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    Art in the Park

    Some artists worth finding at the Bayou City Art Festival

    Joseph Campana
    Mar 28, 2010 | 12:00 am
    • Vic Lee
    • Paul Pearman
    • Noberto Clemente
    • Vic Lee
    • Paul Pearman

    Editors Note: It's the last day of the Bayou City Art Festival, so we're reposting this guide to some artists worth checking out:

    What do a field of golden Humpty Dumpties, a mosaic belt buckle depicting Van Gogh’s Starry Night, and a child with a balloon riding a blue bull all have in common? If you’re stumped head to Memorial Park and search the booths of the Bayou City Art Festival.

    This outdoor celebration of contemporary American art and craft runs Friday through Sunday, and if you’re willing to pony up $10 for admission, you’re guaranteed the artists will explain their work before you buy. Twice a year the Art Colony Association presents the Bayou City Art Festival with a spring festival in Memorial Park and an autumn festival downtown (October 9-10).

    The festival combines the best of a juried art show with the approachability of a carnival, featuring food, fun, countless performances organized by the Houston Arts Alliance, and 300 artists, selected from 1200 applicants, eager to talk about their creative labors, the products of which are available and on sale. No doubt this atmosphere helped earn the festival a nod from AmericanStyle magazine as one of the top 10 art festivals in the country.

    Ransacking 300 hundred booths may seem daunting, but make sure you tear yourself away from the theater, folk dance, flamenco, and other absorbing performances. Here are some artists worth finding:

    Vic Lee has Houston in mind in his haunting but playful Waiting to Fly featuring a blue bull with rider poised before a Houston skyline. It was created specifically for the Bayou City Art Festival as the featured artwork, so it appears on most of the festival’s promotional materials.

    This provides great exposure for an artist who was first a soccer player, an athletic club owner, a cartoonist, and a student of theology before religious quandaries encouraged him to pick up a brush and create distinctive renderings of a world wearing a halo of mystery. Lee’s painting began in response to religious questions, and his career should be encouraging to artists trying to get a start.

    “I have no art training,” he says, but “I can’t help but believe that within us all is a messenger in search of a delivery system.”

    Norberto Clemente also finds artistic inspiration in the revelations of religion. This Cuban-born, Houston-based artist manages to be surreal, expressive, disciplined, and colorful all at once. Portraits of saints co-exist with human-animal hybrids and inviting tropical landscapes. Also self-taught, Clemente felt his calling at a young age and though he describes art as “a wild beast,” his paintings are polished and often serene.

    You may wish Paul Pearman would create custom mosaics throughout your entire home, but you can visit this Augusta, Ga., artist and walk away with a custom belt buckle lively enough for any Texan. Pearman works in a variety of media but primarily glass. He is, as mentioned, the master of the buckle, mounting “Art for the Hips” (Van Gogh’s Starry Night) on waistlines rather than museum walls. But he’s also an expert in stained glass, sculpture, and graphic design. For a black belt and the 1989 Guinness World Record for the longest skateboard jump (over 26 barrels), Pearman’s artistic philosophy is suitably bold: “Thinking outside the box is one thing – not having a box is another.”

    He may have fallen but Humpty Dumpty rises again in the quirky sculpture of Minneapolis artist Kimber Fiebiger, last year’s Bayou City Art Festival featured artist. These golden beauties begin with a steel rebar skeleton before coatings of clay, plastic, and other materials prepare the way for the bronzing. If you can’t resist cracking into some of these works, a small sculpture the size of an actual chicken egg won’t set you back too badly.

    The latest sports car of your dreams may be out of reach in this economy, but Jay Garrison’s “Found Object Assemblages” might prove equally delightful and far less expensive. These “conversation pieces” as he calls them — cars, motorcycles, planes, trains, and balloons — may not fly, but they do fascinate. It’s as if the leftover pieces of something you assembled yourself were collected and then crafted into fantasies of locomotion. “Recycling at its finest,” Garrison calls it, but there’s plenty of sweet novelty in these found objects.

    The Bayou City Art Festival lets you play arts patron, but best of all KTRH 740 AM sponsored a “People’s Choice” slot in the festival. Ten artists vied for the crown. Check out the choices and the winner.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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