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    texas and the tiger king

    Beastly Netflix sensation Tiger King boasts several Lone Star State links

    Craig Lindsey
    Mar 31, 2020 | 4:10 pm
    Joe Exotic, Tiger King
    Joe Exotic — aka the Tiger King — has many links to the Lone Star State.
    Netflix

    Why is the world of pop culture suddenly all about Tiger King: Murder, Mayhem and Madness?

    Since its debut on Netflix earlier this month, the seven-part docuseries has become all the rage with the self-quarantine scene, igniting discussions all over social media — even celebrities have been joining in on the binge-watching action.

    Houston writer and podcaster Oz Longworth, Jr. says it’s pure trainwreck TV. “It's backwater white people tearing each other to pieces and failing at life — The Sopranos on meth,” he says. “What's not to love?” Austin-based scribe Mason Lerner considers it comfort food in this time of terror. “It’s like eating cotton candy,” he says. “No nutritional value, but you just can’t stop until suddenly you realize you’ve eaten too much. But it’s too late because you’re already sick.”

    Meet Joe Exotic
    In case you’ve been streaming other things and you don’t know what the deal is, the show is about Joseph Maldonado-Passage, aka Joe Exotic, the flamboyant owner of a Oklahoma private zoo that supposedly housed the largest collection of tigers in the country.

    Yes, "housed." As the series progresses, viewers discover how this now-incarcerated king’s animal kingdom crumbled. Of course, there are oh-so-many sketchy players involved in this tale: the two men he had a polyamorous relationship with, an animal trainer who basically had a sex cult, a business partner with a history of domestic violence, a reality-show producer with a history of smoking crack, employees with missing limbs, etc.

    But the most prominent player is Carole Baskin, an animal-rights activist whom good ol’ Joe considers his sworn enemy — and who also may or may not have killed her first husband. (It was recently announced a limited series on Baskin is in the works, with Kate McKinnon starring and executive producing.)

    Lone Star State links
    It turns out there are several Texas connections to the Joe Exotic story, thanks to this Texas Monthly story that was published last year. He grew up in several locations, with Pilot Point — which is north of Dallas — being one of them. He also married his first husband in Dallas and they, along with Joe’s late brother Garold, bought their first pet store together in Arlington.

    As CultureMap Dallas reported, a Dallas attorney, Carney Anne Nasser, who specializes in animal law, helped start the fire that sent Joe Exotic to prison. Nasser found a window of opportunity to help end Joe Exotic's exploitation of big cats while working on the case of Tony the Tiger, an unfortunate creature who was confined to a cage at a Louisiana gas station for all 17 years of his life before he was euthanized in 2017. Countless animal advocates worked for years to get him moved to a sanctuary.

    What about the animals?
    There are many who aren’t fans of the show, particularly people who don’t like the animal abuse and cruelty that is captured on film. Katie Jarl, southwest regional director for the Humane Society of the United States, is one of those people.

    “We have spent the last four legislative sessions trying to prohibit the private ownership of tigers and other dangerous wild animals in Texas,” she says. “Just like the tiger found in an abandoned Houston home last year — who is now living at our sanctuary in Murchison — so many of these wild animals of all species continue to suffer in substandard conditions because the ‘Joe Exotics’ have gone unchecked in our state for too long.”

    Yes, this saga of caged animals and the power-mad, self-centered people who own them (and should be caged themselves) may be difficult to watch for some animal lovers. But like so many true-crime shows Netflix has previously dropped, it’s difficult to turn away from the figurative/literal carnage.

    Nashville film critic Jason Shawhan sums it up perfectly: “It's '80s soap opera aesthetics and contemporary reality clichés mixed up with an obscene blend of contempt and envy. But I'm watching, because I love being part of discourse, and also because I'm interested in how society metabolizes this kind of gay man, because Joe Exotic demolishes a stereotype for each one that he fulfills, and he complicates any discussion that emerges about him.”

    tvpetscelebrities
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
    news/entertainment

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