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    Art in the Park

    Some artists worth finding at the Bayou City Art Festival

    Joseph Campana
    Mar 28, 2010 | 12:00 am
    • Vic Lee
    • Paul Pearman
    • Noberto Clemente
    • Vic Lee
    • Paul Pearman

    Editors Note: It's the last day of the Bayou City Art Festival, so we're reposting this guide to some artists worth checking out:

    What do a field of golden Humpty Dumpties, a mosaic belt buckle depicting Van Gogh’s Starry Night, and a child with a balloon riding a blue bull all have in common? If you’re stumped head to Memorial Park and search the booths of the Bayou City Art Festival.

    This outdoor celebration of contemporary American art and craft runs Friday through Sunday, and if you’re willing to pony up $10 for admission, you’re guaranteed the artists will explain their work before you buy. Twice a year the Art Colony Association presents the Bayou City Art Festival with a spring festival in Memorial Park and an autumn festival downtown (October 9-10).

    The festival combines the best of a juried art show with the approachability of a carnival, featuring food, fun, countless performances organized by the Houston Arts Alliance, and 300 artists, selected from 1200 applicants, eager to talk about their creative labors, the products of which are available and on sale. No doubt this atmosphere helped earn the festival a nod from AmericanStyle magazine as one of the top 10 art festivals in the country.

    Ransacking 300 hundred booths may seem daunting, but make sure you tear yourself away from the theater, folk dance, flamenco, and other absorbing performances. Here are some artists worth finding:

    Vic Lee has Houston in mind in his haunting but playful Waiting to Fly featuring a blue bull with rider poised before a Houston skyline. It was created specifically for the Bayou City Art Festival as the featured artwork, so it appears on most of the festival’s promotional materials.

    This provides great exposure for an artist who was first a soccer player, an athletic club owner, a cartoonist, and a student of theology before religious quandaries encouraged him to pick up a brush and create distinctive renderings of a world wearing a halo of mystery. Lee’s painting began in response to religious questions, and his career should be encouraging to artists trying to get a start.

    “I have no art training,” he says, but “I can’t help but believe that within us all is a messenger in search of a delivery system.”

    Norberto Clemente also finds artistic inspiration in the revelations of religion. This Cuban-born, Houston-based artist manages to be surreal, expressive, disciplined, and colorful all at once. Portraits of saints co-exist with human-animal hybrids and inviting tropical landscapes. Also self-taught, Clemente felt his calling at a young age and though he describes art as “a wild beast,” his paintings are polished and often serene.

    You may wish Paul Pearman would create custom mosaics throughout your entire home, but you can visit this Augusta, Ga., artist and walk away with a custom belt buckle lively enough for any Texan. Pearman works in a variety of media but primarily glass. He is, as mentioned, the master of the buckle, mounting “Art for the Hips” (Van Gogh’s Starry Night) on waistlines rather than museum walls. But he’s also an expert in stained glass, sculpture, and graphic design. For a black belt and the 1989 Guinness World Record for the longest skateboard jump (over 26 barrels), Pearman’s artistic philosophy is suitably bold: “Thinking outside the box is one thing – not having a box is another.”

    He may have fallen but Humpty Dumpty rises again in the quirky sculpture of Minneapolis artist Kimber Fiebiger, last year’s Bayou City Art Festival featured artist. These golden beauties begin with a steel rebar skeleton before coatings of clay, plastic, and other materials prepare the way for the bronzing. If you can’t resist cracking into some of these works, a small sculpture the size of an actual chicken egg won’t set you back too badly.

    The latest sports car of your dreams may be out of reach in this economy, but Jay Garrison’s “Found Object Assemblages” might prove equally delightful and far less expensive. These “conversation pieces” as he calls them — cars, motorcycles, planes, trains, and balloons — may not fly, but they do fascinate. It’s as if the leftover pieces of something you assembled yourself were collected and then crafted into fantasies of locomotion. “Recycling at its finest,” Garrison calls it, but there’s plenty of sweet novelty in these found objects.

    The Bayou City Art Festival lets you play arts patron, but best of all KTRH 740 AM sponsored a “People’s Choice” slot in the festival. Ten artists vied for the crown. Check out the choices and the winner.

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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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