestess/shadow baby mama Melisandre hosts motivational seminars for his troops that include team building activities like burning unbelievers. Whether Stannis can get his mind out from her crazy thrall and back into the game remains to be seen.
    Essos Division
    Daenerys Targaryen vs. Ethics
    Across the Narrow Sea Daenerys Targaryen is mother to three adorable and deadly toddler dragons. Trying to buy, borrow, steal, or marry an army in order to march on Westeros and take back the kingdom that once belonged to her family, she’s having a bit of a fight with her conscience when it comes to buying a eunuch, slave army. Each season her dragons get bigger, while she confronts a new Essos culture, which underestimates her, but she gets no closer to hitting the beaches of Westeros.
    Far Northern Division
    The Night Watch vs. the Wildlings vs. the White Walkers
    North of the Wall, Jon Snow, dead Ned Stark’s bastard, has cunningly infiltrated, by getting captured, the camp of former Night Watch commander, Mance Rayder who has also declared himself a king and has a wildlings army to prove it. At least those wildlings are human, which cannot be said for the White Walkers and their zombie hordes. While everyone and their dire wolf wants to be king of Westeros, it’s still not clear what the spooky blue-eyed, frozen creatures want, besides possibly a good moisturizer.
    Viewers vs. Expectations
    If you’re watching the series for that epic battle between dire wolves, dragons, and ice zombies you know has to be coming eventually, our advice is to get regular exercise and eat lots of vegetables. With two seasons to cover one book, two more published books awaiting dramatization, and another two left for Martin to complete the series, we’re going to be here awhile.
    Best sit back and enjoy the ride, but whatever you do, don’t get too attached to a character. They’re probably going to die painfully and grossly in a few episodes anyway.
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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