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    Scenes from SXSW

    Who needs credentials? At South by Southwest, the best in free music abounds

    Susan Darrow
    Mar 21, 2010 | 11:42 am

    If you were looking to catch popular acts at South By Southwest (SXSW) Music this week in Austin without a conference badge or wristband, there was no need to queue up for a slim chance to catch an oversubscribed official evening showcase. Thanks to the hundreds of unofficial daytime parties and other events, there were plenty of options for free music and (and sometimes free food) for all.

    You could check out some of the hottest acts in town just by getting up early. Each weekday during the music conference, KGSR Austin produced a daily live radio show in the lobby bar at the Four Seasons Hotel. The morning broadcasts, a South By Southwest tradition, offered conference attendees and locals alike the chance to get a taste of some of the festival’s most popular acts (plus breakfast tacos and pastries) from 6-10 a.m. in exchange for a $5 donation to a local charity. KGSR’s performers this year included John Hiatt, She and Him, BoDeans, the Texas Tornados, Jakob Dylan, The Court Yard Hounds, Rogue Wave and Raul Malo.

    In previous years, Lyle Lovett has been known to sit in with the KGSR crew to read the early-morning weather forecast, although a tour of New Zealand and Australia kept him from his meteorological duties this go around.

    The KGSR broadcasts have grown dramatically in popularity and now regularly spill out of the lobby bar into the packed foyer of the hotel. Among the celebrities spotted this year during the morning broadcasts were Robert Duvall, Sissy Spacek and Bill Murray.

    Once breakfast was over, endless opportunities for unofficial musical entertainment presented themselves.

    The always-popular New West party, which moved this year from its longstanding location at Club DeVille on Red River to The Belmont on West 6th Street, seemed right at home in its new site. The club's multi-tiered, indoor/outdoor structure offered improved sight lines and better acoustics. George Fontaine, Jr., head of New West’s Athens office, pointed out the new location offers the added benefit of avoiding sound bleed-over from the heavy metal acts at a next-door party, a frequent issue in the old locale.

    Performers included New West recording artists Buddy Miller and Hiatt, who took the stage wearing the same dapper jacket and tie that he had worn for his early-morning KGSR appearance at the Four Seasons. In addition to songs from his new album, The Open Road, Hiatt and his Combo blazed through favorites like “Tennessee Plates” and “Riding With The King.”

    New West had extra reason to celebrate this year following their Academy Award win. The label’s Crazy Heart Soundtrack claimed the prize for Best Original Song for “The Weary Kind” by Ryan Bingham and T Bone Burnett.

    Across town, right beside the former site of the Armadillo World Headquarters, the mecca for music lovers in Austin in the 1970s, things were hopping at Threadgill’s. Music Fog, an Internet video blog venture started by former XM Radio Americana program director Jessie Scott, filmed a four-day schedule filled with talent for future music videos.

    Texas music legend Joe Ely shared the Music Fog bill with Americana luminaries Ray Wylie Hubbard and Gurf Morlix. As patrons crowded into the back room, Ely performed acoustic versions of favorites like “Slow You Down,” “A Little Like Love,” David Halley’s “Hard Livin’“ and Billy Joe Shaver’s “Live Forever.” Post-concert, Ely greeted fans, posed for photos, and stuck around for lunch with friends. Among the many well-wishers stopping by the table to greet Ely were noted music critic and rock historian Dave Marsh, who had just finished interviewing Smokey Robinson at the SXSW keynote session, and Peyton Wimmer, head of Austin Art and Music Partnership.

    Ely will perform in Houston April 17, when he brings a full band featuring guitarist David Grissom to the Houston International Festival.

    South Congress also presented many fine options for daytime entertainment indoors and out, with many of the largest crowds gathering for the show in the parking lot of the trendy Hotel San Jose.

    At the South By San Jose Parking Lot Party stage, musicians performed all afternoon and into the early evening. Billy Joe Shaver, who headlined the line-up, entertained the San Jose crowd with a raucous set that included “The Hottest Thing In Town,” “Try and Try Again” and “Honeybee.”

    Long famous as one of Texas’ finest songwriters (recorded by everyone from Willie Nelson and Waylon Jennings to Elvis Presley),Shaver recently got some unwanted notoriety in connection with charges stemming from a 2007 Waco shooting incident. According to the Austin American Statesman, Shaver’s trial date has been set for April 5, when he will be represented by superstar Houston attorney Dick DeGuerin.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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