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    Movie Review

    Ryan Reynolds and Deadpool team fail to blast off in outer space-set Life

    Alex Bentley
    Mar 23, 2017 | 4:52 pm
    Ryan Reynolds and Deadpool team fail to blast off in outer space-set Life
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    When first we meet the characters in Life, they are already deep into the storyline that the film centers around. Located aboard the International Space Station, they are awaiting the return of a Mars probe that had been sent to collect rock samples and, perhaps, signs of life on the red planet.

    Per the rules set up by Alien almost 40 years ago, the crew is a multicultural and multinational one. It includes Roy and David (Ryan Reynolds and Jake Gyllenhaal), the two Americans; Miranda and Hugh (Rebecca Ferguson and Ariyon Bakare), two Brits; mission leader Kat (Olga Dihovichnaya), a Russian; and Sho (Hiroyuki Sanada), who’s Japanese.

    Hugh, a biologist, tries to coax a proto-life form into the world of the living. What at first seems fascinating soon turns terrifying as the creature grows rapidly and becomes deadly. The crew must try to contain the alien not just for the sake of their own survival, but so that it doesn’t find its way to Earth.

    Director Daniel Espinosa and his crew set the scene very effectively. With the film takes place entirely onboard the ISS, the characters are required to be in zero gravity the entire time, a notoriously hard thing to portray. But Espinosa uses a combination of visual effects and camera trickery that makes for a seamless visual experience.

    Written by Rhett Reese and Paul Wernick, the same duo who wrote Reynolds’ Deadpool, the film is heavy on jokes from Reynolds and scares in general, but relatively light in the logic department. One minute, the group is following every protocol they have down to the letter; the next, they’re throwing all caution to the wind, even if it means giving the alien a chance to escape.

    And then there are the rules they set up for the alien itself, or rather, the lack of them. What makes the creature so terrifying, aside from its bloodlust, is its ability to adapt to different conditions. Yet, as it makes its way around the space station, the remaining crew members keep trying to kill it by certain methods even though it has already proven that those methods are useless.

    Despite the lack of setup in the film, the actors do a great job of establishing their characters. Especially notable are Ferguson, Bakare, and Sanada, who each bring a sensitivity to their roles that make you root extra hard for them. Reynolds could’ve stood to be reined in some more, but Gyllenhaal delivers his usual good performance.

    Thanks to a few too many flaws, Life will likely not find the extended movie life of the predecessors to which it owes a huge debt. But it offers up enough genuine thrills and chills in its brief 103 minutes to make for a passable time at the movies.

    Jake Gyllenhaal and Rebecca Ferguson in Life.

    Jake Gyllenhaal and Rebecca Ferguson in Life
    Photo courtesy of Sony Pictures
    Jake Gyllenhaal and Rebecca Ferguson in Life.
    movies
    news/entertainment

    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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