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    Five Questions

    Houston's a stage: Dance Salad brings Drew Jacoby to troupe

    nancy wozny
    Mar 30, 2010 | 11:55 am
    News_Nancy Wozny_five questions_Dance Salad_Drew Jacoby
    Drew Jacoby of Jacoby & Pronk, New York/Amsterdam, performing "Softly as I Leave You" with Morphoses/The Wheeldon Company. Choreography by Paul Lightfoot/Sol Leon
    Photo by Bill Cooper

    Houston will take a prominent place on the world dance map when Dance Salad Festival brings an impressive lineup of national and international choreographers and artists to town for performances Thursday through Saturday at the Wortham Center. Salad audiences also look forward to return engagements of their favorite troupes from past seasons. This year, Jacoby & Pronk are the returning "it" company.

    For Drew Jacoby and Rubinald Pronk, it's a particularly meaningful occasion, because the two-person troupe made its debut right here in Houston at the 2008 Dance Salad Festival. The Salad's curator, Nancy Henderek, is famous for spotting new talent and being ahead of the dance curve. Steely strength, uncompromising athleticism and a fiery chemistry characterize the Jacoby & Pronk signature.

    The duo will be dancing Paul Lightfoot and Sol Leon's enigmatic ballet, Softly as I leave You. Jacoby danced with Alonzo King's Lines Ballet while Pronk performed with the Dutch National Ballet. Since leaving their home companies they have taking the dance world by storm as a duet company, landing a cover story in Dance Magazine in the process. Jacoby gives us a glimpse of her big plans.

    Q: You christened your company during Dance Salad. What do you recall about that event? Did it seal the deal?

    A: It was our first show independent from a company, but we were also premiering One by Annabelle Lopez Ochoa, so two exciting milestones. I remember being well received and feeling like we really accomplished something with that performance. It gave us a boost of confidence that we were headed in the right direction.

    Q: How does Paul Lightfoot and Sol Leon's work match your considerable collective talents?

    A: Working with Lightfoot Leon was like a dream come true. To get the opportunity to work with them is rare outside of Netherlands Dance Theatre, so I appreciated our time working together so much. It's a new style for us and different feeling than some of our more technical, athletic works. It has a softer, more vulnerable quality, and uses more drama than our usual work.

    Q: What makes the chemistry between you and Pronk work so well?

    A: We are good friends off stage, which probably adds some dimension to our on stage relationship. We have similar approaches to movement, so I think that really works when we dance together. It was a pretty natural chemistry from day one. It's a strength and a force that we share. We are quite physically commanding on our own and both have a strong presence. We feed into each other's energy, and that can be quite powerful.

    Q: What choreographers are ready to take the Jacoby and Pronk plunge?

    A: We have our own evening this summer at Jacob's Pillow and we will be having some other dancers join us as well. Choreographers include Juri Kylian, Alonzo King, Leo Mujic, Annabelle Lopez Ochoa and Hans Van Manen. Our wish list is large too. We also hope to do some work from an emerging choreographer.

    Q: Doing the traditional gig of being a company member in a dance company proved a limited choice for you and Pronk. You have taken a more entrepreneurial path in dance, as curators and completely in charge of your own destiny. How's that independent streak working for you?

    A: I am amazed at the success we've had as a partnership.The natural progression of Jacoby & Pronk seems to be heading toward creating a pick-up company. We started off just wanting to be our own bosses, but more and more doors are opening and it's exciting to think were we'll be in a few years. We do feel more in charge and in control of our careers. I hope to gain a little bit more structure as we build our brand, but it's extremely rewarding to take our careers into our own hands, quite challenging, but definitely worth it. Right now, we are enjoying the freedom.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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