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    Movie Review

    Sandra Bullock and Channing Tatum navigate a comedic jungle in The Lost City

    Alex Bentley
    Mar 24, 2022 | 11:20 am
    Channing Tatum and Sandra Bullock in The Lost City.play icon
    Channing Tatum and Sandra Bullock in The Lost City.
    Photo courtesy of Paramount Pictures

    Although it was easy to miss while it was happening, it’s clear now that Sandra Bullock has been slowly but surely pulling away from acting. Bullock, who was pretty much good for at least one movie every year between 1992 and 2009, has been spacing out her appearances in the 2010s while she raised her kids. Now, she’s announced that The Lost City will be her final starring role for a good while so she can spend more time with her family.

    On the surface, the film fits right in with the rest of her filmography, which has featured mostly broadly appealing movies. Bullock stars as romance author Loretta Sage, who has grown tired of writing her series about Dash McMahon, especially since people have become much more interested in the cover model hired to depict the hunk, Alan Caprison (Channing Tatum), than her.

    That is, everybody except Abigail Fairfax (Daniel Radcliffe), a billionaire who believes that Loretta and her late archaeologist husband discovered the location of a lost city in their research. Fairfax kidnaps her and takes her to a remote island in the Atlantic Ocean. It’s up to Alan, Loretta’s agent Beth (Da’Vine Joy Randolph), and a very famous movie star in an extended cameo to rescue Loretta.

    Written and directed by the brother team of Aaron and Adam Nee, with help from co-writers Oren Uziel and Dana Fox, the film is very much a tale of two halves. During the set-up half of the film, laughs and even a bit of emotion come easily as the characters and the ridiculous plot are established. The first half also includes a hilarious turn by that very famous movie star — Brad Pitt — as an expert in pulling off high-stakes rescues.

    Unfortunately, the second half of the film fails to live up to the first as the filmmakers go down a series of rabbit holes that are neither funny nor thrilling. The premise of the film is supposed to put Loretta and Alan at odds at all times, but they wind up being equally clueless, defusing any narrative tension. Anyone hoping for an updated version of Romancing the Stone will be disappointed, as the romantic angle between the two of them doesn’t work either.

    The film also does a pretty bad job at making its location in an island jungle believable. Using what appears to be a combination of sets on a back lot and CGI, most of the film looks and feels fake. Even the scenes where it’s clear they’re actually outside have a veneer of falsity. It’s not a surprise they went that direction in the time of comic book movies, but the lack of effort into making the scenes feel like they’re in a real location is disappointing.

    Both Bullock and Tatum are game for whatever the filmmakers throw their way, but each of them has been much funnier elsewhere in their careers. Bullock maintains the relatable appeal that she’s had in most of her movies, but she can’t quite put the story over the top. Tatum pokes fun at the idea that he’s just known for his physique, but his performance still winds up being one-note.

    The Lost City is a middling adventure comedy that could’ve used a lot more of both genres. If this is to be Bullock’s last starring role for a while (she has a small role in the upcoming Bullet Train), it’s too bad it had to be in a film that doesn’t live up to its — or her — potential.

    ---

    The Lost City opens in theaters on March 25.

    Channing Tatum and Sandra Bullock in The Lost City.

    Channing Tatum and Sandra Bullock in The Lost City
    Photo courtesy of Paramount Pictures
    Channing Tatum and Sandra Bullock in The Lost City.
    movies
    news/entertainment

    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

    filmmakingmoviemaker magazinerankingscity lifeentertainmenthouston
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