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    Art in the Park

    Some artists worth finding at the Bayou City Art Festival

    Joseph Campana
    Mar 28, 2010 | 12:00 am
    • Vic Lee
    • Paul Pearman
    • Noberto Clemente
    • Vic Lee
    • Paul Pearman

    Editors Note: It's the last day of the Bayou City Art Festival, so we're reposting this guide to some artists worth checking out:

    What do a field of golden Humpty Dumpties, a mosaic belt buckle depicting Van Gogh’s Starry Night, and a child with a balloon riding a blue bull all have in common? If you’re stumped head to Memorial Park and search the booths of the Bayou City Art Festival.

    This outdoor celebration of contemporary American art and craft runs Friday through Sunday, and if you’re willing to pony up $10 for admission, you’re guaranteed the artists will explain their work before you buy. Twice a year the Art Colony Association presents the Bayou City Art Festival with a spring festival in Memorial Park and an autumn festival downtown (October 9-10).

    The festival combines the best of a juried art show with the approachability of a carnival, featuring food, fun, countless performances organized by the Houston Arts Alliance, and 300 artists, selected from 1200 applicants, eager to talk about their creative labors, the products of which are available and on sale. No doubt this atmosphere helped earn the festival a nod from AmericanStyle magazine as one of the top 10 art festivals in the country.

    Ransacking 300 hundred booths may seem daunting, but make sure you tear yourself away from the theater, folk dance, flamenco, and other absorbing performances. Here are some artists worth finding:

    Vic Lee has Houston in mind in his haunting but playful Waiting to Fly featuring a blue bull with rider poised before a Houston skyline. It was created specifically for the Bayou City Art Festival as the featured artwork, so it appears on most of the festival’s promotional materials.

    This provides great exposure for an artist who was first a soccer player, an athletic club owner, a cartoonist, and a student of theology before religious quandaries encouraged him to pick up a brush and create distinctive renderings of a world wearing a halo of mystery. Lee’s painting began in response to religious questions, and his career should be encouraging to artists trying to get a start.

    “I have no art training,” he says, but “I can’t help but believe that within us all is a messenger in search of a delivery system.”

    Norberto Clemente also finds artistic inspiration in the revelations of religion. This Cuban-born, Houston-based artist manages to be surreal, expressive, disciplined, and colorful all at once. Portraits of saints co-exist with human-animal hybrids and inviting tropical landscapes. Also self-taught, Clemente felt his calling at a young age and though he describes art as “a wild beast,” his paintings are polished and often serene.

    You may wish Paul Pearman would create custom mosaics throughout your entire home, but you can visit this Augusta, Ga., artist and walk away with a custom belt buckle lively enough for any Texan. Pearman works in a variety of media but primarily glass. He is, as mentioned, the master of the buckle, mounting “Art for the Hips” (Van Gogh’s Starry Night) on waistlines rather than museum walls. But he’s also an expert in stained glass, sculpture, and graphic design. For a black belt and the 1989 Guinness World Record for the longest skateboard jump (over 26 barrels), Pearman’s artistic philosophy is suitably bold: “Thinking outside the box is one thing – not having a box is another.”

    He may have fallen but Humpty Dumpty rises again in the quirky sculpture of Minneapolis artist Kimber Fiebiger, last year’s Bayou City Art Festival featured artist. These golden beauties begin with a steel rebar skeleton before coatings of clay, plastic, and other materials prepare the way for the bronzing. If you can’t resist cracking into some of these works, a small sculpture the size of an actual chicken egg won’t set you back too badly.

    The latest sports car of your dreams may be out of reach in this economy, but Jay Garrison’s “Found Object Assemblages” might prove equally delightful and far less expensive. These “conversation pieces” as he calls them — cars, motorcycles, planes, trains, and balloons — may not fly, but they do fascinate. It’s as if the leftover pieces of something you assembled yourself were collected and then crafted into fantasies of locomotion. “Recycling at its finest,” Garrison calls it, but there’s plenty of sweet novelty in these found objects.

    The Bayou City Art Festival lets you play arts patron, but best of all KTRH 740 AM sponsored a “People’s Choice” slot in the festival. Ten artists vied for the crown. Check out the choices and the winner.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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