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    At MFAH in April

    Get ready to catch the Latin Wave: Film festival offers something for everypersonality type

    Joel Luks
    Mar 30, 2012 | 4:16 pm
    • Houston's yearly south-of-the-border cinema bacchanal returns April 26 to 29with films in diverse genres, from narrative to documentary to animation.
    • Think: If you were to dig a hole right through the center of the earth, whatwould you find? ¡Vivan las Antípodas! answers that question.
    • For most families, the arrival of a newborn is a most joyous occasion. For9-year-old Cayetana in Las malas intenciones, a little girl growing up in aburgeoning Peruvian suburb, the birth means her death, maybe.
    • In Gordo, calvo y bajito, Antonio grew up thinking that fat, bold and short menlike himself never get ahead in life. That's until he meets his new boss.

    A Latin Wave of sizzling films is coming Houston's way.

    The Museum of Fine Arts, Houston's yearly south-of-the-border cinema bacchanal returns April 26 to 29 with films in diverse genres, from narrative to documentary to animation, hailing from artists representing Argentina, Brazil, Chile, Colombia, Mexico and Peru — this reporter's home town.

    Remember last year's saucy, late night dance rave? That's not in the books for the Seventh Annual Latin Wave screening binge. Sure, the high-decibel fete will be missed, but that shouldn't deter anyone from basking in four days of motion picture action.

    Festival director Monika Wagenberg curates a lineup with strong emphasis on operas primas — Spanish for a filmmakers's first opus — with most films making their Houston premiere.

    Festival director Monika Wagenberg curates a lineup with strong emphasis on operas primas — Spanish for a filmmakers's first opus — with most films making their Houston premiere.

    "These films take us into the intimacies and intricacies of bourgeois life in Peru, university politics in Argentina, a forgotten town in Brazil and the social milieus of Colombia," Wagenberg said in a statement.

    Though some film lovers will attempt to catch all eight films in four days, with each film showing twice, CultureMap has broken down each feature by personality types for others that just prefer a lighter sprinkle of movie magic, so mark your calendar.

    For the romantic at heart: Las acacias from Argentina

    When an unkempt, rough-around-the-edges truck driver on a long route from Paraguay to Buenos Aires agrees to give young Jacinta a ride, he didn't count on taking her baby on board as well. Through the 1,000-mile journey, they become close. Without spoiling the end, the road trip love story has quite a satisfying ending.

    April 26 at 5 p.m. and April 28 at 1 p.m.

    For the kind and conscientious: Gordo, calvo y bajito from Colombia

    Antonio grew up thinking that fat, bold and short men like himself never get ahead in life. That's until he meets his new boss, who teaches Antonio that physical appearances do not have to get in the way of success. For those familiar with Richard Linklater's Waking Life and Through a Scanner Darkly, filmmaker Carlos Osuna uses the same rotoscope animation. Osuna will be in attendance.

    April 26 at 7 p.m. and April 29 at 3 p.m.

    For the serious poet: Found Memories (Historias que so existem quando lembradas) from Brazil

    Julia Murat's fictional narrative began with her discovery that a local cemetery in the southwest province of Mato Grosso, Brazil, had closed. She then creates an imaginary village where an elderly woman is trapped in the memories of her past, only to be unlocked by an unlikely friendship that develops with Rita, a younger photographer.

    April 26 at 9 p.m. and April 29 at 9 p.m.

    For the thrill seaker: Mis Bala from Mexico

    Remember Miss Congeniality? This is nothing like it. Though Mis Bala is set amid a beauty pageant, the protagonist finds herself trapped between the violent activities of a Mexican gang and her desire to wear the top tiara.

    April 27 at 5 p.m. and April 28 at 9 p.m.

    For the closeted activist: El Estudiate (The Student) from Argentina

    Not to be confused with the Robert Girault movie of the same title, Argentinean Santiago Mitre's much darker setting made quite a splash at the 2012 Buenos Aires Independent Film Festival. El Estudiante unfolds after a young man moves from a small provincial town to the capital city in his quest for higher education. When an assistant teacher introduces him to the activities of a political group, he finds his calling along with strong sexual urges and greed for fame.

    April 27 at 7 p.m. and April 28 at 5 p.m.

    For the dark and mysterious type: Las malas intenciones from Peru

    For most families, the arrival of a newborn is a most joyous occasion. For 9-year-old Cayetana, a little girl growing up in a burgeoning Peruvian suburb, the birth means her death, maybe. Katerina D'Onofrio plays Ines, the pregnant mother. She will be in attendance.

    April 27 at 9:30 p.m. and April 29 at 7 p.m.

    For the curious, trendy and creative: ¡Vivan las Antípodas! from Argentina and Chile

    Think: If you were to dig a hole right through the center of the earth, what would you find? Victor Kossakovsky answers this question by comparing people and life in Shanghai, China; Entre Rios, Argentina; the Chilean Patagonia; Lake Baikal, Russia; Big Island, Hawaii; Kubu, Botswana; Miraflores, Spain; and Castle Point, New Zealand.

    April 28 at 3 p.m. and April 29 at 5 p.m.

    For the desperate lover: Bonsái from Chile

    Julio will do just about anything for love. In fact, he lies about his writing work to his neighbor, Blanca, in hopes of keeping her interested in their sultry affair. Chilean director Cristián Jiménez spoils the ending, but it's the journey that some critics have hailed as "honest" and "skillful."

    April 28 at 7 p.m. and April 29 at 1 p.m.

    Tickets for each screening are $7 for adults, $6 for MFAH members and seniors and $5 for Film Buff members.

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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