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    Inprint Family Reading Series

    The Cool Brain of Rebecca Stead: Writing for middle-schoolers & adults inmid-life crisis

    Tarra Gaines
    Mar 26, 2011 | 4:09 pm
    • "When You Reach Me"
    • Author Rebecca Stead

    With video games and the Internet tempting kids, with city libraries closing on the weekends and with what may seem like endless school days spent either taking standardized tests or prepping for those tests, adults can’t be blamed for asking: Do kids nowadays actually read books anymore?

    Fortunately, children book sales figures attest to the fact that they do.

    In Houston, Inprint has been doing their part to make sure there will be a next generation of adult lovers of literature by creating a family reading series called Cool Brains. This Sunday they bring author Rebecca Stead to town for a reading and talk about her best-selling and Newbery Award winning novel, When You Reach Me.

    Before her trip to Houston — her first visit to our city — Stead talked with CultureMap about her books and her love of writing for children.

    A former New York City public defender, she tried her hand at writing adult short stories, but in a tragic four-year-old-son-meets-laptop mishap she lost many of those stories and decided to make a change to children’s books.

    When I asked Stead what the difference is between writing for a young audience instead of an adult one, she replied that writing for kids is “really freeing.”

    “They’re particularly active readers, in the sense that they’re whip smart and rooting for the story to work. . .They have high standards but are generally not looking for the flaws.”

    She loves writing for middle graders because “they’re at this point of life where they’ve really started to blossom brain-wise, intellectually.” Stead has done reading on what neurology tells us about the developing brain and discusses how children during the 10-12 years are at a point when they’re growing neurologically but hormones have not yet overwhelmed them. Those years are also a time when children are still “wide-open” and not yet spending “so much energy towards self-protection,” when “there’s not that paralyzing fear that you’re not O.K.”

    Stead believes those “wide-open” years are actually similar to one other point in our life. “I sometimes say I write for middle graders and also for adults who are in mid-life crisis. Because suddenly you’re questioning ‘What is my life about?’ and ‘How do I find happiness?’. . .when you’re thinking about all new starts and new pathways.”

    Stead describes middle school and middle age as the two points in life where we “stop and ask all those basic questions.”

    Reading When You Reach Me, I found it easy to understand why it was the Newbery committee’s choice. In the novel, 12-year-old Miranda begins to ask those “basic questions” of her own seemingly ordinary life in New York City in 1978. But like most heroes in literature, that ordinary life soon becomes extraordinary.

    Miranda begins receiving a series of mysterious notes. The first one promises “I am coming to save your friend’s life and my own.” A later one asks her to write a letter that “must tell a story--a true story. You cannot begin now, as most of it has not yet taken place.”

    Miranda and the reader soon begin to realize that the world and time aren’t as simple as we think they are, and a life can be saved by storytelling and a little bit of time travel.

    Are 10-12 years olds ready for an intricately plotted book that involves the possibility of time travel? Stead knows they are.

    “Kids are really able to wrap their brains around this story and adults sometimes less so. I think it’s that whole question about being open and playing with a lot of the basic questions about life and who we are. I think sometimes adult experience kind of narrows us.”

    The kids she speaks to seem to be “completely flexible and comfortable about these puzzles and far out questions about what would time travel be.” She recently visited a sixth grade class where they debated different ideas about traveling back through time and the sixth graders got so excited they were shouting their own theories on the subject.

    Since time is a little difficult to unravel, the novel is arranged around categories of the old game show, The $20,000 Pyramid. Miranda’s mother is about to become a contestant on the show and throughout the book Miranda helps her practice. “The game becomes this lens through which she’s trying to make order of her whole experience she’s had. . .She’s discovering all these people she put into categories don’t completely belong there,” Stead explains.

    Stead talks with the kids she meets about our need to categorize. “What I always say to kids is that we all are putting one another into categories all the time. We can’t stop it. . .but we can at least be aware of it. That can maybe help us to think twice before categorizing someone.”

    One of the most-lasting images in the book is of Miranda lovingly carrying around her copy of the classic children’s novel, A Wrinkle in Time, and her need to share that story with other characters in the book. I asked Stead if she thinks kids today also carry around a copy of their favorite book, or if that is, unfortunately, an image from the past.

    Stead believes it’s not. She meets “tons of kids who are passionate about books.” When she visits schools, she likes to run her talks with the students “as a conversation.” They not only want to talk to her about her books but the books they are reading right then. She says “It’s very moving, really” when they wish to share their experience and feelings about the books they love.

    “Obviously you read a lot about the end of books and how it hard to persuade kids to read because they’re always on twitter or playing video books or on facebook or texting each other, that they don’t have the time to read or the patience to read or the attention span. But I feel like I’m meeting these incredibly passionate readers all the time. . .I don’t worry that kids aren’t passionate about books anymore.”

    Passionate Houstonian book lovers of all ages can meet Rebecca Stead at Pershing Middle School Sunday at 3 p.m.

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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