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    Cheapskate's Guide to the Finer Things in Life

    Who needs money? Five fun — and free — artsy things to do in Houston

    Leslie Loddeke
    Mar 27, 2010 | 12:00 am
    • Free: Yves Klein exhibition at The Menil Collection
      Photo by Harry Shunk
    • Free: Cullen Sculpture Garden at the Museum of Fine Arts, Houston
    • Free: Bernar Venet sculpture at Hermann Park
    • Free: Concerts at Rice University Shepherd School of Music
    • Free: Tonight, Moody Galley hosts a reception for art duo Ed Hill and SuzanneBloom, in their first major collaborative exhibition since their retrospectivein 2004.

    What’s a Houstonian with champagne tastes on a beer budget supposed to do in these economically uncertain times?

    Houston has long been renowned as an affordable city, boasting a broad spectrum of world-class cultural fare. Newcomers have grown accustomed to indulging in considerably more cultural events than their budget could accommodate in, say, New York. Now, surveying an altered financial landscape, more than a few fine-arts addicts are worrying about how they’ll be able to feed their ravenous habit.

    But fear not.

    There’s no reason to visualize a vast cultural void in your foreseeable future. Look with fresh eyes on all the fine things that lie within your reach in this major metropolitan arts center at no cost. Here’s a starter:

    1. Visit The Menil Collection

    Thanks to the generosity of philanthropists John and Dominique de Menil, visitors can enjoy thought-provoking art for free at the Menil Collection. Besides frequently indulging my fondness for the Surrealist gallery, I always investigate the new exhibitions. On a recent visit, I found myself utterly —and completely unexpectedly —captivated by “Leaps into the Void: Documents of Nouveau Realist Performance.” The French artist Yves Klein is a hot topic in the art realm. Interest in Klein has been rising in parallel with expanding understanding of the innovative importance and influence of his panoramic range of work.

    On a recent visit, I learned about Klein on the spot, thanks to a serendipitous encounter with French cultural attaché Dominique Chastres of the Consulate General of France in Houston. Among his many pioneering, ingenious art personas, Klein was a leader of the avant-garde art movement known as Nouveau Réalisme (New Realism), founded in Paris in 1960.

    The Menil exhibition highlighting Klein includes his brilliant, signature blue “Feux de Bengale – Tableau de feu bleu d’une minute” (1957); photos of his 1960 leap into space from a Paris rooftop; and pages from a newspaper published and widely distributed by the artist to celebrate his leap.

    There’s also an assortment of whimsical, yet challenging, artwork by Jean Tinguely and Niki de Saint-Phalle, including three motorized contraptions that go into motion every hour on the hour. You can hardly take your eyes away from “M.O.N.S.T.R.E” (1964), a gigantic, rusty dinosaur comprised of cast steel and iron, painted newsprint and fabric over wire, rubber and plastic toys, and other odds and ends that demand scrutiny and further thought.

    2. Stroll through the Lillie and Hugh Roy Cullen Sculpture Garden at the Museum of Fine Arts, Houston

    The elegantly designed Sculpture Garden presents an ideal setting for the contemplation of an arrangement of artistic masterpieces. Surprisingly, this walled garden refuge, located across the street from the museum’s main Law Building was sparsely populated on a recent picture-perfect day when the adjoining parking lot was packed.

    Within this hidden treasure trove, you can admire an impressive array of artwork sculptured by world-famous artists, including Emile-Antoine Bourdelle’s “Adam,” Auguste Rodin’s “The Walking Man” and “The Kiss,” Aristide Maillol’s “Flora, Nude,” and more recent works like Frank Stella’s “Decanter” and Bernar Venet’s “Vertical Arc.”

    3. Check out Bernar Venet sculptures at Hermann Park

    Speaking of Venet, as long as you’re wandering around outside, why not run over to Hermann Park and check out the extraordinary public art exhibition of Venet’s “monumental sculptures” now on view? Unveiled in January by the sponsoring Texan-French Alliance for the Arts, and sited by the artist and McClain Gallery, the giant pieces in this exhibition will remain on view in various locations in the park through the end of September.

    4. Attend a free concert at Rice University’s Shepherd School of Music

    On countless evenings, my pitch-sensitive ears have reveled in the sound of beautiful classical music performed in the tiny jewel box of perfect acoustics known as Duncan Recital Hall, located within Rice University’s Alice Pratt Brown Hall.

    I’ve attended Duncan Hall concerts featuring young Shepherd students who surprised and delighted me with their advanced level of artistry. I’ve also enjoyed free faculty concerts featuring internationally acclaimed virtuosos like violinist Cho-Liang Lin. On a recent Saturday evening, after hearing works by Tchaikovsky and Bartok splendidly performed by the Shepherd School Symphony Orchestra in Stude Concert Hall, I left feeling quite allegro.

    5. Tour Gallery Row

    About once a month, early on a specified Saturday evening, art galleries lining Gallery Row on Colquitt and Lake Streets (near the Richmond-Kirby intersection) present opening receptions highlighting new exhibitions. Art lovers can meet the featured artist, learn something about new art trends, sip a glass of wine, and chat with like-minded guests as they view fascinating pictures and sculptures at Laura Rathe, Moody, McMurtrey, Thornwood and other fine galleries. The next round of receptions is set for 6 p.m. tonight.

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    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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